A boychild swathed in green, a distinct tree-shaped birthmark on his wrist. A girlchild enveloped in red, marked with the three lines of the desert winds. A boy bundled in white, the koi mark on his wrist as defined as his shock of red hair. And a boychild wrapped in black, a raven his mark to serve his fate. ~ ~ ~ Twenty-five years ago, the hand of fate marked four newborns and sent them to the four corners of the Great Kingdoms. They were schooled and trained as rulers of their lands in preparation for the Golden Eclipse ceremony: a festival to celebrate a thousand years of peace and prosperity since the Great War. Crow, ruler of Northlands, a skilled swordsman and expert tactician, is as reclusive and stoic as the mountains that surround him. Tancho has spent his life in strict discipline, governing the Westlands with a fair mind and gentle hand. Quiet and unassuming, yet lethal in combat, he is the embodiment of the waters he lives by. Yet the same hand of fate unknowingly linked Tancho to Crow in ways they cannot comprehend. Ruled by the stars, the brother sun and the two sister moons above them, and marked by an alchemical sorcery as old as time, their destinies were never their own. As the eclipse draws near and the festival begins, word comes of another threat. Invaders from unknown lands bring a war no one was prepared for, and Crow and Tancho must decide on which side of the battle line they stand. In life or death, their destinies will see them joined either way.

From the author of Utopia For Realists, a revolutionary argument that the innate goodness and cooperation of human beings has been the greatest factor in our success If one basic principle has served as the bedrock of bestselling author Rutger Bregman's thinking, it is that every progressive idea -- whether it was the abolition of slavery, the advent of democracy, women's suffrage, or the ratification of marriage equality -- was once considered radical and dangerous by the mainstream opinion of its time. With Humankind, he brings that mentality to bear against one of our most entrenched ideas: namely, that human beings are by nature selfish and self-interested. By providing a new historical perspective of the last 200,000 years of human history, Bregman sets out to prove that we are in fact evolutionarily wired for cooperation rather than competition, and that our instinct to trust each other has a firm evolutionary basis going back to the beginning of Homo sapiens. Bregman systematically debunks our understanding of the Milgram electrical-shock experiment, the Zimbardo prison experiment, and the Kitty Genovese "bystander effect." In place of these, he offers little-known true stories: the tale of twin brothers on opposing sides of apartheid in South Africa who came together with Nelson Mandela to create peace; a group of six shipwrecked children who survived for a year and a half on a deserted island by working together; a study done after World War II that found that as few as 15% of American soldiers were actually capable of firing at the enemy. The ultimate goal of Humankind is to demonstrate that while neither capitalism nor communism has on its own been proven to be a workable social system, there is a third option: giving "citizens and professionals the means (left) to make their own choices (right)." Reorienting our thinking toward positive and high expectations of our fellow man, Bregman argues, will reap lasting success. Bregman presents this idea with his signature wit and frankness, once again making history, social science and economic theory accessible and enjoyable for lay readers.

In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this era—or any era—holds forth on life, art, sex, politics, and the state of America’s soul. Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

Some stories cannot be told in just one lifetime. Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?