Addictively strange and disturbing, Flowers From the Void is a collection of delectably uncanny tales. A reaper readies herself for her next gruesome assignment and a bereaved African witch prepares for a showdown with a rigidly traditional white Salem coven while an outcast teenage boy is lured into a pact with a schoolfriend that will cost him far more than he ever imagined.Hauntingly macabre and piercingly insightful about loss and loneliness, these gothic short stories lead us into a labyrinth of other possible worlds, each one darker than the last and yet all fearfully close to our own. Living dolls serve as imperfect replacements for the deceased, a girl without a shadow finds her soulmate and spurned lovers' bodies begin falling to pieces. In this scintillating debut collection Gianni Washington explores the limit of intimacy and empathy with the vivid intensity of your worst nightmare.

A new collection of original translations by a legendary writer of weird fiction often compared to Poe and Lovecraft. In 'At Sarah's House', a man watches his friend wasting away before his eyes under the spell of a beautiful but deadly woman. In 'Burning Ground', a man defies local superstition with terrible consequences when he decides to build a home on a site where every previous dwelling has burned to the ground. The title story, 'Orchard of the Dead', tells of the otherworldly happenings at a children's graveyard full of trees laden with luscious fruit. And in the highlight of the collection, 'Szatera's Engrams', a stationmaster becomes obsessed with lingering echoes of a deadly train wreck and grows convinced that he knows a terrible means of bringing his beloved back from the other side. With thirteen tales that feature Stefan Grabinski's favorite themes of passion and death - some appearing in English for the first time - this volume will be welcomed by the author's long-time admirers as well as those seeking the perfect introduction to his work. This edition includes a new introduction by a modern-day master of the weird, Brian Evenson.

Dark, unnerving, and wickedly funny, Patrick McGrath’s acclaimed short stories deal in the bizarre, the erotic, and the unexpected. A failed writer meets an ageing gin-queen who claims he was once visited by an angel; a little girl finds a delirious, dying explorer from the Congo at the bottom of her back garden; a nightclub is terrorized by a strange libidinous hand; and a young Victorian lady sails to India to find her fiancé Cecil horribly transformed...

Generations ago, humans fled to the cosmic anomaly known as Grass. Over time, they evolved a new and intricate society. But before humanity arrived, another species had already claimed Grass for its own. It, too, had developed a culture. . . . Now, a deadly plague is spreading across the stars. No world save Grass has been left untouched. Marjorie Westriding Yrarier has been sent from Earth to discover the secret of the planet’s immunity. Amid the alien social structure and strange life-forms of Grass, Lady Westriding unravels the planet’s mysteries to find a truth so shattering it could mean the end of life itself.

Convicted of a crime she did not commit, former Hope child Jackal serves a terrible solitary imprisonment sentence and is eventually abandoned in a strange country where other people like herself help her learn the truth about her imprisonment.

"A disturbing, unsettling novel . . . if it had been published in English soon after its first appearance in Italian (1968), the name of Giorgio De Maria would be well-known, his novels and stories mentioned in the context of J.G. Ballard, Anna Kavan, Shirley Jackson or Robert Aickman."—Lisa Tuttle, Nebula Award winner and author of Gabriel , Windhaven, and The Curious Affair of the Witch at Wayside Cross . Before an untimely mental breakdown cut short his two-decade career, Giorgio De Maria distinguished himself as one of Italy's most unique and eccentric weird fiction masters. With a background in the post-war literary culture of Turin -- Italy's urbane but eerie "city of black magic" -- De Maria drew inspiration from the Turinese underbelly of occultism, secret societies and radical politics. His writing coincided with the decade of terrorist violence known to Italians as the Years of Lead; the outcome was a weird fiction suffused with panic, rage, trauma, paranoia and meditations on antisocial hubris. In 1978, he told an "...I think that the dimension of the fantastic, as much as this may seem paradoxical, is the most fitting one to express a reality as complex as ours today."  De Maria's debut novel,  The Transgressionists  (1968) portrays a cell of malicious telepaths who meet in the cafés and jazz clubs of 1960s Turin to plot world domination. After experiencing the worst of their power, an embittered office clerk resolves to join them and prove himself worthy to share in their villainy. He cultivates twisted mindfulness techniques to awaken his inner sociopath. He fights off predatory phantoms that seem maddeningly drawn to him. He prepares for the dangerous "Great Leap" which will make him into a fully-fledged Transgressionist. But could his megalomania strain relations with his fiancee? Will he sacrifice love in his quest for omnipotence? The other works in this volume are no less surreal and startling.  The Secret Death of Joseph Dzhugashvili  (1976) gives us a nightmarish fantasy Soviet Union, where a dissident poet finds himself trapped in a psychological experiment conducted by Stalin himself. In "The End of Everydayism," a group of futuristic artists begin using corpses as a medium -- with violent, unforeseen results. The antihero of "General Trebisonda" is a possibly insane commander who prepares for a war crime in an eerily deserted fortress.  Available in English for the first time, this collection contains two novellas, two short stories and a dystopian teleplay,  The Appeal , which the post-cyberpunk novelist Andrea Vaccaro has lauded as "worthy of the best episodes of  Black Mirror ." Meanwhile, an introduction by translator Ramon Glazov offers a detailed account of De Maria's background, creative context and thoroughly unusual life.

In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

While taking an early-morning walk through the streets of contemporary Toronto, graduate student Ardeth Alexander is abducted by two men and taken to an isolated building, where she discovers to her horror that she has been brought to supply blood to an imprisoned vampire named Dimitri Rozokov. Present-day 1994 alternates with the 1898 diary of obsessed businessman Ambrose Dale, who drove Rozokov into hiding and a 100-year sleep from which he awoke only to be captured by a sadist who keeps him in line with an ultrasound machine and makes pornographic snuff films of the hapless vampire feeding on prostitutes. Learning his story, Ardeth gradually loses her horror of Rozokov and begins to see their human jailers as the real monsters. They must work together if they are to escape and find who has done this to them. Their only hope of salvation is to trace the links to Rozokov's Victorian nemesis and discover the person behind his 20th-century captivity. AIDS and incest mingle with age-old vampire lore.

Failed academic Frank Nichols and his wife, Eudora, have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate-the Savoyard Plantation- and the horrors that occurred there. At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...