Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . . Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life. This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

A symphony of interconnected lives that offers a compelling reflection on life in modern-day metropolises at the intersection of isolation and intimacy. Set over several nights, between the hours of 1:00 a.m. and 4:30 a.m., in and around Tokyo, this mind-blowingly constructed book is an elaborate, energetic fresco of human nocturnal existence in all its mystery, an enigmatic literary mix of Agatha Christie, Teju Cole, and Heironymous Bosch. On this journey through the labyrinthine streets and hidden corners of one of the world’s most fascinating cities, everybody is searching for something, and maybe searching in the wrong places. Elements of the fantastical and the surreal abound, as they tend to do in the early pre-dawn hours of the morning, yet the settings, the human stories, and each character’s search are all as real as can be. Goodnight Tokyo offers readers a unique and intimate take on Tokyo as seen through the eyes of a large cast of colorful characters. Their lives, as disparate and as far apart as they may seem, are in fact intricately interconnected and as their fates converge against the backdrop of the city’s neon-lit streets and quiet alleyways, Yoshida masterfully portrays in captivating, lyrical prose the complexities of human relationships, the mystery of human connection, and the universal quest for meaning.

Debut author Shen Tao introduces readers to the lush, deadly world of The Poet Empress, a sweeping, epic and intimate fantasy perfect for fans of The Serpent & the Wings of Night, The Song of Achilles and She Who Became the Sun.In the waning years of the Azalea Dynasty, the emperor is dying, the land consumed by famine, and poetry magic lost to all except the powerful.Wei Yin is desperate. After the fifth death of a sibling, with her family and village on the brink of starvation, she will do anything to save those she loves.Even offer herself as concubine to the cruel heir of the beautiful and brutal Azalea House.But in a twist of fate, the palace stands on the knife-edge of civil war with Wei trapped in its center…at the side of a violent prince.To survive, Wei must harden her heart, rely on her wit, and become dangerous herself. Even if it means becoming a poet in a world where women are forbidden to read—and composing the most powerful spell of all. A ballad of death...and love.The Poet Empress is an epic fantasy that explores darker themes, subjects, and scenes that may not be suitable for all readers. Please see the author's content note at the beginning of the book.

Margaret Atwood meets Buffy in these funny, warm, and furious stories of women at their breaking points, from Hellenic times to today. Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

From sci-fi visionary and acclaimed author Annalee Newitz comes Automatic Noodle, a cozy near-future novella about a crew of abandoned food service bots opening their very own restaurant. While San Francisco rebuilds from the chaos of war, a group of food service bots in an abandoned ghost kitchen take over their own delivery app account. They rebrand as a neighborhood lunch spot and start producing some of the tastiest hand-pulled noodles in the city. But there’s just one problem. Someone―or something―is review bombing the restaurant’s feedback page with fake “bad service” reports. Can the bots find the culprit before their ratings plummet and destroy everything they created?

The near-distant future. Millions of kilometres from Earth. The crew of the Six-Thousand Ship consists of those who were born, and those who were made. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike start aching for the same things: warmth and intimacy. Loved ones who have passed. Shopping and child-rearing. Our shared, far-away Earth, which now only persists in memory. Gradually, the crew members come to see their work in a new light, and each employee is compelled to ask themselves whether they can carry on as before and what it means to be truly living. Structured as a series of witness statements compiled by a workplace commission, Ravn's crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.

The Nobelist's latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas. In September 1913, Mieczysław, a student suffering from tuberculosis, arrives at Wilhelm Opitz’s Guesthouse for Gentlemen, a health resort in  what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the Will there be war? Monarchy or democracy? Do devils exist? Are women inherently inferior? Meanwhile, disturbing things are beginning to happen in the guesthouse and its surroundings. As stories of shocking events in the surrounding highlands reach the men, a sense of dread builds. Someone--or something--seems to be watching them and attempting to infiltrate their world. Little does Mieczysław realize, as he attempts to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target. A century after the publication of The Magic Mountain, Tokarczuk revisits Thomas Mann territory and lays claim to it, blending horror story, comedy, folklore, and feminist parable with brilliant storytelling.

This is the story of a young man who took as his wife a widow who was slightly deranged... Fak is the humble janitor of a provincial temple school. A former novice with the prospect of an outstanding career as a monk, he defrocks to help his ageing, struggling father. While Fak is in the army, his father takes a wife. When the old man dies, Fak shares his hut with the widow. As he repels her advances and protects her from a hostile community, he falls prey to prejudice and misunderstandings from his neighbours, and there is nothing he can do to overturn the people's judgment. He finds solace in alcohol, which 'liberates' him by providing oblivion...

Inspired by the mapping of Ireland in the mid-nineteenth century, Land, the new novel from the author of Hamnet, is at once intimate and a portrait of a family navigating a legacy of upheaval and loss with love and hope. On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster. The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is unexpectedly sent off course by an unsettling encounter in a copse. His life, and those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás and how is Liam, aged only ten, going to finish the mapping, and get them both home? Land is a novel about separation and reunion, tragedy and recovery, colonisation and rebellion. It is a story of buried treasure, overlapping lives, ancient woodland, persistent ghosts, a particularly loyal dog, and how, when it comes to both land and history, nothing ever goes away. As spellbinding and various as the landscape that inspired it, Land is, above all, a story of survival, for our times, and for all time.

This devil's bargain will be sealed with sin. When a rake beyond redemption... A walking scandal surviving on little more than wits, whisky, and wicked skills in the bedchamber, Benedict Chatham, the new Marquess of Rutherford, is at the end of his rope. Deeply in debt and down to his last farthing, he must marry nothing short of an absolute fortune, or risk utter ruin. Must marry for money... Enter Miss Charlotte Lancaster, unfashionably tall heiress to just such a fortune and a clumsy, redheaded disaster in her five London seasons. While she dreams of leaving England for a life of trade in America, her father schemes to trade her dowry for a title—and Marchioness of Rutherford will do nicely. Charlotte wants her independence, not a husband, and certainly not a disreputable devil who renders her weak and wobbly with a single scorching glance. But she's a practical sort, and a year with the devil might buy her freedom... provided she can resist his seductive charms. That shouldn't prove a problem, for he could not possibly want someone like her, and the feeling is mutual. Really. It is. Love grows in the most unexpected places... When her father demands a startling price for his daughter's hand—one year of fidelity and sobriety—Chatham must change his libertine ways... at least temporarily. And when he does, Charlotte begins to see him in a new light—not as the scandalous charmer she married, but as the husband she just might adore.

In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.

Written between 1873 and 1884 but not published until 1903, a year after Butler's death, his marvelously uninhibited satire savages Victorian bourgeois values as personified by multiple generations of the Pontifex family. A thinly veiled account of his own upbringing in the bosom of a God-fearing Christian family, Butler's scathingly funny depiction of the self-righteous hypocrisy underlying nineteenth-century domestic life was hailed by George Bernard Shaw as "one of the summits of human achievement."

Here’s how the history of the Roman Empire usually goes… We start with Romulus, go on to Brutus overthrowing Tarquin, bounce through an appallingly tedious list of battles and generals and consuls, before emerging into the political stab-fest of the late Republic. From there, it runs through all the emperors, occasionally mentioning a wife or mother to show how bad things get when women get out of control, until Constantine invents Christianity and then Attila the Hun comes and ruins everything. But the history of Rome and empire is so much more than these Important Things. In this alternative history, Emma Southon traces the story of the Roman Empire through women: Vestal Virgins and sex workers, business owners and poets, martyrs and saints. Each gives a different perspective on women’s lives and how they changed, across time and across class lines.

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave owning nation  Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks-those that are honest about the past and those that are not-that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted. Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.