In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

It’s time. Mary, an ex cop, and her husband, retired librarian Pete, have decided to move into a retirement village. They aren’t falling apart, but they’re watching each other – Pete with his tachcychardia and bad hip, Mary with her ankle and knee. Selling their beloved house should be a clean break, but it’s as if the people they have lost keep returning to ask new things of them. A local detective calls with new information about the case of their son, Will, who was killed in an accident forty years before. Mary finds herself drawn to consider her older sister’s shortened life. Pete is increasingly haunted by memories of his late mother, who developed delirium and never recovered. An emotionally powerful novel about families and ageing, Delirious dramatises the questions we will all face, if we’re lucky, or unlucky, enough. How to care for others? How to meet the new versions of ourselves who might arrive? How to cope? Delirious is also about the surprising ways second chances come around.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

When twenty-one-year-old builder Joe Wright meets Leo, he falls in love hard, and seemingly for ever. Mature, philosophical and intensely handsome, Leo teaches Joe an appreciation of music and literature, and, most importantly, a passion for the beautiful old buildings that are disappearing from Auckland’s central city. But when Leo suddenly vanishes from his life, then drifts back again years later, Joe – now a powerful developer of heritage architecture – is unable to move on from this first affair. As the years pass, and Leo stays just out of reach, can Joe open his eyes to new possibilities? An intense love story and a love song to a city’s vanishing past, Shelter depicts the myriad complexities of male relationships, the possibilities offered by chance encounters and the exquisite beauty of friendship – and a home – found in unexpected places.

Thea lives under a mountain – one that’s ready to blow. A vet at a mid-sized rural practice, she has been called back during maternity leave and is coping – just – with the juggle of meetings, mealtimes, farm visits, her boss’s search for legal loopholes and the constant care of her much-loved children, Eli and Lucy. But something is shifting in Thea – something is burning. Or is it that she is becoming aware, for the first time, of the bright, hot core at her centre? Then comes an urgent call. Ingeniously layered, Ash is a story about reckoning with one’s rage and finding marvels in the midst of chaos.

You know how we say we devoured a story, and also that we were consumed by it? Eating and being eaten. It was like that with Claire, for me. From humble beginnings, Therese has let herself grow used to a life of luxury after marrying into an empire-building family. But when rumours of corruption gather around her husband's latest development, the social opprobrium is shocking, the fallout swift, and Therese begins to look at her privileged and insular world with new eyes. In the flat below Therese, something else is brewing. Her neighbour Claire believes she's discovered the secret to living with freedom and authenticity, freeing herself from the mundanity of domesticity. Therese finds herself enchanted by the lure of the permissive zone Claire creates in her apartment - a place of ecstatic release. All too quickly, Therese is forced to confront herself and her choices - just how did she become this person? And what exactly should she do about it?

It’s time. Mary, an ex cop, and her husband, retired librarian Pete, have decided to move into a retirement village. They aren’t falling apart, but they’re watching each other – Pete with his tachcychardia and bad hip, Mary with her ankle and knee. Selling their beloved house should be a clean break, but it’s as if the people they have lost keep returning to ask new things of them. A local detective calls with new information about the case of their son, Will, who was killed in an accident forty years before. Mary finds herself drawn to consider her older sister’s shortened life. Pete is increasingly haunted by memories of his late mother, who developed delirium and never recovered. An emotionally powerful novel about families and ageing, Delirious dramatises the questions we will all face, if we’re lucky, or unlucky, enough. How to care for others? How to meet the new versions of ourselves who might arrive? How to cope? Delirious is also about the surprising ways second chances come around.

Monday Woolridge is a fighter with a face covered in scars and life full of debt. Her Avondale flat has no furniture, her father’s dead, her catatonic mother’s in an expensive nursing home and her kickboxing gym is going to Thailand. Monday's shitty bartending job pays fifty cents over minimum wage, and she desperately needs another way to generate income. Dealing drugs off the dark web with her flatmate JJ looks like it's working – until it really doesn’t, and the pair have to flee Tamaki Makaurau to escape the gangsters, the vampires and the ghosts of Monday’s past. This is a pacy, heart-twisting, punch-in-the-guts, darkly comic novel that captures life on the poverty line in Aotearoa now. From the award-winning poet and playwright Dominic Hoey, author of Iceland, I Thought We’d Be Famous, and the 2021 SST Short Story Award winner, 1986.