“Murder Bimbo is Gone Girl for the Luigi Mangione era, and Rebecca Novack is one of our funniest and most acerbic new writers.” —Catherine Lacey, author of Biography of X An exhilarating and provocative debut perfect for fans of My Sister the Serial Killer, Yellowface, and Killing Eve—the origin story of sex worker turned assassin turned unlikely folk hero, Murder Bimbo, as told by the Bimbo herself (and then revised, uncensored, and reconsidered).A thirty-two-year-old sex worker is shocked when she’s approached by undercover government agents to aid them in a top-secret plot to assassinate a politician known as “Meat Neck.” But once the deed is done, she realizes what made her the perfect She’s 100% disposable. Holed up in an off-the-grid cabin in the woods, she now has only two days, her wits, and a laptop to save her own life. Her best bet is to reach out to the wildly popular feminist investigative podcast Justice for Bimbos. In a hastily typed series of emails, the newly minted “Murder Bimbo” explains how she was recruited and then trained by a cabal of code-named US agents to take out Meat Neck. Then she starts a new series of emails. This time, they’re addressed to her ex, and the facts line up a little differently… Constructed in three increasingly unhinged acts, each a more subversive, twisted version of the story than the last, Murder Bimbo can be read as a gloriously bold literary thriller, a satirical megalomaniac’s manifesto, or a raucous send-up of the political insanity we all live inside every day. Either way, it’s a dead-serious announcement of an electric new voice in American literature.

A Hallowed… Born with a soul that unites realms, Elara, the Hallowed, has lived a life that has never been her own. Trapped within a web of divine rituals and spiritual duties, she's more a vessel than a person. With a power that has the dual edge to purify or defile, the weight of the realm's hopes rests on her shoulders. But when her sheltered existence among the Druid sect is shattered by a friend's brutal murder, she's compelled to peel back the layers of deceit that have long ensnared her. A Hunter… Ivring Dantan, known in hushed tones as "The Hunter", is the cold embodiment of lethal precision and power. With a mask that strikes terror and a legacy stained in blood, he is duty-bound to the High Council. But when Elara, a beacon of light and defiance, enters his life, the lines between duty and desire blur. He challenges her, stirs her spirit, and draws her to the precipice of the forbidden. A Realm… Latheria, poised on the knife's edge of dark magic and ancient pacts, stands threatened by forces that wish to shatter its delicate balance. As the shadows of treachery loom large, the distinctions between ally and enemy, right and forbidden, begin to fade. Elara and Ivring find themselves at the heart of a realm teetering on the edge of upheaval, where the ties that bind them could be the very threads that unravel the fabric of their world.

Set in a foreboding Gothic mansion and infused with the heightened paranoia and creeping horror of novels like Catherine House and Crimson Peak, a spine-chilling debut historical thriller from a fresh voice in the genre that will leave you questioning who, or what, you can trust . . . including your own sanity. England, 1840. Orabella Mumthrope spies an unexpected visitor in her uncle’s parlor. Scruffy in appearance yet claiming to be the scion of a fabulously wealthy family, Elias Blakersby declares a deep desire to make Orabella his wife. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella never expected to marry. But her uncle has many debts, and Orabella, curious about the seeming devotion Elias bestows upon her, agrees. The new bride is quickly whisked away to Korringhill Manor, the Blakersby family estate, and far from everything she knows. Expecting splendor, Orabella is shocked to find decay, skittish servants, and curt elders. But her kind new husband’s loving touch, promises of a happy life together, and his assurances she’ll never want for anything soothe her concerns. Yet there is a darkness deep within this house. Rooms are locked or hidden away, and the walls seem to thrum with secrets. Orabella can never venture outside unattended; she spends her days having tea with a catatonic sister-in-law and evenings at Elias’s side, dutifully hosting lavish dinners. The darkness soon begins to engulf her, too. Becoming dizzy and drowsy after dinner, she falls into a fitful sleep filled with macabre dreams, and is awakened by blood-curdling screams in the night. In the morning she rises from her bed covered in mysterious bruises. Confused and terrified, she begins to question where her dreams end and reality begins. The longer Orabella stays in this place, the more she loses parts of herself . . . how long until she no longer exists? Midnight Rooms is a sweeping saga with supernatural undertones set in Victorian England. Vibrating with tension, richly atmospheric—haunted by ghosts, guilt, and familial bonds—it is an electrifying story that will linger in your dreams.