The Murderess is a bone-chilling tale of crime and punishment with the dark beauty of a backwoods ballad. Set on the dirt-poor Aegean island of Skiathos, it is the story of Hadoula, an old woman living on the margins of society and at the outer limits of respectability. Hadoula knows about herbs and their hidden properties, and women come to her when they need help. She knows women’s secrets and she knows the misery of their lives, and as the book begins, she is trying to stop her new-born granddaughter from crying so that her daughter can at last get a little sleep. She rocks the baby and rocks her and then the terrible truth hits there’s nothing worse than being born a woman, and there’s something that she, Hadoula, can do about that. Peter Levi’s matchless translation of Alexandros Papadiamantis’s astonishing novella captures the excitement and haunting poetry of the original Greek.

This radiant and thrilling debut follows a passionate love affair between two noblewomen who wish to free themselves from their repressive society, whatever the cost. In 17th century Paris, everyone has something to hide. The noblemen and women and writers consort with fortune tellers in the dark confines of their salons, servants practice witchcraft and black magic, and the titled poison family members to obtain inheritance. But for the Baroness Marie Catherine, the only thing she wishes to hide is how unhappy she is in her marriage, and the pleasures she seeks outside of it. When her husband is present, the Baroness spends her days tending to her children and telling them elaborate fairy tales, but when he's gone, Marie Catherine indulges in a more liberated existence, one of salons in grand houses, forward-thinking discussions with female scholars, and at the center of her freedom: Victoire Rose de Bourbon, Mademoiselle de Conti, the androgynous, self-assured countess who steals Marie Catherine's heart and becomes her lover. Victoire possesses everything Marie Catherine does not--confidence in her love, and a brazen fearlessness in all that she's willing to do for it. But when Victoire's passion results in a shocking act of murder, she and Marie Catherine must escape from the tight clutches of Paris' eager chief of police. As they attempt to outwit him, they are led to the darkest corners of Paris and Versailles. What they discover is a city full of lies, mysticism, and people who have secrets they would also kill to keep.

This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead. The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.

Living Things follows four recent graduates – Munir, G, Ernesto and Álex – who travel from Madrid to the south of France to work the grape harvest. Except things don't go as they end up working on an industrial chicken farm and living on a campsite, where a general sense of menace takes hold. What follows is a compelling and incisive examination of precarious employment, capitalism, immigration and the mass production of living things , all interwoven with the protagonist's thoughts on literature and the nature of storytelling. Genre-bending and dystopian, Living Things is a literary eco-thriller, a punk-like blend of Roberto Bolaño's The Savage Detectives and Samanta Schweblin's Fever Dream, and heralds an exciting new voice in international fiction.

'Violette Leduc's novels are works of genius and also a bit peculiar' Deborah Levy, from the introduction An old woman lives alone in a tiny attic flat in Paris, counting out coffee beans every morning beneath the roar of the overhead metro. Starving, she spends her days walking around the city, each step a bid for recognition of her own existence. She rides crowded metro carriages to feel the warmth of other people, and watches the hot batter of pancakes drip from the hands of street-sellers. One morning she awakes with an urgent need to taste an orange; but when she rummages around in the bins she finds instead a discarded fox fur scarf. The little fox fur becomes the key to her salvation, the friend who changes her lonely existence into a playful world of her own invention. The Lady and the Little Fox Fur is a stunning portrait of Paris, of the invisibility we all feel in a big city, and ultimately of the hope and triumph of a woman who reclaims her place in the world.'[Leduc] can capture the smells of a country childhood, dazzle with the lights of the Place de la Concorde or make you feel the silky slither of her eel-grey suit' Observer'This book is as richly humane as anything else you're likely to read' Independent'A forceful affirmation of the human spirit' Guardian

From National Book Award–winning Elisa Shua Dusapin, a subtle yet powerful portrayal of family, secrets, and silence set against the backdrop of a crumbling house in the French countryside—perfect for readers of Katie Kitamura and Elena Ferrante.“A bewitching meditation on tenderness and violence, intimacy and estrangement, The Old Fire will transport you to an ancient and wild place, immersing you in its temperatures and rainfalls, its grief and grace and sound and silence. You won’t be the same when you leave it.” —Tess Gunty, National Book Award–winning author of The Rabbit Hutch Through the window, I can see a light inside. Agathe leaves New York and returns to her home in the French countryside, after fifteen years away. She and her sister Véra have not seen each other in all those years, and they carry the weight of their own complicated lives. But now their father has died, and they must confront their childhood home on the outskirts of a country estate ravaged by a nearby fire before it is knocked down. They have nine days to empty it. As the pair clean and sift through a lifetime’s worth of belongings, old memories, and resentments surface. Tender and tense, haunting and evocative, The Old Fire is Elisa Shua Dusapin’s most personal and moving novel yet. An exploration of time and memory, of family and belonging, it is also a graceful and profound look at the unsaid and the unanswered, the secrets that remain, and whether you can ever really go home again. “A touching, mysterious novel, imbued with the beauty and strangeness of a fairy tale.” —Aysegül Savas, author of The Anthropologists “Dusapin has a rare and ferocious gift for pinning the quick, slippery, liveness of feeling to the Her talent is a thrill to behold.” —Alexandra Kleeman, author of You Too Can Have a Body Like Mine

Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical – and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life. Ishiguro's extraordinary and original study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification – and the highest praise.

Set on the coast of England against the vivid background of the sea, The Waves introduces six characters—three men and three women—who are grappling with the death of a beloved friend, Percival. Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.