Lia and Cassie are best friends, wintergirls frozen in fragile bodies, competitors in a deadly contest to see who can be the thinnest. But then Cassie suffers the ultimate loss—her life—and Lia is left behind, haunted by her friend's memory, and feeling guilty for not being able to help save her. In her most powerfully moving novel since Speak, award-winning author, Laurie Halse Anderson explores Lia's struggle, her painful path to recovery, and her desperate attempts to hold on to the most important thing of all—hope.

Feminist tales from Japan that blend humor, surrealism, and sharp societal critique, by the acclaimed author of Where the Wild Ladies Are. A collection of fifty-two short stories and pieces of flash fiction, The Woman Dies takes as its impetus the various forms of discrimination entrenched within Japanese society, particularly the long, stubborn roots of sexism.    Matsuda approaches often-thorny subjects such as the normalizing effect of violence against women on screen, or the aesthetics associated with technology, with an inventiveness and quirky humor that keep the narrative on the cusp between seriousness and levity.     Wordplay evolves into something much more complex, inanimate objects are endowed with their own point of view, and hard-hitting feminist stances are conveyed with a dry, detached humor that makes them all the more uncompromising.   Not so much a rollercoaster ride, rather an entire theme park, The Woman Dies is an out-of-the ordinary space readers will step into with feelings of wonder and discombobulation in equal parts.  

From popular content creator Kelsey Impicciche, Voice of the Ocean follows a daring young siren who defies her people to save a human prince, unearthing ancient magic and igniting a dangerous romance amidst treacherous waters.As the youngest daughter of the Siren queen, Celeste's life is tightly controlled. Desperate to prove her worth, she intends to join the Chorus - an elite group of siren warriors. With her final test on the horizon, Celeste must finally gain control over her temperamental Song. But when Celeste encounters a seemingly harmless ship, helmed by the intriguing Prince Raiden Sharp, her path veers towards forbidden waters.Believing the handsome sailor to be innocent of any wrongdoing, Celeste defies Siren law to save Raiden's life - despite knowing he is the son of a king who has murdered many of her kindred. The penalty for Celeste's betrayal should be death, but the queen offers her an right her wrong by assassinating the prince. Determined to first discover the truth behind the prince's clandestine mission, Celeste agrees to become human.The human world is nothing like she expected, nor is the prince the charming and noble man she assumed him to be. But as Celeste finds her place aboard the ship, friendships - and attraction - begin to grow. Will Celeste be able to save herself? Or will her choices unravel a kingdom, devastating sirens and humans alike?

We're fighting for our lives, living for reward challenges, in front of an intergalactic audience—and, oh yeah, apparently the huge winged alien is now my mate.I’ve always been a reality tv junkie, heading up a fantasy league and hosting watch parties at my place. I jumped at the chance to apply to one, and my entire reality tv obsessed girl gang does too, drinking too many margaritas in the process. We didn’t care that none of us had ever heard of it, or that the premise is a bit too physical for us couch potatoes— there’s no way they’ll pick us, anyway. Except… they do pick us. And the show’s not set on Earth. Nope. We’re starring on the first season of Mated & Afraid, and that paperwork we rushed through had a whole lot of fine print we didn’t read. I’ve been matched with a Draegon alien— and he’s been mated to me, marking me with the poison (yep! Poison!) that means I’m his. We’re dropped into a biosphere, and the game is easy enough to make it to the exit and we win. That is, until the supposedly uninhabited moon we're on turns out to not be uninhabited at all— and the artificial intelligence we've awoken? It has a whole different idea of fun and games.

How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories. Smart, funny, galvanizing, and sometimes profane, Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico. At once a deeply personal and searching history of one woman's reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy--within ourselves, and with each other.

The spine-tingling bestseller that has taken Japan by storm—an eerie fresh take on horror for fans of Hidden Pictures and Junji Ito, in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches. An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . . A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning. A child's picture of his home contains a dark secret message. A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality. Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.

coming soon

In 1972, Martha "Marty" Goddard volunteered at a crisis hotline, counseling girls who had been molested by their fathers, their teachers, their uncles. Soon, Marty was on a mission to answer a question: Why were so many sexual predators getting away with these crimes? By the end of the decade, she had launched a campaign pushing hospitals and police departments to collect evidence of sexual assault and treat survivors with dignity. She designed a new kind of forensics tool—the rape kit—and new practices around evidence collection that spread across the country. Yet even as Marty fought for women's rights, she allowed a man to take credit for her work. When journalist Pagan Kennedy went looking for this forgotten pioneer, she discovered that even Marty Goddard's closest friends had lost track of her. As Pagan followed a trail of clues to solve the mystery of Marty, she also delved into the problematic history of forensics in America. The Secret History of the Rape Kit chronicles one journalist's mission to understand a crucial innovation in forensics and the woman who championed it. As Pagan Kennedy hunts for answers, she reflects on her own experiences with sexual assault and her own desire for justice.

In Upright Women Wanted, award-winning author Sarah Gailey reinvents the pulp Western with an explicitly antifascist, near-future story of queer identity.“That girl’s got more wrong notions than a barn owl’s got mean looks.”Esther is a stowaway. She’s hidden herself away in the Librarian’s book wagon in an attempt to escape the marriage her father has arranged for her—a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.

In this powerful memoir, Sandra Uwiringyimana, a girl from the Democratic Republic of the Congo, tells the incredible true story of how she survived a massacre, immigrated to America, and overcame her trauma through art and activism. Sandra Uwiringiyimana was just ten years old when she found herself with a gun pointed at her head. The rebels had come at night—wielding weapons, torches, machetes. She watched as her mother and six-year-old sister were gunned down in a refugee camp, far from their home in the Democratic Republic of the Congo. The rebels were killing people who weren’t from the same community, the same tribe. In other words, they were killing people simply for looking different. “Goodbye, life,” she said to the man ready to shoot her. Remarkably, the rebel didn’t pull the trigger, and Sandra escaped into the night. Thus began a new life for her and her surviving family members. With no home and no money, they struggled to stay alive. Eventually, through a United Nations refugee program, they moved to America, only to face yet another ethnic disconnect. Sandra may have crossed an ocean, but there was now a much wider divide she had to overcome. And it started with middle school in New York. In this profoundly moving memoir, Sandra tells the story of her survival, of finding her place in a new country, and of her hope for the future.

Lia and Cassie are best friends, wintergirls frozen in fragile bodies, competitors in a deadly contest to see who can be the thinnest. But then Cassie suffers the ultimate loss—her life—and Lia is left behind, haunted by her friend's memory, and feeling guilty for not being able to help save her. In her most powerfully moving novel since Speak, award-winning author, Laurie Halse Anderson explores Lia's struggle, her painful path to recovery, and her desperate attempts to hold on to the most important thing of all—hope.