A publishing event ten years in the making—a searing, exquisite new novel by the best-selling and award-winning author of Americanah and We Should All Be Feminists—the story of four women and their loves, longings, and desires. Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until — betrayed and brokenhearted — she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America – but faces an unthinkable hardship that threatens all she has worked to achieve. In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power. It confirms Adichie’s status as one of the most exciting and dynamic writers on the literary landscape.

In this exhilarating novel, two friends—often in love, but never lovers—come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

Black Swans is a collection of nine stories that look back on the 1980s and early 1990s—decades of dreams, drink, and stoned youth turning Republican. Babitz prowls California, telling tales of a changing world. She writes about the Rodeo Gardens, about AIDS, about learning to tango, about the Hollywood Cemetery, about the self-enchanted city, and, most important, about the envy and jealousy underneath it all. Babitz’s inimitable voice propels these stories forward, corralling everything that gets in their sex, rage, the Château Marmont, youth, beauty, Jim Morrison, men, women, and black swans. This exciting reissue further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

Jacaranda is a dreamy young woman moving between the planets of Los Angeles and New York City. She’s a beach bum, a part-time painter of surfboards, sun-kissed and beautiful. Jacaranda has an on-again, off-again relationship with a married man and glitters among the city’s pretty creatures, blithely drinking White Ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California. Yet she lacks a purpose―so at twenty-eight, jobless, she moves to New York to start a new life and career, eager to make it big in the world of New York City. Sex and Rage delights in its sensuous, dreamlike narrative and spontaneous embrace of fate, work, and of certain meetings and chances. Jacaranda moves beyond the tango of sex and rage into the open challenge of a defined and more fulfilling expressive life. Sex and Rage further solidifies Eve Babitz's place as a singularly important voice in Los Angeles literature―haunting, alluring, and alive.

What do children know that adults can’t begin to believe? The answer is hidden in plain sight in this haunting short story by the bestselling author of Her Body and Other Parties. Tiger, tiger, burning bright, in the forests of the night. In the town of Never-Again, Pennsylvania, this hand-game song contains a history—centuries of inexplicable tiger sightings. A researcher arrives to write yet another academic paper about the well-studied town, called “Big Cats in the Children’s Hand-Games of Never-Again, Pennsylvania.” Nobody expects to find new clues—but, years after a scene of unimaginable violence, the truth about this childish chant is about to come out. Carmen Maria Machado’s Bloody Summer is part of Trespass, a collection of wild stories about animal instincts, human folly, and survival from award-winning, bestselling authors. Read or listen to each in a single sitting.

For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

An awe-inspiring, often hilarious, and unerringly honest story of one mother's exercise in extreme parenting, revealing the rewards—and the costs—of raising her children the Chinese way. "This is a story about a mother, two daughters, and two dogs. This was supposed to be a story of how Chinese parents are better at raising kids than Western ones. But instead, it's about a bitter clash of cultures, a fleeting taste of glory, and how I was humbled by a thirteen-year-old." —Amy Chua All decent parents want to do what's best for their children. What Battle Hymn of the Tiger Mother reveals is that the Chinese just have a totally different idea of how to do that. Western parents try to respect their children's individuality, encouraging them to pursue their true passions and providing a nurturing environment. The Chinese believe that the best way to protect your children is by preparing them for the future and arming them with skills, strong work habits, and inner confidence. Battle Hymn of the Tiger Mother chronicles Chua's iron-willed decision to raise her daughters, Sophia and Lulu, her way—the Chinese way—and the remarkable results her choice inspires. Here are some things Amy Chua would never allow her daughters to do: - have a playdate - be in a school play - complain about not being in a school play - not be the #1 student in every subject except gym and drama - play any instrument other than the piano or violin - not play the piano or violin The truth is Lulu and Sophia would never have had time for a playdate. They were too busy practicing their instruments (two to three hours a day and double sessions on the weekend) and perfecting their Mandarin. Of course no one is perfect, including Chua herself. Witness this scene: "According to Sophia, here are three things I actually said to her at the piano as I supervised her practicing: - Oh my God, you're just getting worse and worse. - I'm going to count to three, then I want musicality. - If the next time's not PERFECT, I'm going to take all your stuffed animals and burn them!" But Chua demands as much of herself as she does of her daughters. And in her sacrifices—the exacting attention spent studying her daughters' performances, the office hours lost shuttling the girls to lessons—the depth of her love for her children becomes clear. Battle Hymn of the Tiger Mother is an eye-opening exploration of the differences in Eastern and Western parenting—and the lessons parents and children everywhere teach one another.

In Five Years meets a millennial The Joy Luck Club in the adult debut from the author of YA Reese Pick Throwback— a funny and fresh love story of a woman thrown a curveball by fate, and the family secret that will make her question everything.She’s seen what her happily ever after looks like. And it’s not him.Cassia Park believes in soul mates. Fated love stories. It’s her family business, after all—for centuries, from Korea to Los Angeles, the Park women have peered into clients’ past lives to find their one true love, their “fated”. This magical secret is why One & Only Matchmaking has a 100% guarantee … for everyone but Cassia.Afraid of ending up like her mom, Cassia asked to be told her fated—ten years ago. Now she’s days from turning forty and she still hasn’t found him.Enter Ellis. He’s twenty-eight, indecently handsome, and not destined to be the love of her life. But destiny has more than one curveball ready, and her surprising connection with Ellis might be the key that unlocks finding her fated—and reveals a family secret that will make her question everything she’s ever her family, her belief in love, and truth itself.Cassia will have to decide if she’ll follow her fate … or make her own.

Hazel Sinnett is alone and half convinced the events of the year before—the immortality, Beecham’s vial—were a figment of her imagination. She doesn’t even know if Jack is alive or dead. All she can really do now is treat patients and maintain Hawthornden Castle as it starts to decay around her. When saving a life leads to her arrest, Hazel seems doomed to rot in prison until a message intervenes: Hazel has been specifically requested to be the personal physician of Princess Charlotte, the sickly granddaughter of King George III. Soon Hazel is dragged into the glamour and romance of a court where everyone has something to hide, especially the enigmatic, brilliant members of a social club known as the Companions to the Death. As Hazel’s work entangles her more and more with the British court, she realizes that her own future as a surgeon isn't the only thing at stake for her. Malicious forces are at work in the monarchy, and Hazel may be the only one capable of setting things right.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

Wealth. Power. Murder. Magic. Alex Stern is back and the Ivy League is going straight to hell. Find a gateway to the underworld. Steal a soul out of hell. A simple plan, except people who make this particular journey rarely come back. But Galaxy “Alex” Stern is determined to break Darlington out of purgatory―even if it costs her a future at Lethe and at Yale. Forbidden from attempting a rescue, Alex and Dawes can’t call on the Ninth House for help, so they assemble a team of dubious allies to save the gentleman of Lethe. Together, they will have to navigate a maze of arcane texts and bizarre artifacts to uncover the societies’ most closely guarded secrets, and break every rule doing it. But when faculty members begin to die off, Alex knows these aren’t just accidents. Something deadly is at work in New Haven, and if she is going to survive, she’ll have to reckon with the monsters of her past and a darkness built into the university’s very walls. Thick with history and packed with Bardugo’s signature twists, Hell Bent brings to life an intricate world full of magic, violence, and all too real monsters.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.