Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

From the #1 New York Times bestselling author of Just for the Summer comes a new playful yet deeply emotional contemporary romance. 

Alternate editions can be found here and here. A gothic masterpiece of tempestuous passions and dark secrets, Charlotte Brontë's Jane Eyre is edited with an introduction and notes by Stevie Davis in Penguin Classics. Charlotte Brontë tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester. As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall's terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions - even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman's search for equality and freedom.

A sweeping, deeply researched narrative history of Black wealth and the economic discrimination embedded in America’s financial system through public and private actions that created today’s Black-white wealth gap.  Greenwood, a new digital banking platform headquartered in Atlanta, founded by and for Black and Latino communities in 2019, has deep roots in American history. It was named after the Greenwood business district in Tulsa, Oklahoma, known at the time as “Black Wall Street,” where in 1921 a white mob destroyed scores of successful Black-owned businesses, murdering and injuring hundreds of Black residents, in what became known as the Tulsa Race Massacre. This was a significant juncture in the course of American history, but hardly an anomaly. Twelve Cents on the Dollar details a number of these junctures where the American financial sector, government, or both made decisions that carried profound repercussions for Black Americans and their money. From the first enslaved Africans being traded on U.S. soil in 1619, to the passing of the 13 th amendment in 1865 and the subsequent prison-industrial complex boom, to widespread redlining in the 1930s and reform failures in the 1960s, the 2008 Recession and the government’s overwhelming prioritization of white people in dolling out assistance, American history is rife with racial and economic injustice. And though Greenwood’s success remains to be seen, a clear-eyed chronicling of the bank’s early days—and the historical circumstances from which it emerged—will provide new insights on American economic equity, Black business ownership, and models for widespread and lasting change. Authors Ebony Reed and Louise Story have shaped coverage on race and the American financial system at the New York Times, the Detroit News and the Wall Street Journal for decades; now, in Twelve Cents on the Dollar , they tell the story of how these staggering injustices came to be, and how hope for America’s future is inextricably linked to our acknowledging its past.

A tender, slyly comical, and shamelessly honest debut novel following a Japanese widow raising her son between worlds with the help of her Jewish mother-in-law as she wrestles with grief, loss, and—strangest of all—joy. Shortly after her husband Levi’s untimely death, Kyoko decides to raise their young son, Alex, in San Francisco, rather than return to Japan. Her nosy yet loving Jewish mother-in-law, Bubbe, encourages her to find new love and abandon frugality but her own mother wants Kyoko to celebrate her now husbandless life. Always beside her is Alex, who lives confidently, no matter the circumstance. Four sections of vignettes reflect Kyoko’s fluctuating emotional states—sometimes ugly, other times funny, but always uniquely hers. While freshly mourning Levi, Kyoko and Alex confront another death—that of Alex’s pet betta fish. Kyoko and Bubbe take a road trip to a psychic and discover that Kyoko carries bad karma. On visits back to Japan, Kyoko and her mother clash over how best to connect Alex with his Japanese heritage, and as Alex enters his teenage years and brings his first girlfriend home, Kyoko lets her imagination run wild as she worries about teen pregnancy. In this openhearted and surprising novel about the choices and relationships that sustain us, there are times where Kyoko is lonely but never alone and others in which she is alone but never lonely. Through these moments, she learns how much more there is to herself in the wake of total and unexpected upheaval. Loss. See Love. is a testament to how grief isn’t a linear process but is a spiraling awareness of the vast range of human emotion we experience every day.