An emotional, electrifying, and darkly hilarious debut about a woman who finds a dead body and can’t give up its ghost, for fans of Mona Awad, Yellowjackets, and weird girl fiction. Spiraling from a disastrous falling-out with her best friend, Savannah retreats to her parents’ empty lake house in upstate New York to tend her wounds. Isolated and reeling from rejection, she spends her days in a fog, drinking and overthinking in equal worrisome measure. Until she wakes up one morning in the woods behind the house—next to a dead body. Instead of calling the police, Savannah reads the journal she finds nearby, reliving the last desperate months of this woman’s life lost in the wilderness, fighting for survival. Ava, as it turns out, is more than just a cold, lonely corpse. She was funny. She was smart. And Savannah has finally found someone she can talk to… As she pushes deeper into Ava’s harrowing story, Savannah notices a change, a shift in her reality. Each page brings her closer to the Ava from the journal…and the ghost before her now. Before long, Savannah feels something for Ava she hasn’t felt for anyone else—and there’s a good chance letting go would haunt her for the rest of her life. Is Savannah finally losing her grip? Or has she found the friend she’s needed all along?

Something terrible has happened. In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere. Tragedy strikes in cycles - and wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. These ghosts call out desperately to our narrator as she tries to explain, in the very real world, exactly what has happened to her. And they all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.A debut novel as emotionally poignant as it is fiercely smart, Sour Cherry is an arresting debut examining toxic masculinity through its chorus of women - deconstructing the idea of what makes someone a monster.

A landmark literary novel of psychological horror from the author of I Become a Delight to My Enemies. Marlene calls herself a psychic wound healer, but really, her paranormal abilities are restricted to visions. In fact, they’re restricted to visions of just one person. Her mother, Darlene. The visions started when Marlene was a symbol and a symptom of an unfathomably deep maternal connection; a mental and emotional escape hatch; evidence of a bond so intense that a rupture was perhaps inevitable. And yet, years of estrangement later, when Marlene receives a message from Darlene asking her to come home, she packs up her life in Vancouver and drives across the country to small-town Nova Scotia. It’s a trip fraught with vivid, oppressive memories—of childhood betrayals, the distant decades that followed, and the malevolent presence of Darlene’s on-again-off-again boyfriend, Ed. Still, the opportunity is overwhelming—the chance to become the centres of each other’s universes once again. But when she arrives, Darlene is not where she should be. Figures from the past materialize as reality’s thin membrane begins to give way, and Marlene is forced to confront the incomprehensible as she is sent down a path of terrors, to the very end of human feeling, to the very end of her mind. Sinister and surreal, ghastly and full of grace, Mother of God is a monumental step forward from one of the great writers of her generation.

A brilliant, towering, puzzle-box novel about perfect summers and forbidden knowledge, somewhere in the mad interstice of Donna Tartt’s The Secret History and A.S. Byatt’s Possession. Summer, 1993, and university student Alex Lane finds himself at the end of the summer term, broke and without plans. When offered the chance to join students – including beautiful, mercurial Ella – clearing out Solace House, a Victorian residence left by reclusive hoarder Edwin Flayne, he accepts. Initially the house seems ordinary, if slightly mad. But sorting through junk, they discover Flayne’s journals detailing his obsession with his missing mother, his discovery of strange place Bewise, and his belief in another parallel realm, with coded instructions for reaching it. One of the students becomes increasingly obsessed with the house’s secrets and gaining forbidden knowledge – assuming they’re willing to sacrifice everything and everyone.

Three women must chase a curse through the generations in order to reclaim their power in this fierce and stunning novel from Such a Pretty Smile author Kristi DeMeester. 1750: Anne Bolton sets off with her daughter to begin a life of secrecy. In town, they are killing women accused of witchcraft every day, and as a healer, she’ll soon be persecuted too. But then she makes a deal with the Dark Sisters to protect those under her purview–and unleashes a devastating power with consequences that will echo for three hundred years. 1953: Mary Shephard is a new mother, a picture-perfect wife, and dutiful member of The Path–a community of faith that holds piety and family values above all else. But Mary feels oppressed by these limiting expectations, so she takes a part-time job. Then she meets Sharon, and their star-crossed love story begins. But that’s the thing about star-crossed lovers–people just want to tear you apart. 2007: Camilla Burson is the preacher’s daughter, and she knows how to play the game. But now women in The Path are dying of a rare disease, including her mother, and this time she’ll push her father too far. Her punishment: The Retreat, a place that shows troublemakers like Camilla that toeing the line is best for everyone. But there is an old, forgotten power awaiting her; a power that if Camilla can claim, will change everything. "Magnificent.” - Rachel Harrison "A visceral, mesmerizing nightmare. I couldn't look away." - Hannah Morrissey

A landmark literary novel of psychological horror from the author of I Become a Delight to My Enemies. Marlene calls herself a psychic wound healer, but really, her paranormal abilities are restricted to visions. In fact, they’re restricted to visions of just one person. Her mother, Darlene. The visions started when Marlene was a symbol and a symptom of an unfathomably deep maternal connection; a mental and emotional escape hatch; evidence of a bond so intense that a rupture was perhaps inevitable. And yet, years of estrangement later, when Marlene receives a message from Darlene asking her to come home, she packs up her life in Vancouver and drives across the country to small-town Nova Scotia. It’s a trip fraught with vivid, oppressive memories—of childhood betrayals, the distant decades that followed, and the malevolent presence of Darlene’s on-again-off-again boyfriend, Ed. Still, the opportunity is overwhelming—the chance to become the centres of each other’s universes once again. But when she arrives, Darlene is not where she should be. Figures from the past materialize as reality’s thin membrane begins to give way, and Marlene is forced to confront the incomprehensible as she is sent down a path of terrors, to the very end of human feeling, to the very end of her mind. Sinister and surreal, ghastly and full of grace, Mother of God is a monumental step forward from one of the great writers of her generation.