A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence.Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve. Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.

Begun in 1992 in New York City, the Lesbian Avengers quickly became a global movement, with more than fifty chapters worldwide. Fighting for the visibility and survival of lesbians everywhere, the Lesbian Avengers demanded school boards teach about lesbian lives, took over homophobic radio and TV stations, crisscrossed the U.S. in pride rides, unleashed plagues of crickets on ungodly ministries, integrated homecoming parades, and marched en masse in cities from Washington, D.C. and New Orleans to Vancouver and London. We also took out gay activism where it had rarely been before, into the heart of heartland politics, successfully beating back anti-gay legislation in rural Idaho. Almost two decades later, it's time to share the Lesbian Avengers' story and skills with a new generation. All you need are daring, creativity, and organization to subvert your enemies, and wake up your friends. Politics isn't just for the rich and connected. Your city and country are yours. Using the power of the street, direct action will give you a voice even if you don't have your own lobbyists and war chests. In that spirit, I'm pleased to present the third edition of The Lesbian Avenger Handbook: A Handy Guide to Homemade Revolution. Typos have been corrected, and tech advances have been acknowledged to bring us into the 21st century. So get busy. Wreak havoc. Avenge. Kelly Cogswell Lesbian Avenger Documentary Project July 24, 2011

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world. Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization―and even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual and gender violence, and strip trans and queer people of their rights to pursue a life without fear of violence. The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless―a book whose verve and rigor only they could deliver.

A deeply researched and highly readable cultural history of queer women’s lives in the second half of the twentieth century, told through six iconic spaces For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own , journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore. Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women’s spaces of the ’70s toward today’s more inclusive yet more diffuse LGBTQ+ communities. At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history—and timeless present—of the lesbian community to vivid life.

LGBTQ+ histories and identities come out of the National Trust's properties in these touching, poignant and revealing stories. National Trust houses and landscapes might seem to embody conventional family values, but for generations some very different stories were hidden away. These belong to owners now considered queer for defying the norms of sexual orientation or gender identity – sometimes blatantly, occasionally as open secrets, but most often very discreetly. Michael Hall explores not only the best-known examples of sexual difference, such as Lawrence of Arabia at Clouds Hill, Vita Sackville-West at Sissinghurst and the 'Dancing Marquess' at Plas Newydd; he also covers more recently unveiled stories, such as the lesbian community at Smallhythe and the homosexual scandals associated with Clumber. Then there were the quietly confirmed bachelors, keen to pass their properties and collections to the Trust for posterity...These stories are set against the queer history of the National Trust itself, such as its foundation in 1895 against the backdrop of Oscar Wilde's trials; hidden queer influences within the Trust in its early days; and the role of homophobia in its reorganisation in the 1960s.

Secretly gay school bullies. Punks with make-up tips. Heroic hairdressers. Queer parents. Suburban pride marches. Police hassle.With nods of recognition and unexpected flirtations, chosen families and desperate escapes, this is a new way of seeing a place where things aren't always as straightforward - or straight - as they seem.'Breaks new ground' - David Kynaston'Grindrod is one of the best chroniclers of British life' - Jude RogersThroughout LGBTQ+ history, suburbia has been seen as somewhere to escape a place where heterosexuality rules; where difference will not be tolerated; where you'll never find a soulmate. But for many, those streets of twitching curtains and pebble-dashed semis were - or still are - a place to call home.From Addlestone to Wilmslow, Tales of the Suburbs explores the relatively untold twentieth century tale of lesbian, gay, bisexual, trans and queer people in small towns and suburbia. Through remarkable archive material and original interviews, social historian John Grindrod reveals stories that are messy and moving, dark and funny, uplifting and extraordinary. Together, they reclaim suburbia as a space for all - or those that want it - where counter-cultural expression thrives despite the Neighbourhood Watch, and queer love and friendship bloom against the odds.

A blisteringly passionate and page-turning story of desire, art, and the stories lost to the darkness of history – for readers of Sarah Waters, Yael van der Wouden, and Alice Winn.Berlin, 1928. Hannah is new to the pleasures and freedoms of the city. An artist, a runaway, she is building a new life, loving without boundaries and sketching with a cutting edge.But the party is ending. Hannah begins a recklessly consuming affair with a powerful man’s wife and it soon threatens to do more than ruin both of their reputations. People are disappearing. The shadows of something unspeakable are growing darker. Her art could be the thing that secures her survival – or will deny her any chance of escape.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

A collection of poems from the winner of the 1995 Nobel Prize for Literature. The poems discover the possibility of a new beginning in many subjects and circumstances. Private memories, classical scenes and humble domestic objects are endowed with talismanic significance and friends and relatives are invoked for their promise and steadfastness.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

Tove Jansson's first book for adults was a memoir, capturing afresh the enchantments and fears of her Helsinki childhood. Restored to its original form, Sculptor's Daughter gives us a glimpse of the mysteries of winter ice, the bonhomie of balalaika parties, and the vastness of Christmas viewed from beneath the tree. Published in a deluxe hardback edition for Christmas 2013, to mark the centenary of Tove Jansson's birth (1914-2014)

A collection of poems from the winner of the 1995 Nobel Prize for Literature. The poems discover the possibility of a new beginning in many subjects and circumstances. Private memories, classical scenes and humble domestic objects are endowed with talismanic significance and friends and relatives are invoked for their promise and steadfastness.