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The Trees
Percival Everett
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The Mad Wife
Meagan Church
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The Mad Wife
Meagan Church
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When No One Is Watching
Alyssa Cole
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When No One Is Watching
Alyssa Cole
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Scream with Me: Horror Films and the Rise of American Feminism (1968-1980)
Eleanor Johnson
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amvndaoffline commented on birdboy's review of The Memory Police
I do hope that future editions of this book have some sort of foreword providing some important context for Western audiences. Ogawa wrote this following the 50th anniversary of the bombing of Hiroshima and Nagasaki, and the story is largely a meditation on Japan's collective forgotting of atrocities they as a country committed during WWII (Julia Shiota wrote a wonderful essay about this in the Michigan Quarterly Review if anyone is interested!). Knowing this background has turned this into one of my favorite books of all time.
Like many, I assumed the memory police would play a more central role, but it makes sense that they're more a background force when considering collective memory involves mutual participation. It's been about two years since I've read this, but I still find myself circling back when thinking about what we as Americans and members of Western society choose to collectively remember and forget. Something I've been asking myself lately: what good is remembering when everyone else agrees that forgetting is in our best interest? How can the holding onto memories end up isolating us, and how can mutual agreement to forget give us a false sense of belonging?
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The Memory Police
Yōko Ogawa
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The Memory Police
Yōko Ogawa
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Olga Dies Dreaming
Xóchitl González
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Guillotine
Delilah S. Dawson
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