The novel that defined Mercè Rodoreda’s most prolific period is finally available in English for the first time. Set in 1920s Spain, Garden by the Sea takes place over six summers at a villa by the sea inhabited by a young couple and their beautiful, rich, joyous friends. They swim, drink, tease each other, and fully enjoy themselves. All the while, the guests are observed by the villa’s gardener, a widow who’s been tending the garden for several decades. As the true protagonist of the novel, we get to see the dissolution of these magical summers through his eyes, as a sense of darkness and ending creeps in, precipitated by the construction of a new, larger, more glamorous villa next door. Considered by many to be one of the greatest writers of the twentieth century, Rodoreda has captivated readers for decades with her exacting descriptions of life—and nature—in post-war Spain, and this novel will further her reputation and fill in an important piece of oeuvre.

Muyu, a seventeen-year-old from a small village, came to Beijing for his piece of the money, love, a good life. But in the city, daily life for him and his friends—purveyors of fake IDs and false papers—is a careful balance of struggle and guile. Surveying the neighborhood from the rooftop of the apartment they all share; the young men play cards, drink beer, and discuss their hopes and aspirations. They watch as others like them—workers, students, drifters, and the just plain unlucky—get by the best ways they know by jogging excessively, herding pigeons, or building cars from scraps. As years pass with no end of the struggle in sight, dreams change shape and slowly recede into the horizon.Beijing Sprawl once again proves Xu Zechen to be one of our best chroniclers of those left behind by the Chinese Dream. In these gritty, interconnected stories, starkly translated from Chinese by Eric Abrahamsen and Jeremy Tiang, of street fights, disappearances, and unfulfilled romances, his characters and the city of Beijing itself come into vivid focus. And for Muyu, like so many of us in the modern world, friendship is rare and unexpected amid the sprawl of progress, and more valuable than an unreachable goal.

The brutally engineered class divisions of Snowpiercer meets Rivers Solomon’s The Deep in this high-octane post-climate disaster novella written by Nommo Award-winning author Suyi Davies Okungbowa Off the coast of West Africa, decades after the dangerous rise of the Atlantic Ocean, the region’s survivors live inside five partially submerged, kilometers-high towers originally created as a playground for the wealthy. Now the towers’ most affluent rule from their lofty perch at the top while the rest are crammed into the dark, fetid floors below sea level. There are also those who were left for dead in the Atlantic, only to be reawakened by an ancient power, and who seek vengeance on those who offered them up to the waves. Three lives within the towers are pulled to the fore of this Yekini, an earnest, mid-level rookie analyst; Tuoyo, an undersea mechanic mourning a tremendous loss; and Ngozi, an egotistical bureaucrat from the highest levels of governance. They will need to work together if there is to be any hope of a future that is worth living―for everyone.

Hell-o-kitty! Master of Japanese horror manga Junji Ito presents a series of hissterical tales chronicling his real-life trials and tribulations of becoming a cat owner. Junji Ito, as J-kun, has recently built a new house and has invited his financée, A-ko, to live with him. Little did he know … his blushing bride-to-be has some unexpected company in tow—Yon, a ghastly-looking family cat, and Mu, an adorable Norwegian forest cat. Despite being a dog person, J-kun finds himself purrsuaded by their odd cuteness and thus begins his comedic struggle to gain the affection of his new feline friends.

From the beloved, award-winning author of the culture-changing hits Lost Children Archive and Tell Me How it Ends comes her most powerful and page-turning novel the tale of a mother and daughter traveling together after the collapse of a marriage and the dissolution of their traditional family structure.Valeria Luiselli's novel opens the morning a mother and her teenage daughter arrive in Sicily, during a summer of rapidly-changing winds, volcanic rumbles, and sudden tempests. They’ve landed near the ancient ruins where the narrator’s grandmother worked long ago on an archaeological dig. How do you begin again, the mother wonders, pondering her family line, and what if the new beginning you're imagining is actually the end?While the mother tries to figure out how to reconstruct their lives together—cooking meals side by side, reading out loud to each other, playing chess, bickering and making-up—her deeply intelligent, inquisitive daughter begins to take the reins of the story. She becomes increasingly curious about her great-grandmother’s past as a digger in archaeological sites and ancient tombs, and urges her mother to leave their enclosed day-to-day in search for answers about their family’s past and future. Beginning Middle End evolves into a road novel of exquisite tenderness. In their drive through Sicily, mother and daughter cross paths with the island's migrants, storekeepers, and elders, but also its volcanoes, its winds and its waters. As their trip progresses, it becomes a journey to origins—not just to the familial past across continents, languages, and generations, but also further back to a mythical and geological past. With her own mother showing signs of dementia, the narrator confronts the primary questions of Where is home? Where do we dwell and seek safety? How are a family’s memories made and what happens when they disappear?Warm, funny, and poetic, this novel is an ode to imagination and possibility in dark times.

An Icelandic night may hide secrets and affairs—or even bodies—in this gruesomely cathartic horror thriller from the author of The Night Guest. Unnur was living a normal, if lonely, life until a black cat showed up at her door. Trying to do the right thing, Unnur reunites the lost pet with its owner—a young woman named Ásta who is in desperate need of some help. Unnur reluctantly agrees to take in the cat until Ásta is able to care for it again herself. Soon, Ásta becomes a fixture in Unnur's life and the two form an unlikely friendship. But like a black cat, trouble is tailing Ásta, and Unnur is the only one there when things take a violent turn. Nothing tests a friendship like blood on your hands. Also by Hildur Knútsdó The Night Guest

An Icelandic night may hide secrets and affairs—or even bodies—in this gruesomely cathartic horror thriller from the author of The Night Guest. Unnur was living a normal, if lonely, life until a black cat showed up at her door. Trying to do the right thing, Unnur reunites the lost pet with its owner—a young woman named Ásta who is in desperate need of some help. Unnur reluctantly agrees to take in the cat until Ásta is able to care for it again herself. Soon, Ásta becomes a fixture in Unnur's life and the two form an unlikely friendship. But like a black cat, trouble is tailing Ásta, and Unnur is the only one there when things take a violent turn. Nothing tests a friendship like blood on your hands. Also by Hildur Knútsdó The Night Guest

Initially was published in a shortened form in a 1949 Ladies Home Journal magazine under the title of Never Look Back A Cornish cliff collapses on top of a seaside resort hotel, squashing everybody but those lucky enough to be away on a picnic. The story tells why some were spared and some were not... The germ of the idea for The Feast - Margaret Kennedy's ninth novel and perhaps her most ingenious, first published in 1950 - came to the author in 1937 when she and a social gathering of literary friends were discussing the Medieval Masque of the Seven Deadly Sins. The talk turned excitedly to the notion that a collection of stories might be fashioned from seven different authors, each re-imagining one of the Sins through the medium of a modern-day character. That notion fell away, but something more considerable stayed in Margaret Kennedy's mind over the next ten years, and so she conceived of a story that would gather the Sins all under the roof of a Cornish seaside hotel managed by the unhappy wife of Sloth. Among The Feast's entertaining cast of characters are a clergyman, a gaggle of adolescents and children, a quarter of lovers, and a clutch of frustrated husbands & wives - all serving Kennedy's dark and witty moral fable, which bears out the Biblical adage that many are called but only a very few chosen.

A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. —Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does—to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.