Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

“Lily King is one of our great literary treasures.”—Madeline Miller From the New York Times bestselling author of Writers & Lovers comes a magnificent and intimate new novel of desire, friendship, loss, and the lasting impact of first love You knew I’d write a book about you someday. Our narrator understands good love stories—their secrets and subtext, their highs and their free falls. But her greatest love story, the one she lived, never followed the simple rules. In the fall of her senior year of college, she meets two star students from her 17th-Century Lit Sam and Yash. Best friends living off-campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. Youthful passion is unpredictable though, and she soon finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, Jordan is living the life she dreamed of, and the vulnerable days of her youth seem comfortably behind her. But when a surprise visit and unexpected news brings the past crashing into the present, Jordan returns to a world she left behind and is forced to confront the decisions and deceptions of her younger self. Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving story that celebrates love, friendship, and the transformative nature of forgiveness. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.

Nat Cassidy is at his razor-sharp best again with his horror novel Nestlings, which harnesses the creeping paranoia of Rosemary's Baby and the urban horror of 'Salem's Lot, set in an exclusive New York City residential building. Ana and Reid need a break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling―with mobility, with her relationship with Reid, with resentment for her baby. Reid dismisses disturbing events and Ana’s deep unease and paranoia, but he can't explain the needle-like bite marks on their baby.