Welcome to the Gun Show! The top ten list is populated. The sponsorship program is open. The difficulty is ramping up. The first three floors were nothing compared to what Carl and Donut now face. The Iron Tangle. An impossibly-complicated subway system built out of the world's subterranean railway systems, all combined and then tied together into a knot. Up is down. Down is up. Close is far. The cars are filled with monsters, the railway stations are less than safe, and the exit is always just a few stops away. But there is hope. For the first time, the crawlers are all working together. The loot is better than ever. And the secret to unraveling it all may be hidden in the pages of a seemingly-useless book. Welcome, crawlers. Welcome to the fourth floor of the dungeon.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

“I got you to look after me, and you got me to look after you, and that's why.” They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. But George and Lennie have a plan: to own an acre of land and a shack they can call their own. While the powerlessness of the laboring class is a recurring theme in Steinbeck's work of the late 1930s, he narrowed his focus when composing Of Mice and Men, creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is universal: a friendship and a shared dream that makes an individual's existence meaningful. A unique perspective on life's hardships, this story has achieved the status of timeless classic due to its remarkable success as a novel, a Broadway play, and three acclaimed films.

From the bestselling author of Strange Houses and Strange Pictures comes a mesmerizing novel of eleven strange buildings and one terrible secret. A lonely hut in the woods. A murder house. A hidden chamber. A mysterious shrine. A home in flames. A nightmarish prison. . . . Each of the buildings in this book tells a chilling story. Each one is part of a puzzle. Look closely . . . and you'll see that everything is connected. All leading to a revelation so horrifying you won't want to believe it. Millions have become addicted to solving Uketsu's dark mysteries. Strange Buildings is the strangest, and darkest, of them all.

Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship.Black artisans have long been central to American art and design, creating innovative and highly desired work against immense odds. Atlanta-based chairmaker and scholar Robell Awake explores the stories behind ten cornerstones of Black craft, The celebrated wooden chairs of Richard Poynor, an enslaved craftsman who began a dynasty of Tennessee chairmakers. The elegant wrought-iron gates of Philip Simmons, seen to this day throughout Charleston, South Carolina, whose work features motifs from the Low Country. The inventive assemblage art and yard shows of Joe Minter, James Hampton, Bessie Harvey, and others, who draw on African spiritual traditions to create large-scale improvisational art installations. From the enslaved potters of Old Edgefield, South Carolina, to Ann Lowe, the couture dressmaker who made Jacqueline Kennedy's wedding dress, to Gullah Geechee sweetgrass basket makers, to the celebrated quilters of Gee's Bend, A Short History of Black Craft in Ten Objects illuminates the work of generations of Black craftspeople, foregrounding their enduring contributions to American craft.BLACK CRAFT AND Delving into the history of Black skilled artisans, estimated to have outnumbered white artisans five to one in the southern United States in the late 1800s, this unique art history book celebrates handcrafted objects that reflect the dynamic nature of Black culture.DYNAMIC ILLUSTRATED Luminous color illustrations by artist Johnalynn Holland highlight beloved craft objects and their makers, creating a fascinating volume to study and treasure.ART HISTORY Author Robell Awake is a notable furniture maker, artisan, and educator whose work has been featured in the New York Times and in group shows at Verso Gallery in New York City and the Center for Craft in Asheville, NC. Dr. Tiffany Momon, who contributes an afterword, is the founder and co-director of the Black Craftspeople Digital Archive and a leading scholar of Black history and African American placemaking throughout the southeast.BEAUTIFUL GIFT The gorgeous design is ideal for art collectors and craft enthusiasts, as a keepsake reminder of Black heritage, for Black History Month and beyond.Perfect Anyone interested in the intersection of Black art, craft, and history Designers and craftspeople Educators and students Collectors and museum curators Lovers of fine and artisanal design objects

Kaya dreams of racing her beautiful mare Steps High. Her father warns her that the horse isn't ready, but when a pesky boy insults Steps High, Kaya accepts his challenge to race. As they ride, Kaya loses sight of her little brothers. Her carelessness earns her a nickname that her friends won't let her forget.

“I got you to look after me, and you got me to look after you, and that's why.” They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. But George and Lennie have a plan: to own an acre of land and a shack they can call their own. While the powerlessness of the laboring class is a recurring theme in Steinbeck's work of the late 1930s, he narrowed his focus when composing Of Mice and Men, creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is universal: a friendship and a shared dream that makes an individual's existence meaningful. A unique perspective on life's hardships, this story has achieved the status of timeless classic due to its remarkable success as a novel, a Broadway play, and three acclaimed films.

A small boy longed to roll and play in the grass like his father had when he was a child. But the boy lived in a concrete city without any grass or trees. Instead, they had roads, walls and lots of other ugly things. Then one day the boy and his friend discovered a sapling hiding behind a low wall. When they hear that a condominium is being built right on the spot where their tree is growing, the friends know they have to dig it up and replant it in a safe place.

Unearth the true story of green-thumbed pioneer and activist Kate Sessions, who helped San Diego grow from a dry desert town into a lush, leafy city known for its gorgeous parks and gardens. Katherine Olivia Sessions never thought she’d live in a place without trees. After all, Kate grew up among the towering pines and redwoods of Northern California. But after becoming the first woman to graduate from the University of California with a degree in science, she took a job as a teacher far south in the dry desert town of San Diego. Where there were almost no trees.Kate decided that San Diego needed trees more than anything else. So this trailblazing young woman singlehandedly started a massive movement that transformed the town into the green, garden-filled oasis it is today. Now, more than 100 years after Kate first arrived in San Diego, her gorgeous gardens and parks can be found all over the city.Part fascinating biography, part inspirational story, this moving picture book about following your dreams, using your talents, and staying strong in the face of adversity is sure to resonate with readers young and old.

Where is our historian to give us our side, Arturo asked, to teach our people our own history? Amid the scholars, poets, authors, and artists of the Harlem Renaissance stood an Afro-Puerto Rican man named Arturo Schomburg. His life's passion was to collect books, letters, music, and art from Africa and the African diaspora in order to bring to light the achievements of people of African descent. When his collection became so large that it threatened to overflow his house, he turned to the New York Public Library. At the time, the collection, with Schomburg as curator, was the cornerstone of a new Division of Negro History, Literature and Prints. A century later, it is the Schomburg Center for Research in Black Culture—and a beacon for scholars all over the world. In luminous paintings and arresting poems, two of children's literature's foremost African-American scholars track the journey of Arturo Schomburg and his quest to correct and expand the historical record for generations to come.