With shades of The Hunger Games, Ender’s Game, and Game of Thrones, debut author Pierce Brown’s genre-defying epic Red Rising hit the ground running and wasted no time becoming a sensation. Golden Son continues the stunning saga of Darrow, a rebel forged by tragedy, battling to lead his oppressed people to freedom from the overlords of a brutal elitist future built on lies. Now fully embedded among the Gold ruling class, Darrow continues his work to bring down Society from within. A life-or-death tale of vengeance with an unforgettable hero at its heart, Golden Son guarantees Pierce Brown’s continuing status as one of fiction’s most exciting new voices.

A landmark anthology of creative work – poetry, fiction and essays – by emerging Asian New Zealand writers. This landmark collection of poetry, fiction and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing. A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations. Some of the writers – including Gregory Kan, Sharon Lam, Rose Lu and Chris Tse – have published books; some, like Mustaq Missouri, Aiwa Pooamorn and Gemishka Chetty, are better known for their work in theatre and performance. For many, A Clear Dawn is their first-ever print publication. The 75 writers explore the full range of human experience: from the rituals of food and family to sexual politics; from issues around displacement and identity to teen suicide and revenge attacks; from political chicanery to social activism to childhood misadventures. Funerals, affairs, accidents, friendships, crimes, jealousy, small victories, devastating losses, transcendent moments: all are here. With its diverse voices, styles and points of view, A Clear Dawn maps a new literature of Aotearoa New Zealand. Editors ‘For this anthology, we came together as tangata whenua and tauiwi. Our work here is a karanga that opens up a space for other voices so that many different currents can flow into one meeting place.’ Paula Morris MNZM (Ngāti Wai, Ngāti Manuhiri, Ngāti Whatua) is an award-winning novelist, story writer and essayist from Auckland. Her most recent books are False River (Penguin, 2017), a collection of her essays and stories; and Shining Land (Massey University Press, 2020), a collaboration with photographer Haru Sameshima about the writer Robin Hyde. She is the editor of the Penguin Book of Contemporary New Zealand Short Stories (2009) and a co-editor (with Michelle Elvy and James Norcliffe) of Ko Aotearoa Tātou / We Are New Zealand (Otago University Press, 2020). Paula is an associate professor at the University of Auckland, where she is the director of the Master of Creative Writing. She has mentored writers through the NZSA and the Te Papa Tupu Māori Writers Incubator, and also teaches writing at festivals, schools, universities and community programmes in New Zealand and overseas. Paula has been awarded numerous international residencies, and in 2019 was the Katherine Mansfield Menton Fellow. A former judge for the Commonwealth Story Prize, the Pikihuia Awards and the ARA Historical Novel Prize, she has appeared at festivals in Australia, Canada, China, Europe, India, South Africa, the UK and the US, and at events on indigenous writing and publishing in Banff, London and Taipei. Alison Wong’s family first arrived in Aotearoa New Zealand in 1879 from Zengcheng/Jung Seng ( 增城 ), Guangdong, China. Her maternal great-grandfather, Huang Guomin (黃國民), raised money in New Zealand for the 1911 Revolution, and was called back to China by Sun Yat Sen to be county magistrate. In 1914, her paternal great-grandfather, Huang Weijin (黃維進), was murdered in Wellington; the case was never solved. Alison grew up in Hawke’s Bay and has lived most of her life in Wellington. She spent several years in China in the 1980s and ’90s, initially in Xiamen on a New Zealand – China student exchange scholarship, then later in Shanghai. She returned to Hong Kong/China for literary festivals and residencies through the 2010s, and now lives in Geelong, Australia, moving back and forth across the Tasman. Alison’s novel, As the Earth Turns Silver (Penguin/Picador, 2009), won the 2010 NZ Post Book Award for Fiction and was shortlisted for the Australian Prime Minister’s Literary Awards. It was nominated for the 2011 International IMPAC Dublin Literary Award and in 2018 was selected by Booksellers NZ as one of the top 20 bestsellers of the decade. Alison’s poetry collection, Cup (Steele Roberts, 2006) was shortlisted for the Jessie Mackay Award for first book of poetry at the 2007 Montana NZ Book Awards. Her work was selected for Best New Zealand Poems 2015, 2007 and 2006. An NZSA mentor, she was also a poetry judge for the 2018 Ockham NZ Book Awards and in 2020 a consulting editor for the Asian culture site Hainamana. Her fiction, poetry and creative nonfiction are anthologised, translated and published internationally. She has held the Robert Burns Fellowship, Shanghai International Writer’s Residency and Sun Yat-sen University International Writer’s Residency. Endorsements ‘Clearly this new dawn of writers will exceed expectations… explosive, poignant, lyrical, breaking and healing hearts with their words.’ — Lynda Chanwai-Earle ‘A Clear Dawn registers a demographic shift that has already happened in ...

After rejoining social media, Robert Sullivan wrote and posted a poem a day over two and a half months – the poems collected in Hopurangi— Songcatcher. Inspired by the cyclical energies of the Maramataka, these poems see the poet re-finding himself and his world – in the matauranga of his kuia from the Ngati Hau and Ngati Kaharau hapu of Ngapuhi; in his mother' s stories from his Ngati Manu hapu at Karetu; in the singing and storytelling at Puketeraki Marae, home of his father' s people of Kati Huirapa, Kati Mamoe, Waitaha and Kai Tahu Whanui in Te Tai o Araiteuru; and in the fellowship of friends on Facebook. Tihei mauri ora!

I tackled you to the floor, locked you between my thighs, used my free arm to grab my phone. Put on the NBA highlights. You relaxed immediately. This is intimacy. People Person is a debut collection by Joanna Cho. These adventurous, funny and dissonant poems are about the endless work of fitting in when the goalposts are constantly changing. They ask: how can we nail the perfect routine? How can we be a people person in the world? What parts of ourselves must we leave behind? Moving between South Korea and New Zealand, Joanna Cho’s poems range excitingly in form, drawing upon and cleverly subverting the folktale, the phone conversation and the basketball game. At the heart of this book is a mother – a generous, artistic woman who has limited choices in life, in comparison with our narrator, who is almost paralysed by choice – and the deep, almost haunting comfort she brings.

A first book of poetry from acclaimed Maori writer and scholar Alice Te Punga Somerville.

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork. The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.