A mad scientist's apprentice, a witch's cat, and a vampire's wife walk into a haunted mansion... Humor meets horror in this heartwarming tale of friendship, solidarity, and stolen body parts.As the laboratory assistant to the brilliant but demanding Doctor, Igor spends his nights robbing graves, stitching together body parts, and ensuring that his master doesn’t electrocute himself (too badly). It’s thankless work, but Igor knows it’ll all be worth it once they finally succeed in the Doctor’s all-encompassing quest to create new life from dead flesh. When a mob of peasants wielding torches and pitchforks drives them out of town (again), Igor and the Doctor relocate to the isolated Ravenwald Manor to resume their experiments. But Igor and the Doctor are not the only ones seeking refuge within the walls of Ravenwald. The manor is already home to a vampiric Count and his highly dissatisfied bride, Cornelia—and an enigmatic witch and her feline familiar, Grimalkin, intend to use it as the site of a magical ritual.At Igor’s suggestion, the three pairs come to an uneasy agreement to cohabitate in Ravenwald, lest they attract the suspicion of the nearby village. In the wake of this truce, Igor, Cornelia, and Grimalkin soon begin to realize that they might have more common with one another than their respective masters. When the trio discovers that they've been unwitting participants in a horrible plan to destroy the world as they know it, they must work together to stop their masters from bringing on armageddon... and stop the increasingly suspicious villagers from reaching for their pitchforks and torches. Igor, Grim, and Cornelia must unite to cast off the chains of their masters and embrace life on their own terms in the hilarious, heartwarming, and just-spooky-enough The Henchperson's Guide to Unionizing.

In November 2021, an inflatable dinghy carrying migrants from France to the United Kingdom capsized in the Channel causing the death of 27 people on board. Despite receiving numerous calls for help, the French authorities wrongly told the migrants they were in British waters and had to call the British authorities for help. By the time rescue vessels arrived on the scene, all but two of the migrants had died. The narrator of Delecroix’s fictional account of the events is the woman who took the calls. Accused of failing in her duty, she refuses to be held more responsible than others for this disaster. Why should she be more responsible than the sea, than the war, than the crises behind these tragedies? A shocking, moral tale of our times, Small Boat reminds us of the power of fiction to illuminate our darkest crimes.

Welcome to North Falls—a small town where everyone knows everyone. Or so they think. Until the night of the fireworks. When two teenage girls vanish, and the town ignites. For Officer Emmy Clifton, it’s personal. She turned away when her best friend's daughter needed help—and now she must bring her home. But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did. Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?

50th Anniversary Edition, with a new introduction by David Mitchell and a new afterword by Charlie Jane Anders Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

Can you stop a murder after it’s already happened? It is midnight on the morning of Halloween, and Jen anxiously waits up for her 18-year-old son, Todd, to return home. But worries about his broken curfew transform into something much more dangerous when Todd finally emerges from the darkness. As Jen watches through the window, she sees her funny, seemingly happy teenage son stab a total stranger. She doesn’t know who the victim is, or why Todd has committed such a devastating act of violence. All she knows is that her life, and Todd’s, have been shattered. After her son is taken into custody, Jen falls asleep in despair. But when she wakes up… it is yesterday. The murder has not happened yet—and there may be a chance to stop it. Each morning, when Jen wakes, she is further back in the past, first weeks, then years, before the murder. And Jen realizes that somewhere in the past lies the trigger for Todd’s terrible crime…and it is her mission to find it, and prevent it from taking place.

A Philosophy of Scars – A Story of Broken Hearts and Overthinking Minds Some wounds never fade. Some conversations change everything. In the dim glow of streetlights, on lonely park benches, in smoke-filled dorm rooms and rooftops overlooking restless cities, Mark and his friends navigate love, loss, and the weight of existence. From late-night philosophical debates to self-destructive spirals, this is a story of overthinkers—of those who search for meaning in every heartbreak, every scar, and every cigarette exhale. Told through raw, introspective dialogue and hauntingly beautiful vignettes, A Philosophy of Scars is not just a novel—it’s a meditation on pain, identity, and the quiet moments that define us. For readers who crave depth, poetic melancholy, and the kind of book that lingers long after the last page. Perfect for fans of Norwegian Wood by Haruki Murakami and The Catcher in the Rye by J.D. Salinger.

A debut gothic YA from the USA Today bestselling author of The Hacienda and The Possession of Alba DíazSixteen-year-old Minerva has spent her whole life in the slums of the capital city of an unnamed country that resembles colonial Mexico. Though she lives in the shadow of constant government turmoil, her empty belly and her father’s brutality don’t leave time for politics—especially since her older brothers ran away. Minerva can’t take another beating or miss another meal, so she steals flees to a wealthy loyalist neighborhood to win a job as a lady’s maid to an elderly widow.Minerva and Encarnación del Valle—the proud and acerbic widow—form an unlikely duo. They are both survivors in their own ways, stubborn and used to being underestimated. For a time, Minerva is happy. She has food and safety in a house lit and warmed by magical chispa. Why should she care who runs the country or how her employer afford the magic?But when the viceroy sweeps back into power on a wave of horrific bloodshed that sweeps away any hope Minerva had of seeing her brothers again, Encarnación retreats to the del Valle’s mountainside estate, the Casa de la Gardenias. Minerva finds herself surrounded by dozens of more experienced servants and the cruel, scheming younger del Valles, but the living are the least of anyone’s worries at the Casa de las Gardenias, and soon Minerva discovers that this ancient estate is home to forces far older and more bloodthirsty than the fascist del Valles or the liberal guerrillas amassing in the surrounding wilderness.

From BookTok sensation and NYT bestselling author Rachel Gillig, comes the next big romantasy phenomenon: a gothic, mist-cloaked tale of a prophetess who is forced beyond the safety of her cloister on an impossible quest to defeat the gods with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum's windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil's visions. But when Sybil's fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral's cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she'd rather avoid Rodrick's dark eyes and sharp tongue, only a heretic can defeat a god.

A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might re-imagine gender for the twenty-first century. Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. With raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of color and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

From BookTok sensation and NYT bestselling author Rachel Gillig, comes the next big romantasy phenomenon: a gothic, mist-cloaked tale of a prophetess who is forced beyond the safety of her cloister on an impossible quest to defeat the gods with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum's windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil's visions. But when Sybil's fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral's cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she'd rather avoid Rodrick's dark eyes and sharp tongue, only a heretic can defeat a god.

A man close to death is discovered somewhere in strife-torn Kashmir, alone but for the company of birds, in a decrepit room that is silent but for their agitated songs. Where does ‘The Birdman’—as he is named by his perplexed rescuers—belong? In which soil is his misery rooted? Roots are in fact the leitmotif of Heena Singhal’s Song of the Reed, inspired by Rumi’s poem of the same name, which talks of the lament emerging from the flute, and the longing to unite with its the stem from which it is cut and fashioned for the satisfaction of others. The narrative stretches itself over countries and continents, beginning with the experience of Noor, a disillusioned girl of mixed heritage in contemporary Spain, who embarks on a quest for her real home. Meanwhile, bright and beautiful Reva, from an orphanage in New Delhi, also resolves on an energetic hunt for her lost family, reminding herself every step of the way that grieving is a luxury only for the privileged. Somehow, their disparate paths cross, united by their common compulsions. Separately and together, they search for a meaning to the love and hate in their private lives and in the world, coming to realise that in Kashmir, at least, the war between the two is never truly over. About the Heena Singhal has a degree from the Institute of Chartered Accountants of India and a degree in Commerce from The Delhi University. When she is not writing, she is reading, spending time with her girls, painting or choosing the books for her Children’s Book Club. She began writing this book when her first daughter was born in 2017 and completed it in 2022 around the time her second one arrived. The Songs of the Reed is her first novel.

A thrilling and ominously prophetic debut set in a world when Earth and its resources have been pushed to breaking point, giving rise to a revolutionary—and highly controversial—procedure in which two people’s consciousness can be combined to exist in one body. How far would you go to never say goodbye? Laurie is sixty-five and living with Alzheimer’s. Her daughter Amelia, a once fiery and strong-willed activist, can’t bear to see her mother’s mind fade. Faced with the reality of losing her forever, Amelia signs them up to take part in the world’s first experimental merging process for Alzheimer’s patients, in which Laurie’s ailing mind will be transferred into Amelia’s healthy body and their consciousness will be blended as one. Soon Amelia and Laurie join the opaque and mysterious group of other merge teenage Lucas, who plans to merge with his terminally ill brother Noah; Ben, who will merge with his pregnant fiancée Annie; and Jay, whose merging partner is his addict daughter Lara. As they prepare to move to The Village, a luxurious rehabilitation center for those who have merged, they quickly begin to question whether everything is really as it seems. An exhilarating, immersive debut from an astonishing new voice, The Merge is a personal story of love, family, and sacrifice, as well as a thought-provoking examination of the limits of control, resistance, and freedom in our modern world.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.