Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition. The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

In a house full of sadness and secrets, can young, orphaned Mary find happiness? Mary Lennox, a spoiled, ill-tempered, and unhealthy child, comes to live with her reclusive uncle in Misselthwaite Manor on England’s Yorkshire moors after the death of her parents. There she meets a hearty housekeeper and her spirited brother, a dour gardener, a cheerful robin, and her wilful, hysterical, and sickly cousin, Master Colin, whose wails she hears echoing through the house at night. With the help of the robin, Mary finds the door to a secret garden, neglected and hidden for years. When she decides to restore the garden in secret, the story becomes a charming journey into the places of the heart, where faith restores health, flowers refresh the spirit, and the magic of the garden, coming to life anew, brings health to Colin and happiness to Mary.

Chris Riddell's brilliant new full-colour illustrated Alice’s Adventures in Wonderland in a sumptuous hardback and jacketed edition. A perfect gift for families, children and all fans of this much-loved favourite classic. First published by Macmillan more than 150 years ago, Lewis Carroll’s iconic story has been loved and enjoyed by generations of children. This edition presents Lewis Carroll's complete text, with new illustrations from Costa Award- and Kate Greenaway Medal-winner Chris Riddell. Published 200 years after the birth of Alice’s first illustrator, Sir John Tenniel, also the political cartoonist of his time, Chris Riddell's illustrations set a new bar in terms of excellence with his unique, rich and evocative interpretation of Carroll's world. With the curious, quick-witted Alice at its heart, readers will not only rediscover characters such as the charming White Rabbit, the formidable Queen of Hearts, the Mad Hatter and the grinning Cheshire Cat but will find fresh and wonderful creations of these characters by a true master of his art,; images that will live in our hearts and minds for generations to come.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

Heartstopper meets Buffy in this queer paranormal rom-com where a college freshman must navigate suddenly becoming a vampire, the underground society he's now part of, and the cute boy who discovers his secret. It’s only natural nineteen-year-old Brennan’s life would be upended by something as ridiculous and unexpected as turning into a vampire. But if there’s one thing Brennan can do, it’s pretend everything’s fine when he’s close to losing his mind. Brennan is nineteen and just clawed his way back to Sturbridge University after recovering from a suicide attempt, and this is not the new life he was hoping for. Brennan’s newly bloodthirsty existence gets way more complicated when Cole, the super cute librarian and everyone’s campus crush, stumbles on Brennan drinking from a stolen blood bag. Luckily, adorable Cole is happy to keep Brennan’s secret, and even seems to maybe like him? Navigating a new relationship is hard enough without the added struggles of vampire puberty, an eclectic clan of self-proclaimed “good” vampires, and growing feelings for the one person who makes Brennan feel normal. With swirling rumors of a missing student and a rise in strange “animal attacks” near campus, Brennan must uncover the secrets of the clan and figure out how to balance vampirism and humanity, or risk losing the first real friends he’s ever had. Filled with humor and heart, The Good Vampire's Guide to Blood and Boyfriends has a gentle bite.

How a new “woke” elite uses the language of social justice to gain more power and status—without helping the marginalized and disadvantaged Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged. We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion. A powerful critique, We Have Never Been Woke reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.