Just after midnight, a snowdrift stops the famous Orient Express in its tracks as it travels through the mountainous Balkans. The luxurious train is surprisingly full for the time of the year but, by the morning, it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. One of the passengers is none other than detective Hercule Poirot. On vacation. Isolated and with a killer on board, Poirot must identify the murderer—in case he or she decides to strike again.

A panoramic investigation of the subterranean landscape, from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feet. When Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to sacred caves, catacombs, tombs, bunkers, and ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted us through the ages. In a narrative spanning continents and epochs, Hunt follows a cast of subterraneaphiles who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old mine in the Australian outback, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees. Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs and guided how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see.

A cheeky up-close and personal guide to the secrets and science of our digestive system For too long, the gut has been the body’s most ignored and least appreciated organ, but it turns out that it’s responsible for more than just dirty work: our gut is at the core of who we are. Gut, an international bestseller, gives the alimentary canal its long-overdue moment in the spotlight. With quirky charm, rising science star Giulia Enders explains the gut’s magic, answering questions like: Why does acid reflux happen? What’s really up with gluten and lactose intolerance? How does the gut affect obesity and mood? Communication between the gut and the brain is one of the fastest-growing areas of medical research—on par with stem-cell research. Our gut reactions, we learn, are intimately connected with our physical and mental well-being. Enders’s beguiling manifesto will make you finally listen to those butterflies in your stomach: they’re trying to tell you something important.

A pioneering and groundbreaking work of narrative nonfiction that offers a dramatic new perspective on the history of humankind, showing how through millennia, the mosquito has been the single most powerful force in determining humanity's fate Why was gin and tonic the cocktail of choice for British colonists in India and Africa? What does Starbucks have to thank for its global domination? What has protected the lives of popes for millennia? Why did Scotland surrender its sovereignty to England? What was George Washington's secret weapon during the American Revolution? The answer to all these questions, and many more, is the mosquito. Across our planet since the dawn of humankind, this nefarious pest, roughly the size and weight of a grape seed, has been at the frontlines of history as the grim reaper, the harvester of human populations, and the ultimate agent of historical change. As the mosquito transformed the landscapes of civilization, humans were unwittingly required to respond to its piercing impact and universal projection of power. The mosquito has determined the fates of empires and nations, razed and crippled economies, and decided the outcome of pivotal wars, killing nearly half of humanity along the way. She (only females bite) has dispatched an estimated 52 billion people from a total of 108 billion throughout our relatively brief existence. As the greatest purveyor of extermination we have ever known, she has played a greater role in shaping our human story than any other living thing with which we share our global village. Imagine for a moment a world without deadly mosquitoes, or any mosquitoes, for that matter? Our history and the world we know, or think we know, would be completely unrecognizable. Driven by surprising insights and fast-paced storytelling, The Mosquito is the extraordinary untold story of the mosquito's reign through human history and her indelible impact on our modern world order.

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

When the apprentices of a Paris printing shop in the 1730's held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the 18th century version of "Little Red Riding Hood" did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions Robert Darnton attempts to answer in this dazzling series of essays that probe the ways of thought in what we like to call "The Age of Enlightenment."

A “gripping and suspenseful account” of a baffling killing spree in eighteenth-century France and the fear surrounding the mysterious “Beast of Gévaudan” (Publishers Weekly). Something unimaginable occurred from 1764 to 1767 in the Gévaudan region of south central France. Over the course of three years, in the remote highland, over a hundred people, mostly women and children, were murdered. Appalled reports of the events—considered to be one of the world’s first “media sensations”—suggested that a real-life monster was on the loose. As panic spread, alarmed rural communities were virtually held hostage by the unseen marauder. Louis XV even deployed dragoons and crack wolf hunters from far-off Normandy and the King’s own court to destroy the menace.   Despite extensive historical documentation, no one could agree on the origin of the terror. A feral serial killer? A werewolf? An unknown animal species? Or, as was proposed by the local bishop, a scourge of God? To this day, debates on the true nature of La Bête continue. With historical illustrations, composite sketches by the author, on-the-scene modern-day photographs, and autopsy analysis, Beast takes a fascinating look at all the evidence, using a mix of history and modern biology to advance a theory that could solve one of the most bizarre and unexplained killing sprees of all France’s infamous Beast of the Gévaudan—a tale that still captures the imagination and has found its way into modern culture through films like The Wolfman, novels like Patricia Brigg’s Hunting Ground, and a History Channel documentary.

Science reporter Erika Engelhaupt investigates the gross, strange, and morbid absurdities of our bodies and our universe. From the research biologist who stung himself with every conceivable insect to the world's most murderous mammals, this book explores oft-ignored but alluring facets of biology, anatomy, space exploration, nature, and more. Featuring interviews with leading researchers in the field and a large dose of wit, the author reveals the most intriguing real-world applications of science in all their glory.

A riveting history of vampire panics across cultures and down through the millennia—and why killing the dead is better than killing the livingKilling the Dead provides the first in-depth, global account of one of the world’s most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, John Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society’s inexplicable terrors and anxieties.In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginīs of India.Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

Discover the world’s most fascinating death and funeral traditions in this illustrated modern-day memento mori.Embark on a whirlwind tour of burial, preservation, and memorial practices and landmarks from across the globe and throughout history, ranging from the customs of our ancestors to contemporary practices. In these vibrantly illustrated pages, you can explore how humans from time immemorial have honored and remembered the dead, Mummification in ancient Egypt Post-mortem photography in Victorian England Open-pyre cremations in India Ghana’s fantasy coffins The Japanese ritual of kotsuage (“the gathering of the bones”) And much more Author-illustrator YY Liak tackles the thorny theme of death with a deep compassion for the universal experiences of loss and grief and an intrepid interest in the unique mortuary practices that have arisen across continents, cultures, and millennia. Her colorful, modern illustrations bring to life a whole spectrum of human beliefs about death and dying.EXISTENTIAL AND ENDLESSLY Whether you’re casually curious about what happens to our bodies after we die or intimately experienced with death and its attendant customs, appreciating the rituals of others can help you develop and deepen your own.MARVELOUSLY MACABRE, TREMENDOUSLY Dynamic, full-color artwork accompanies informative and intriguing text, rendering everything in energetic detail—from a step-by-step breakdown of the embalming process to detailed diagrams of ancestral altars around the world.A GIFT FOR CURIOUS This intriguing volume makes an excellent present for sociology lovers and morbidly curious readers. It’s a perfect fit for anyone who enjoys an accessible, illustrated take on history and anthropology and can also be shared with younger readers to kickstart important discussions about death and dying.Perfect Science buffs and history lovers Adults and teens interested in death and funeral traditions Anyone curious about different cultures' beliefs about death and mortality Readers seeking resources that demystify and destigmatize death and dying Fans of popular science and sociology authors like Caitlin Doughty, Mary Roach, and Sue Black

The story of Chernobyl is more complex, more human, and more terrifying than the Soviet myth. Adam Higginbotham has written a harrowing and compelling narrative which brings the 1986 disaster to life through the eyes of the men and women who witnessed it firsthand. Drawing on hundreds of hours of interviews conducted over the course of more than ten years, as well as letters, unpublished memoirs, and documents from recently-declassified archives, this book makes for a masterful non-fiction thriller. Chernobyl has become lodged in the collective nightmares of the world: shorthand for the spectral horrors of radiation poisoning, for a dangerous technology slipping its leash, for ecological fragility, and for what can happen when a dishonest and careless state endangers not only its own citizens, but all of humanity. It is a story that has long remained in dispute, clouded from the beginning in secrecy, propaganda, and misinformation. Midnight In Chernobyl is an indelible portrait of history's worst nuclear disaster, of human resilience and ingenuity and the lessons learned when mankind seeks to bend the natural world to his will - lessons which, in the face of climate change and other threats - remain not just vital but necessary. Now, Higginbotham brings us closer to the truth behind this colossal tragedy.

Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

For discerning bibliophiles and readers who enjoy unforgettable classic literature, 1001 Books You Must Read Before You Die is a trove of reviews covering a century of memorable writing. Each work of literature featured here is a seminal work key to understanding and appreciating the written word.The featured works have been handpicked by a team of international critics and literary luminaries, including Derek Attridge (world expert on James Joyce), Cedric Watts (renowned authority on Joseph Conrad and Graham Greene), Laura Marcus (noted Virginia Woolf expert), and David Mariott (poet and expert on African-American literature), among some twenty others.Addictive, browsable, knowledgeable—1001 Books You Must Read Before You Die will be a boon companion for anyone who loves good writing and an inspiration for anyone who is just beginning to discover a love of books. Each entry is accompanied by an authoritative yet opinionated critical essay describing the importance and influence of the work in question. Also included are publishing history and career details about the authors, as well as reproductions of period dust jackets and book designs.

Just after midnight, a snowdrift stops the famous Orient Express in its tracks as it travels through the mountainous Balkans. The luxurious train is surprisingly full for the time of the year but, by the morning, it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. One of the passengers is none other than detective Hercule Poirot. On vacation. Isolated and with a killer on board, Poirot must identify the murderer—in case he or she decides to strike again.