On a split of land cut off by the Gulf, three Victorian summer houses stand against the encroaching sand. Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air. The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame. But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

An inexplicable message flashed onto the screen of his Apple II computer at 3 a.m. heralds the beginning of a startling quest for frustrated author Herman Orff. Taking up the offer of a cure for writer's block leads him ‘to those places in your head that you can't get to on your own' - and plunges him into a semi-dreamland inhabited by a bizarre combination of characters from myth and the talking head of Orpheus; a lost love; the young girl of Vermeer's famous portrait - and a frequency of Medusas.

2015 World Fantasy Award nominee! "Gifts for the One Who Comes After - saturated with tales of omens and curses, is a gift for the one who comes looking." - Quill & Quire (Starred) Ghost thumbs. Microscopic dogs. One very sad can of tomato soup . . . Helen Marshall's Shirley Jackson Award-Nominee and second collection offers a series of twisted surrealities that explore the legacies we pass on to our children. A son seeks to reconnect with his father through a telescope that sees into the past. A young girl discovers what lies on the other side of her mother's bellybutton. Death's wife prepares for a very special funeral. In Gifts for the One Who Comes After, Marshall delivers eighteen tales of love and loss that cement her as a powerful voice in dark fantasy and the New Weird. Dazzling, disturbing, and deeply moving.

A collection of 12 grotesqueries inspired by the natural and psychological landscapes of New England and by the ghosts that walk the places in-between. The long-awaited new collection of short stories from Daniel Mills, whose literary antecedents include Poe, Hawthorne, Vernon Lee, and John Darnielle. A visionary and poetic stylist. Contains the long out-of-print novella "The Account of David Stonehouse, Exile," and two new stories written expressly for this collection. "Daniel Mills is a master of telling tales. . . ." ―The New York Journal of Books "Daniel Mills is a writer to watch" - Black Static Magazine "Mills has a poetic and visionary style of his own, capable of uncovering the beauty in horror and the horror in beauty." - Reggie Oliver, Author of The Sea of Blood A pleasure to read, Daniel Mills's fiction would draw approving nods from any of the austere presences in whose literary footsteps he is following." - John Langan, Author of The Fisherman "If you like your horror well written, haunting and resonant, look no further: Daniel Mills is your Man!" - Rue Morgue Magazine "Daniel Mills is a modern master of the unspoken, a classical horror miniaturist whose writing references the bleak and existentially dread-full gothic Americana of Edgar Allan Poe, Nathaniel Hawthorne, Charlotte Perkins Gilman. Best read out loud around a failing fire on a darksome plain, as night sets in." - Gemma Files, Shirley Jackson award-winning author of Experimental Film

Wayne Corrigan is a professional Dreamer. He creates nighttime entertainment to thrill the minds of the sleeping public. But when one of his colleagues goes crazy and tries to commit suicide, he threatens to take the entire audience along for the ride. Wayne must enter a strange dream where an insane man rules as god and find some way to steal his subjects away from him.

Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s coming-of-age tale about finding a community among fellow outcasts. Born in the small Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she’s different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out—with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there. Taken under the wing of Auntie Encarna, the 178-year-old eternal whose house shelters this unconventional extended family, Camila becomes a part of their stories—of a Headless Man who fled his country’s wars, a mute young woman who transforms into a bird, an abandoned baby boy who brings a twinkle to your eye. Camila Sosa Villada’s extraordinary first novel is a rich, nuanced portrait of a marginalized community: their romantic relationships, friendships and squabbles, difficulties at work, aspirations and disappointments. It bears witness to these lives constantly haunted by the specter of death—by disease or more violent means at the hands of customers, boyfriends, or the police—yet full of passion, empathy, and insight.

Using the name Lucas, Julio Cortázar presents a collection of short stories: about his favorite pianists, about the life of eccentric artists, about the customs of certain Argentinean families, about love and friendship. Inexhaustibly rebellious and oddly wise, he also offers advice about how to shine your shoes, write reversible poems, give conferences, get kicked out of a concert, or swim in a pool of porridge. Utterly essential, this is an authoritative manual against solemnity and boredom.

Sewn hardcover, limited to 300 copies, 147 pp (xii,131),with end papers and frontispiece. In midwinter, an aspiring politician finds himself suddenly deprived of human contact. A group of newcomers to a town are strangely reminiscent of people lost in a recent flood. In a world where grief is forbidden, a young man builds a mound to commemorate his lover. An obsessive reader of Poe enters the world of his idol's stories. Demonstrators on a peace march see the faces of sleeping children in the snow. A failed musician meets his own ancestors getting off a midnight train. Joel Lane's short stories combine the supernatural with themes of human loss, passion, solitude and despair. The complexity of the urban landscape provides a background to stories in which nothing can be relied upon. Ghosts and visions are an inevitable part of a reality where facts are uncertain, loyalties are divided, and the unknown is always close at hand. In Lane's fiction, the weird is a symbolic language that expresses the chilling beauty, sadness and mystery of real life. From "The Brand" (written in 1983) to "Alouette" (written in 2008), these stories are selected from a quarter-century of writing. Twelve previously uncollected stories are reprinted from magazines and anthologies, bridging various strands of the weird fiction genre: urban horror tales, elegiac ghost stories, erotic reveries and psychological fugues. Two brief new tales offer different perspectives on the theme of mortality. Influences on these stories include Robert Aickman, John Metcalfe, Ramsey Campbell, M. John Harrison, Jean Genet, Sylvia Plath and Robert Smith. The Terrible Changes is a journey through a shadow-realm between reality and dream, between clarity and madness, between the living and the dead. Enjoy. Contents Introduction After the Flood Power Cut Empty Mouths The Last Cry Every Form of Refuge The Hard Copy Face Down Tell the Difference Blue Train The City of Love All Beauty Sleeps The Brand Alouette The Sleepers

Uncertain Sons is a startling and masterful collection exploring familial love and trauma; societal and technological anxieties; identity and class; and alternate near-future irrealities. Sharp, incisive, imaginative, and visionary, Thomas Ha's debut heralds the arrival of a vital new voice.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

L'Ecume des jours (Foam of the Daze) is a jazz fueled Science Fiction story that is both romantic and nihilistic! Vian's novel is an assortment of bittersweet romance, absurdity and the frailty of life. Foam of the Daze is a nimble-fingered masterpiece that is both witty and incredibly moving. It is a story of a wealthy young man Colin and the love of his life Chloe, who develops a water lily in her lung. The supporting cast includes Chick, an obsessive collector of noted philosopher Jean-Sol Partre's books and stained pants, and Nicolas who is a combination of P.G. Wodehouse's fictional butler Jeeves and the Green Hornet's Kato. The soul of the book is about the nature of life disappearing and loving things intensely as if one was making love on a live grenade!