A book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats—from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness—begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

A dangerous cat-and-mouse quest for revenge. An empire that spans star systems, built on the bones of a genocide. A carefully hidden secret that could collapse worlds, hunted by three women with secrets of their own. All collide in this twisty, explosive space opera debut, perfect for readers of Arkady Martine and Kameron Hurley. Jun Ironway—hacker, con artist, and occasional thief—has gotten her hands on a piece of contraband that could set her up for proof that implicates the powerful Nightfoot family in a planet-wide genocide seventy-five years ago. The Nightfoots control the precious sevite that fuels interplanetary travel through three star systems. And someone is sure to pay handsomely for anything that could break their hold. Of course, anything valuable is also dangerous. The Kindom, the ruling power of the star systems, is inextricably tied up in the Nightfoots’ monopoly—and they can’t afford to let Jun expose the truth. They task two of their most brutal clerics with hunting her preternaturally stoic Chono, and brilliant hothead Esek, who also happens to be the heir to the Nightfoot empire. But Chono and Esek are haunted in turn by a figure from their shared past, known only as Six. What Six truly wants is anyone’s guess. And the closer they get to finding Jun, the surer Chono is that Six is manipulating them all. ​It's a game that could destroy their lives and devastate the stars. And they have no choice but to see it through to the end.

'We wake up to tomorrow, never yesterday.'Epic, tender, breathtakingly ambitious, Under Story is a once read, never forgotten exploration of the power of second chances, and the hope that the impossible might also be true.At an isolated research station in Antarctica, biologist Laurel Salter washes dishes for a living ten hours a day, six days a week. She tells no one why she left her career or why her marriage ended.But even in this remote outpost, Laurel cannot outrun her past. When a visual disturbance known as the Arc draws a group of physicists to McMurdo, Laurel realises that her former husband Eli is about to re-enter her life.Whether it is circumstance or fate that has brought them back together, Laurel and Eli each sense a possibility about the Arc's its glow; the way it seems almost alive. And while Eli is reluctant to test the scientists' wilder theories, it is Laurel who is willing to risk everything to fix the burden that hangs between them--to turn back the clock and live their story a second time.But this time, live it differently.

A deeply moving new novel about life and art from one of America’s greatest writers. Livia Cable has made her peace with her marriage and modest livelihood in the farm country where she grew up, until a shocking phone call from an old lover shakes her to the core. Decades earlier, this man knew her as Livia Bohusz, a music conservatory student estranged from her home and family, uncertain of anything except her passion for music and promise as an extraordinary pianist. His request, now, to see her again stirs up ghosts she’s kept at bay for a lifetime. Shifting between past and present, Livia’s decision to meet or reject the reunion means confronting step by step, in memories framed as musical dances, the traumas of childhood loss, abandonment, self-immolating passion, and perilous attachment to a man who broke her belief in love and ruptured the course of her life. With razor-sharp acuity and deep affection, Pulitzer Prize winner Barbara Kingsolver’s unforgettable new novel reflects on class barriers, the risks of ambition, and the timeless love affair between life and art.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

Simone de Beauvoir said “One is not born, but rather becomes, a woman.” The glitch announces: One is not born, but rather becomes, a body. The divide between the digital and the real world no longer exists: we are connected all the time. What must we do to work out who we are, and where we belong? How do we find the space to grow, unite and confront the systems of oppression? This conflict can be found in the fissures between the body, gender and identity. Too often, the glitch is considered a mistake, a faulty overlaying, a bug in the system; in contrast, Russell compels us to find liberation here. In a radical call to arms Legacy Russell argues that we need to embrace the glitch in order to break down the binaries and limitations that define gender, race, sexuality. Glitch Feminism is a vital new chapter in cyberfeminism, one that explores the relationship between gender, technology and identity. In an urgent manifesto, Russell reveals the many ways that the Glitch performs and transforms: how it refuses, throws shade, ghosts, errs, encrypt, mobilizes and survives. Developing the argument through memoir, art and critical theory, Russell also looks at the work of contemporary artists who travel through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.

The exhilarating dystopian novel that inspired George Orwell's 1984 and foreshadowed the worst excesses of Soviet Russia. Yevgeny Zamyatin's We is a powerfully inventive vision that has influenced writers from George Orwell to Ayn Rand. In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers - one they are determined to conceal. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

Originally written and slated for publication in 1939, this long-forgotten masterpiece was shelved by Random House when The Grapes of Wrath met with wide acclaim. In the belief that Steinbeck already adequately explored the subject matter, Babb's lyrical novel about a farm family's relentless struggle to survive in both Depression-era Oklahoma and in the California migrant labor camps gathered dust for decades. Rescued from obscurity by the University of Oklahoma Press, the members of the poor but proud Dunne family and their circle of equally determined friends provide another legitimate glimpse into life on the dust-plagued prairies of the Southwest and in the fertile, but bitterly disappointing, orchards and vineyards of the so-called promised land. Babb, a native of Oklahoma's arid panhandle and a volunteer with the Farm Security Administration in Depression-era California, brings an insider's knowledge and immediacy to this authentically compelling narrative. A slightly less political, more female-oriented, companion piece to The Grapes of Wrath.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers - one they are determined to conceal. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

An archaeologist’s estranged daughters. 1907: The dawn of Egyptology is a time of imperialism and plunder, opulence and unrest, and Dr. Warren Ford, esteemed archaeologist, is the man of the hour. His daughters—intellectual Lila, on the eve of her debut as a Manhattan socialite, and nonconformist Tess, who dreams of following in his footsteps—have always lived in his shadow, and their lives couldn’t feel more different. But when a secretive organization seeks to find a lost relic legendary for its dangerous power, it isn’t Dr. Ford they turn to—it’s his two remarkable daughters. A legendary artifact known as the Serpent’s Crown. Rumored to reside in the mysterious Tomb of the Five Ladies, the Serpent’s Crown will only be found by solving a seemingly impossible riddle that will open the tomb—and the organization believes that one of the Ford daughters holds the key to deciphering the code. What was supposed to be an elegant debutante ball for elder sister Lila quickly turns sinister when Tess is kidnapped and put on a ship across the Atlantic. When Lila and her father realize that Tess’s life is in danger, they must act quickly to track her down and stop the Serpent’s Crown from falling into the wrong hands. A puzzle three millennia in the making. A race for the Crown begins, with Lila and her father in hot pursuit of the organization and Tess. With lives at stake, the fractured family must keep their wits about them, find the artifact, and escape the ruthless men who are also determined to possess the Crown and use it to their own advantage—no matter the cost. In this women-centered nod to the beloved Indiana Jones stories, The Antiquity Affair is a high-stakes, trans-Atlantic thrill ride, with the page-turning excitement and romance of classic adventure novels and a poignant story of sisterhood at its core. An exciting turn-of-the-century adventure Stand-alone novel Book length: 100,000 words Perfect for fans of Deanna Raybourn, Laurie King, Clive Cussler, and Indiana Jones Includes discussion questions for book clubs

To you, perceptive reader, I bequeath my history....Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history. The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign and about a time-defying pact that may have kept his awful work alive down through the ages.

At last, the National Book Award finalist and NYT bestselling author of Pachinko returns with a breathtaking contemporary epic: Min Jin Lee has written a masterpiece by turns sweeping and intimate, one that reckons with ambition and moderation, lust and loyalty, personal dreams and familial duty. In schools and churches, hotel rooms and nail salons, law firms and fried-fish shops; in cramped, dingy apartments and luxury, gated communities, the men, women, and children in American Hagwon struggle to find satisfaction and meaning in a world that seems to grow less forgiving with each passing year. Once comfortably middle class in Korea, John and Helen Koh and their three children—Bo, DH, and Mido—find their lives upended, first by a shocking betrayal by John’s oldest friend, then by the 1997 Asian financial crisis. Desperately striving to regain their footing, they leave Seoul for Sydney and eventually settle in Southern California—where new vistas of opportunity open up for the children as their parents, strangers in a strange land, must adjust to a new life in which their experience and education mean little, and they set their sights on whatever it takes to provide for their children’s futures. The Kohs, their friends, relatives, and even their foes move in and out of each other’s lives as they navigate new courses across the years, always nursing the almost all-consuming faith that education will lead the next generation to success and security. In American Hagwon, Min Jin Lee has crafted an unforgettable, panoramic novel where the smallest of gestures can have enormous repercussions, where the bonds of family and of memory twist and fray but rarely break, and where willful self-sacrifice—for the benefit of loved ones and even strangers—is a kind of prayer.

A Most Anticipated Book of 2026 by PEN America, Lit Hub, BookPage, and Ms. Magazine The wife of a popular and powerful megachurch pastor upends her charmed “rags-to-Rolex” life when her secret past comes roaring into the spotlight—in this "funny and juicy and sexy and delicious peek behind the pulpit" (Samantha Irby) from the acclaimed and beloved author of The Secret Lives of Church Ladies. From the moment Scharisse Freeman ditched her humble roots and married a megachurch pastor fifteen years her senior, she’s been labeled too brash and too “of the world” by church folks who grudgingly accepted her into their fold, and too holy by her estranged childhood bestie Petra. Schar doesn’t have many allies, but that hasn’t stopped her from building an enviable business empire spanning books to clothing to branded products, and living the comfortable life her husband's power affords her. On the eve of her 40th birthday, Schar gets the final bit of validation she’s always dreamt of: a coveted invitation to participate in the First Lady USA pageant. This is her chance to be accepted by the other pastors’ wives—First Ladies—who are “like Jesus’ disciples if they had been a group of mean girls.” Finally, blissfully, the ice between Schar and the other First Ladies begins to thaw. But as the pageant nears, a sensational scandal breaks with Schar at its center, and her carefully curated life implodes. Schar faces down shame and terrible secrets from her childhood and is reminded that in the eyes of the church, optics can matter more than the truth. Unflinchingly funny, frank, and packed with surprising turns, The True Confessions of First Lady Freeman exults in the luscious, messy pleasure of finally feeling free. "Deesha Philyaw has already established herself as one of the greatest short story writers, but in The True Confessions of First Lady Freeman she cements herself as the most soulfully entertaining writer of her era." - Kiese Laymon, author of Heavy and Long Division

John Wick meets Ghost in the Shell in this fast-paced cyberpunk thriller by the #1 New York Times bestselling author of The Will of the Many and The Strength of the Few. My job, when you think about it, isn’t so different from a lot of people’s. The more old-fashioned crowd do still get hung up on the "killing people" part of it, I guess, but that’s a them problem: it’s been perfectly legal to take out lifers for ages. Besides, once ultrawealthy morons realised they had a way to live forever—limited resources be damned—there was only ever going to be one genuinely practical deterrent. So, sure, I have to deal with a ton of boring planning. Inconvenient hours. Some pretty awkward face-to-face interactions. And like most of us, I’m really only clocking in to try to crawl out from beneath my debts. But someone’s got to do it. Luckily, my genetic compatibilities make me really, really good at doing it. Still. This next job...I don’t know. It’s something I haven’t had to deal with in years. Kind of the opposite of my regular duties. Strange, that it got thrown my way. I’m sure it’ll all go totally fine though.

A wolf sets out on an epic journey of revenge in this one-of-a-kind dark fantasy—the long-awaited second novel from the author of The Library at Mount Char. The wolf Blacktail is faithful to his Forest God, but in these times, faith is not enough. His world is besieged by men. Soon his territory will be overrun, and then there will be nowhere left to go. When his mate, a house dog, is killed, Blacktail rebels. He invades the house of her owners, seeking vengeance. Blacktail’s fury catches the notice of an ancient and terrible feline witch, who makes an offer. What if Blacktail could end the human race responsible for the death of his family and for the destruction of the natural world, altogether? To do so, Blacktail must find and wake the Forest God. Only He might stand against the plague of men. Blacktail knows that his north woods are dwindling to nothing. He sees no other choice. As Blacktail journeys farther from his wild home and deeper into the world of man, he encounters strangers—animal, mortal, and otherworldly—who, for their own reasons, want to help Blacktail rid the world of humans. Along the way, it becomes clear that he is more than just a wolf. The Forest God is sleeping, yes. But what will be the price of waking him?