Isabel is a single, twentysomething thrift-store shopper and collector of remnants, things cast off or left behind by others. Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska. Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.

Shakespeare’s King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play. The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom—one reason this most devastating of Shakespeare’s tragedies is also perhaps his most moving. The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Neighbors Gwen, Aimee, and Lisa share more than playdates and coffee mornings on their tranquil street in East Bethesda. They confide their deepest secrets, navigate the challenges of motherhood together, and provide a support system that seems unbreakable. Then Gwen’s husband is found murdered after one of their weekly Friday night dinners, and the peaceful quiet of their cul-de-sac shatters. The seemingly idyllic world of the three close-knit friends becomes a web of deception, betrayal, and revenge.

From World Fantasy Award-winning author Tasha Suri comes The Isle in the Silver Sea, a heart-shattering standalone romantasy of sapphic longing, medieval folklore and a love that spans the centuries. In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other?  As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them.But what tale is stronger than The Knight and the Witch?

In the 1980s, twelve-year-old Matthew Cooper is experiencing some strange and terrifying events at an old rental house where he and his family have recently moved. TVs and radios click on and off in the middle of the night. Odd shapes are drawn in the foggy glass of a bathroom mirror. No one can explain these things, and as their encounters become more bizarre and intense, Matthew’s family slowly descends into darkness and paranoia, the psychological horror becoming more of a threat than what might be lurking behind their walls.

The haunting new folk horror novel from Lucie McKnight Hardy'All my fears have vanished, and I realise now that my dreams were not nightmares but a sign of what was to come, how this will end. An inevitability.'Things were looking up for Astrid Aspden and her partner, Kit, until their house flooded. With Astrid's first solo art exhibition just weeks away, her paintings are ruined and excitement has turned to despair.She is thrown a lifeline when her best friend Flora invites her to stay in a run-down chapel she and her partner, Sim, are renovating in the Brecon Beacons. As Astrid and Kit settle into their new surroundings to salvage her work, they soon learn about the unsettling history of the chapel and what lies beneath the nearby reservoir.As the weeks go by, tensions simmer between Astrid and Flora as sour memories flare up from their teenage past and deep wounds are laid bare from an ill-fated school trip to Florence. Her relationship with Kit begins to fray as the chapel and the surrounding hostile beauty of the valley begin to intrude on their lives.Astrid throws herself into her work but the longer she spends in the chapel the more she begins to notice handprints on her paintings, shadowy figures reflected in the reservoir and voices whispering in the night. As the darkness of the Welsh valley closes in on Astrid, will she be able to run from the looming horror or be consumed by it?Whether it is the past, the otherworldly, or the truth - they all haunt this menacing and claustrophobic novel.

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Book three in the No.1 New York Times bestselling Into Darkness series, following the dark rom-com sensations Lights Out and Caught Up . The game is on for these enemies-to-lovers with laugh-out-loud banter and scorching-hot brat play. I hate that woman. Tyler Neumann has spent years looking for his father, and not because he wants to meet the man. No, he wants to destroy him. And he'll manipulate whoever he can to exact his revenge. Including Stella McCormick. She's everything Tyler hates. Her wealth and privilege have protected her for her entire life, and Tyler thinks it's time she finally paid the price. Whether she's ready to or not. I hate that man. Stella might not believe in love at first sight, but loathing at first sight - no question. From the moment she sets eyes on Tyler in her tattoo parlor, she knows he's the devil planning to make her life hell. Forced to play the part of his girlfriend and invite him into her family's glittering circles, Stella quickly clocks Tyler's ulterior motives. But love and hate are two sides of the same coin, and soon she doesn't know which is being blackmailed by a man who wants to ruin her, or that they can't seem to keep their hands off each other. Game On is an enemies-to-lovers dark romance with morally grey characters. Some themes and scenes may be disturbing to readers. Please check the content warning at the beginning of the book. Enemies-to-lovers Forced proximity Fake dating Rom-com Morally gray MMC Black cat FMC Blackmail Kidnapping Power imbalance Age gap Betrayal and redemption Dark past Revenge

In an unforgettable novel that traces a centuries-old curse to its source, beloved author Alice Hoffman unveils the story of Maria Owens, accused of witchcraft in Salem, and matriarch of a line of the amazing Owens women and men featured in Practical Magic and The Rules of Magic. Where does the story of the Owens bloodline begin? With Maria Owens, in the 1600s, when she’s abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, Maria learns about the “Nameless Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows. It is here that she learns her first important lesson: Always love someone who will love you back. When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters. Magic Lessons is a celebration of life and love and a showcase of Alice Hoffman’s masterful storytelling.