In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Rule #1: They can't speak. Rule #2: They can't move. Rule #3: They can't hurt you. Ezra Friedman sees ghosts, which made growing up in a funeral home a bit complicated. It might have been easier if his grandfather’s ghost didn’t give him such scathing looks of disapproval as he went through a second, HRT-induced puberty, or if he didn't have the pressure of all those relatives—living and dead—judging every choice he makes. It’s no wonder that Ezra runs as far away from the family business as humanly possible. But when the floor of his dream job drops out from under him and his mother uses the family Passover seder to tell everyone that she’s running away with the rabbi’s wife, Ezra finds himself back in the thick of it. With his parents’ marriage imploding and the Friedman Family Memorial Chapel on the brink of financial ruin, Ezra agrees to step into his mother's shoes and help out . . . which means long days surrounded by ghosts that no one else can see. And then there's his unfortunate crush on Jonathan, the handsome funeral home volunteer who just happens to live downstairs from Ezra's new apartment . . . and the appearance of the ghost of Jonathan's gone-too-soon husband, Ben, who is breaking every spectral rule Ezra knows. Because Ben can speak. He can move. And as Ezra tries to keep his family together and his heart from getting broken, he quickly realizes that there's more than one way to be haunted—and more than one way to become a ghost.

If there’s one thing worse than being fired from the grottiest restaurant in town, it’s coming home early to find your boyfriend in bed with someone else. Reeling from the indignity of a double dumping on the same day, Georgina snatches at the next job that she’s offered—barmaid in a newly opened pub, which just so happens to run by the boy she fell in love with at school: Lucas McCarthy. And whereas Georgina (voted Most Likely to Succeed in her school yearbook) has done nothing but dead-end jobs in the last twelve years, Lucas has not only grown into a broodingly handsome man, but also has turned into an actual grown-up along the way, with a business and a dog. Meeting Lucas again not only throws Georgina’s rackety present into sharp relief, but also brings a dark secret from her past bubbling to the surface. Only she knows the truth about what happened on the last day of school, and why she’s allowed it to chase her all these years…

If there’s one thing worse than being fired from the grottiest restaurant in town, it’s coming home early to find your boyfriend in bed with someone else. Reeling from the indignity of a double dumping on the same day, Georgina snatches at the next job that she’s offered—barmaid in a newly opened pub, which just so happens to run by the boy she fell in love with at school: Lucas McCarthy. And whereas Georgina (voted Most Likely to Succeed in her school yearbook) has done nothing but dead-end jobs in the last twelve years, Lucas has not only grown into a broodingly handsome man, but also has turned into an actual grown-up along the way, with a business and a dog. Meeting Lucas again not only throws Georgina’s rackety present into sharp relief, but also brings a dark secret from her past bubbling to the surface. Only she knows the truth about what happened on the last day of school, and why she’s allowed it to chase her all these years…

An achingly funny story from the author of the bestselling You Had Me At Hello What’s the one thing you DON’T do at a wedding? When Edie is caught in a compromising position at her colleagues’ wedding, all the blame falls on her – turns out that personal popularity in the office is not that different from your schooldays. Shamed online and ostracised by everyone she knows, her boss suggests an extended sabbatical – ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right? Wrong. Banished back to her home town of Nottingham, Edie is not only dealing with a man who probably hasn’t heard the word ‘no’ in a decade, but also suffering an excruciating regression to her teenage years as she moves back in with her widowed father and judgey, layabout sister. When the world is asking who you are, it’s hard not to question yourself. Who’s that girl? Edie is ready to find out.