This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era—when white women fought in court to keep "ownership" of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars</i< tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.

In the eighteenth century, the palace's most elegant assembly room was in fact a bloody battlefield. This was a world of skulduggery, politicking, wigs and beauty-spots, where fans whistled open like flick-knives... Ambitious and talented people flocked to court of George II and Queen Caroline in search of power and prestige, but Georgian court was also a gilded cage. Successful courtiers needed level heads and cold hearts; their secrets were never safe. Among them, a Vice Chamberlain with many vices, a Maid of Honour with a secret marriage, a pushy painter, an alcoholic equerry, a Wild Boy, a penniless poet, a dwarf comedian, two mysterious turbaned Turks and any number of discarded royal mistresses.

It wasn't a car crash, but there was a collision. He fell from the third floor. At the age of twenty-two, Grace Spence Green's spine was broken at the fourth thoracic vertebra, and her life changed tracks. One day, she was in hospital supporting patients, the next she was one. To Exist As I Am traces Grace's journey back to the wards and back to herself - as words like recovery, independence and community, well and unwell, took on new meanings. Through her extraordinary story, she asks how we might fight for change, while joyously embracing life exactly as we are.

When Judith Rice killed her mother, she thought she put an end to the woman's hold on her. Seventeen years later, secluded deep in the woods of northern Georgia, Jude knows that the past isn't all that easy to discard. Alone with her strange house and even stranger woods, Jude must grapple with ghosts, haints, beasts, and an enigmatic woman who threatens to undo the tentative peace Jude's built for herself by fanning the violence that lives just underneath her skin.

_______________WINNER OF THE INDIE BOOK AWARD FOR NON-FICTIONTHE TOP 2 SUNDAY TIMES BESTSELLERA BBC RADIO 4 BOOK OF THE WEEKAN OBSERVER BOOK OF THE YEAR_______________Mudlark (/'mAdla;k/) noun A person who scavenges for usable debris in the mud of a river or harbourLara Maiklem has scoured the banks of the Thames for over fifteen years, in pursuit of the objects that the river from Neolithic flints to Roman hair pins, medieval buckles to Tudor buttons, Georgian clay pipes to Victorian toys. These objects tell her about London and its lost ways of life.Moving from the river's tidal origins in the west of the city to the point where it meets the sea in the east, Mudlarking is a search for urban solitude and history on the River Thames, which Lara calls the longest archaeological site in England.As she has discovered, it is often the tiniest objects that tell the greatest stories._______________'Enchanting' - Sunday Times'Driven by curiosity, freighted with mystery and tempered by chance, wonders gleam from every page' - Melissa Harrison'Brilliant. No one has looked at these odd corners since Sherlock Holmes' - Sunday Telegraph'The very best books that deal with the past are love letters to their subject, and the very best of those are about subjects that love their authors in return. Such books are very rare, but this is one' - Ian Mortimer'Fascinating. There is nothing that Maiklem does not know about the history of the river or the thingyness of things' - Guardian'A treasure. One of the best books I've read in years' - Tracy Borman