Charlie Johns has been snatched from his home on 61 North 34th Street and delivered to the strange future world of Ledom. Here, violence is a vague and improbable notion. Technology has triumphed over hunger, overpopulation, pollution, even time and space. But there is a change Charlie finds even more gender is a thing of the past. Venus Plus X is Theodore Sturgeon's brilliant evocation of a civilization for whom tensions between male and female and the human preoccupation with sex no longer exist. As Charlie Johns explores Ledom and its people, he finds that the human precepts he holds dear are profane in this new world. But has Charlie learned all there is to know about this advanced society? And why are the Ledom so intent on gaining Charlie's approval? Unsettling, compelling, and no less than visionary, here is science fiction at its a novel whose wisdom and lyricism make it one of the most original and insightful speculations on gender ever produced.

It has influenced William Gibson and been listed as one of the ten essential works of science fiction. Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael—four alternative selves from drastically different realities—meet.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.

When matriarchs begin to disappear, there is a choice to either step into the places they left behind, or to craft a new space. Helen Knott’s bestselling debut memoir, In My Own Moccasins , wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, with her highly anticipated second book, Knott exceeds the highest of expectations with a chronicle of grief, love, and legacy. Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of them, but of who she thought she was.     Woven into the pages are themes of mourning, sobriety through loss, and generational dreaming. Becoming a Matriarch is charted with poetic insights, sass, humour, and heart, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia, along the cobbled streets of Antigua, Guatemala, and straight to the heart of what matriarchy truly means. This is a journey through pain, on the way to becoming. Through writing, reflecting, and dreaming I found my way to the real lessons. I found permission to become whoever I needed to be. I found permission to live a life and not just endure it. I found permission to belong deeply to myself. I found permission to lay to rest the sorrow of the women before me and to cultivate joy for us in its place.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

In the vein of Octavia E. Butler and Margaret Atwood, a harrowing novel set in an alternate United States —a world of injustice and bondage in which a young Black woman becomes the concubine of a powerful white government official and must face the dangerous consequences. Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows. Inspired by the lives of enslaved concubines to U.S. politicians and planters, The Blueprint unfolds over dual timelines to explore bodily autonomy, hypocrisy, and power imbalances through the lens of the nation’s most unprotected: a Black girl.

In sixteenth-century Mexico, a fearless young woman strives to uncover the secrets her mother kept as the last Aztec empress in a sweeping historical epic by the author of Daughter of Fire. Tenochtitlan, 1551. Thirty years after the Spanish Conquest destroyed everything she loved, the last Aztec empress has passed and left behind a pristine yet tenuous legacy for her children. As her last will and testament is read out, her daughter Isabel suspects that another account of her mother’s life may exist, hidden away chapter by chapter in the Valley of Mexico. Following each clue, Isabel is determined to find out who her mother really was and to discover the secrets she buried in order to survive. Joined by her siblings and a handsome young cook named Juan, the party embarks on a perilous journey to piece together the past—a journey that will force them to brave the brutal viceroyal court, face fearsome legends in mystical chinampas, and trek through desert, fire, and snow. As Isabel’s feelings for Juan grow, she confronts everything she thought she knew about her Spanish father, her empress mother, and herself. From the tunnels of ancient pyramids to the summit of an active volcano, Isabel will meet every challenge to fulfill an epic quest for the truth.

A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones. When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his an unfortunate incident involving his San Pellegrino and a bee allergy. What she sees that afternoon awakens something in a taste for murder. Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe. With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

Indiana Jones meets Hidden Figures in this brand-new stand-alone historical fantasy set in the world of The Conductors, in which the space race of the mid-20th century will be determined by magic...if not murder. In the 1960s, the world was caught up in reaching beyond our planet and into the cosmos. It felt impossible—but there was nothing science, math…and magic couldn’t make possible. The race to space was on, and the Moon was what everyone had their eyes on. Including Cynthia Rhodes, a brilliant arcane engineer at NASA’s Ainsworth Research Labs. Talented in math and magic, she hosts a magical educational show... a job she took mostly for a chance to regularly see the dashing Theodore Danner, a professor of arcane archeology. She is also an amateur sleuth—something that has run in her family for generations. When a cursed museum curator nearly interrupts a broadcast of their show, Cynthia finds an eager sleuthing partner in Theo. Pairing up, they begin investigating the strange behavior of the curator and a mysterious theft at the arcane history museum—until one of Cynthia’s own coworkers perishes right in front of her in a major lab accident that endangers Ainsworth’s role in the space race. Certain it was murder instead of an accident, Cynthia sees this as a separate case at first. However the more she and Theo investigate, Cynthia uncovers a surprising link between the two incidents. The museum theft and murder are part of a larger equation—one that includes deadly enchantments, rumored pirate treasure, a peculiar plant, and a dire threat to the space program as well as everything she holds dear. The Starseekers is another rip-roaring adventure for the Rhodes family, who have been using magic to aid their community and solve mysteries since before the Civil War. The times may have changed, but a Rhodes once again finds themselves thrust into a world of murders, theft, sabotage, and curses, and this time the stakes extend to the stars themselves. 

From the acclaimed author of The Stardust Grail comes the epic tale of two sisters who sail across oceans to find their missing third sister―and Earth’s environmental salvation. In Earth's not too distant future, seas consume coastal cities, highways disintegrate underwater, and mutant fish lurk in pirate-controlled depths. Skipper, a skilled sailor and the youngest of three sisters, earns money skimming and reselling plastic from the ocean to care for her ailing grandmother. But then her eldest sister, Nora, goes missing. Nora left home a decade ago in pursuit of a cure for failing crops all over the world. When Skipper and her other sister, Carmen, receive a cryptic plea for help, they must put aside their differences and set out across the sea to find―and save―her. As they voyage through a dying world both beautiful and strange, encountering other travelers along the way, they learn more about their sister's work and the corporations that want what she discovered. But the farther they go, the more uncertain their mission becomes: What dangerous attention did Nora attract, and how well do they really know their sister―or each other? Thus begins an epic journey spanning oceans and continents and a wistful rumination on sisterhood, friendship, and ecological disaster. -- Content warnings available on the author's website (see author bio).

A sweeping history of the power of Indigenous North America from ancient cities to fights for sovereignty that continue today, from an award-winning historian In this magisterial history, Kathleen DuVal tells the story of Native nations, from the rise of ancient cities more than a thousand years ago to the present, reframing North American history with Indigenous power and sovereignty at its center. Before and during European colonization, Indigenous North Americans built diverse civilizations and lived in history, adapting to a changing world in ways that reverberated globally. As DuVal explains, no civilization came to a halt when a few wandering explorers arrived, even when the strangers came well-armed. A millennium ago, North American cities rivaled urban centers around the world in size, but following a period of climate change and instability DuVal shows how numerous smaller nations emerged from previously centralized civilizations, moving away from rather than toward urbanization. From this urban past, patterns of egalitarian government structures, diplomacy, and complex economies spread across North America. So, when Europeans arrived in the sixteenth century, they encountered societies they did not understand, having developed differently from their own, and whose power they often underestimated. For centuries after these first encounters, Indigenous people maintained an upper hand and used Europeans in pursuit of their own interests. In Native Nations , we see how Mohawks closely controlled trade with the Dutch--and influenced global markets--and how Quapaws manipulated French colonists. Power dynamics shifted after the American Revolution, but Indigenous people continued to control the majority of the continent. Shawnee brothers Tecumseh and Tenskwatawa forged new alliances and encouraged a controversial new definition of Native identity to attempt to wall off U.S. ambitions. The Cherokees created new institutions to assert their sovereignty on the global stage, and the Kiowas used their preponderance of power in the west to regulate the passage of white settlers across their territory. In this important addition to the growing tradition of North American history centered on Indigenous nations, Kathleen DuVal uses these stories to show how the definitions of power and means of exerting it shifted over time, but the sovereignty and influence of Native peoples remained a constant and will continue far into the future.

Visceral, gritty, and unforgiving, GRIEF EATER is a zombie story like you’ve never read before. When Kristina rises from her violent death, she’s not the same fragile woman her family once abandoned. She’s rageful, powerful, and hungry—for the blood of the ones who were supposed to love her. With a newfound craving to see vengeance and grief served, she launches into a once-in-an-undead-lifetime journey across blood-slicked highways to the scorched Australian bush and her hometown. As her body fails and her mind fractures, she’s left with one final question: Is she here to forgive, or to feed? A transgressive, gory examination of queer identity and found family, GRIEF EATER sinks its teeth into trauma and what it means to be devoured by grief. Advance Praise for Grief Eater “Grief Eater is a scathing rebuke. And yet it has so much heart. Every line of Osborne’s gorgeous prose is a knife that cuts like a balm. Lyrical, constantly surprising, essential—Grief Eater takes a familiar genre and transforms it into something entirely new.” —Cadwell Turnbull, award-winning author of the Convergence Saga “This story will not spare you. It will reach into your chest and eat your heart. Osborne writes with brutal clarity about abuse and betrayal, about the queer joy and chosen family that will help you survive it. About how love and a quest for vengeance can be strong enough to move the dead. I’ve never read anything like it.” —K Tidbeck, author of Amatka and Jagannath. “Grief Eater is an embodied, sensory experience: screaming, snarling grief; monstrous hunger; the desire for answers that can only be found in blood. Horror at its finest, as glorious, gory relief and release.” —Angela Meyer, author of Moon Sugar “Soaked in blood and loss, Grief Eater is a bittersweet tale that is redolent with the transformative closure that comes after confronting painful trauma. A visceral and unflinching read!” —Suzan Palumbo, author of Skin Thief: Stories and Countess