Senior year isn’t an ideal time to switch schools, but Fletcher Haverson needs it for his college applications. Opportunities are great, even if the social side sucks. But life gets unexpectedly better when he meets a sarcastic, gorgeous classmate who’s really fun to kiss. Haddie is the perfect girl—with fangs. A jealous ex-not-boyfriend and interspecies dating bans are stacked against them, but Fletcher’s willing to risk it. What’s the harm in doing something stupid for love, just once? Turns out, quite a bit. He’s crossed a line with Haddie and in the world of vampires, there’s nothing worse than being human.

Ten Gods rule the Eonia Realm together—but a prophecy is about to change everything. When a vision foretells the extinction of every Being on Aveesh, Asteria is thrust back into the inner workings of the Gods—an arena she wants nothing to do with. As the Gods fracture into warring factions and an unknown illness spreads through the human villages, tensions rise, and the fragile balance between humans and powerful Beings teeters on the edge of collapse. Some whisper of prophecy, others of conspiracy, but one thing is Aveesh stands on the precipice of chaos. A powerful seer burdened by glimpses of the future, a queen caught between loyalty and survival, an immortal forced to reckon with the truth of her own destiny, and a goddess forced to stand as a mediator between warring immortals—all desperate to maintain balance. As Paths intertwine, their bonds and the foundations of immortality itself will be tested. With Fate unraveling and betrayal lurking in every shadow, Asteria must decide what she’s willing to risk to protect the world… and the man who is tempting her to leave it all behind.

A century ago, fae and mortal worlds collided and brought about a terrifying question; what if there are more worlds waiting to be found? When a cursed fae seeks to cause another collision with a dark plane, mortals and fae battle together to stop the destruction of their realms. A draft begins and William Vandervult, at the young age of sixteen, goes to war. Now a combat medic hiding a plethora of wicked secrets, William has learned to survive in a grim world of maggots, bloodshed, and death. Nicholas Darkmoon, a fae with an affinity for fearsome magic, does not find this war rattled reality so grim, but an adventure to celebrate. He is as keen to end the war on behalf of his controlling father as he is to enjoy it. So, when the arrogant Nicholas causes trouble, William doesn’t hesitate to call him out. Garnering the attention of fae never bodes well and Nicholas is not one to turn a blind eye towards those he dislikes. However, through threats of disembowelment and survival on the run, Nicholas’ anger towards William shifts from deadly to voracious and obsessive. And William learns that tasting a little forbidden fruit in the twilight hours eases the slow decay of war from his rattled mind. The hunger these men have for each other may keep them warm at night, but in the cold trenches of war, affection blossoms, evil stirs, and a shadow looms ever closer.Bare Your Teeth follows enemies with benefits navigating a violent world of war and trickery. This dark romantasy is perfect for fans loving dagger to the throat and I hate you, but it’s a strange hate dynamics.

A Darker Shade of Magic is the incredible first installment of the Shades of Magic series, from number one New York Times best-selling author V.E. Schwab. Most people only know one London; but what if there were several? Kell is one of the last Travelers - magicians with a rare ability to travel between parallel Londons. There’s Grey London, dirty and crowded and without magic, home to the mad king George III. There’s Red London, where life and magic are revered. Then, White London, ruled by whoever has murdered their way to the throne. But once upon a time, there was Black London.... ©2015 V. E. Schwab (P)2015 Tantor

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

The deities you call aren't always the ones who answer. Marlow needs to believe she's crazy. The alternative would mean embracing the gift―or curse―shared by her mother and she can see angels and demons, including a dark and haunting entity who's been with Marlow her entire life. At least, she believes that's all he is until a fae from the Nordic pantheon strolls into her life and informs her that she's been sharing a bed with the Prince of Hell. A Prince who's now gone missing. Before she knows it, Marlow is deeply entangled in a centuries-old war, stumbling straight into a battleground between mighty beings of myth and legend from powerful pantheons around the world. And who will come out on top may just depend on her and the love she never dared to believe in.

Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, who loves her so hard, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was six. And Biz knows how to float, right there on the surface—normal okay regular fine. But after what happens on the beach—first in the ocean, and then in the sand--the tethers that hold Biz steady come undone. Dad disappears, and with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet.

Society insists that the life of an heiress ought to be consumed with dancing, polite conversation, and cards. The sadists!As Penelope Sedgewick would rather fly to Saturn's third moon than conform to society's whims, she became a sleuth, investigating private matters for ladies—thefts, missing domesticated dragons, stolen charms… the usual. Of course, it is all very hush-hush. Do try to keep it that way.When a routine inquiry into an elopement becomes derailed by a dead body (or two), and one dear to her is implicated, Penelope’s skills will be put to the test.With so much on the line, it will take a combination of her intelligence, magical abilities (Shhh! These are also secret), and marksmanship to protect that which she holds dear while shielding the innocent.Talismans, Teacups, and Trysts is the premier novel in the Alderwood Regency Fantasies—a series of cozy fantasies set in a reimagined regency world filled with dragons, magic, and intrigue.