#1 bestselling author Elin Hilderbrand teams up with her daughter, Shelby Cunningham, to deliver a dishy, page-turning novel following an intertwined cast of characters over the course of one drama-filled year at a New England boarding school. It’s move-in day at Tiffin Academy and amidst the happy chaos of friends reuniting, selfies uploading, and cars unloading, shocking news America Today just ranked Tiffin the number two boarding school in the country. It’s a seventeen-spot jump – was there a typo? The dorms need to be renovated, their sports teams always come in last place, and let’s just say Tiffin students are known for being more social than academic. On the other hand, the campus is exquisite, class sizes are small, and the dining hall is run by an acclaimed New York chef. And they do have fun—lots of parties and school dances, and a piano man plays in the student lounge every Monday night. But just as the rarefied air of Tiffin is suffused with self-congratulation, the wheels begin to turn – and then they fall off the bus. One by one, scandalous blind items begin to appear on phones across Tiffin’s campus, thanks to a new app called ZipZap, and nobody is safe. From Davi Banerjee, international influencer and resident queen bee, to Simone Bergeron, the new and surprisingly young history teacher, to Charley Hicks, a transfer student who seems determined not to fit in, to Cordelia Spooner, Admissions Director with a somewhat idiosyncratic methodology – everyone has something to hide. As if high school wasn’t dramatic enough...As the year unfolds, bonds are forged and broken, secrets are shared and exposed, and the lives of Tiffin’s students and staff are changed forever. The Academy is Elin Hilderbrand’s fresh, buzzy take on boarding school life, and a thrilling new direction from one of America’s most satisfying and popular storytellers.

S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

For readers of Kara Thomas and Karen McManus, an addictive, twisty crime thriller with shades of Serial and Making a Murderer about a closed local murder case that doesn't add up, and a girl who's determined to find the real killer--but not everyone wants her meddling in the past. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. This is the story of an investigation turned obsession, full of twists and turns and with an ending you'll never expect.

My new next-door neighbor seems to have everything figured out. Small town golden boy? Check. Single dad extraordinaire? Check. Hot baker forearms? I didn’t notice them, I swear. I, on the other hand, don’t–at all–have anything figured out. Trust me, I didn’t think taking over my mom’s dream bed and breakfast in Copper Run Vermont was going to be easy. It should be a good place to heal after my divorce. But apparently my scones belong in the garbage with my small talk skills. As pointed out by none other than Cliff. Cliff is inescapable. He knows exactly what people need–always. His charm, the way he wears flannel, and even his pastries, make not wanting to be friends with Cliff and his daughters pretty hard. Friends? I can make friends. That’s safe. Except I’m leaving in three months to pass the inn off to my little sister and get the promotion in Seattle I’ve been working towards. So ask me why I’m thinking about kissing my hot neighbor.

At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

Sold by her mother. Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den... Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others. But Amara's spirit is far from broken. By day, she walks the streets with her fellow she-wolves, finding comfort in the laughter and dreams they share. For the streets of Pompeii are alive with opportunity. Out here, even the lowest slave can secure a reversal in fortune. Amara has learnt that everything in this city has its price. But how much is her freedom going to cost her? Set in Pompeii's lupanar, The Wolf Den reimagines the lives of women who have long been overlooked.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.