An electrifying debut novel from an “unusually gifted writer” (Lorrie Moore) about the radical intimacy of physical competition An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country. Through a series of face-offs that are raw, ecstatic, and punctuated by flashes of humor and tenderness, prizewinning writer Rita Bullwinkel animates the competitors’ pasts and futures as they summon the emotion, imagination, and force of will required to win. Frenetic, surprising, and strikingly original, Headshot is a portrait of the desire, envy, perfectionism, madness, and sheer physical pleasure that motivates young women to fight—even, and perhaps especially, when no one else is watching.

When a pair of detectives from the Mississippi Bureau of Investigation arrive in Money, Mississippi, to investigate a series of brutal murders, they find at each crime scene an unexpected second body: that of a man who resembles Emmett Till. After meeting resistance from the local sheriff, his deputy, the coroner, and a string of racist white townsfolk, the MBI detectives suspect these are killings of retribution. Then they discover eerily similar murders taking place in rapid succession all over the country. The past, it seems, refuses to be buried. The uprising has begun. In this provocative page-turner that takes direct aim at racism and police violence, Percival Everett offers a devastating critique of white supremacy and confronts the legacy of lynching in the United States.

Don’t Call Me Jupiter is a true coming-of-age memoir of psychedelic adventure about growing up in a vagabond family led by a self-absorbed, eccentric hippie mother during the age of Aquarius. Devastating family drama, abandonment, and drugs are balanced with laugh-out-loud humor that will keep you turning pages. You'll laugh, cry, cringe, and be left begging for more. The story begins with an episode that occurred in 1974. When Tom Bross (age 12) experiences a sudden move from Davis to San Anselmo to live with their God Family. Just two months later they move back to Davis with no place to live. His brother and sisters are dropped off at their friend's houses. Tom ends up in the garage of one of his mother's ex-lovers. It's from this dreary location that he recalls his family's truly strange transition. Led by his mother, the Martha Stewart of Hippies, they transform from a normal conservative, mid-western, Catholic family into a clan of liberal, psychedelic-bus-tripping, pot-smoking, nature-loving, California free spirits.

In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband--but can their marriage survive her passionate love? At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated. After all, would a truly infatuated man ever let go of his wife's hand when they're sitting on the couch together? Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, charting every mistake and punishing him accordingly to help him improve. And she tests him--setting traps to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . The winner of France's First Novel Prize in 2021, My Husband builds on the premise of hits like Gone Girl and Fates and Furies--how well can you really know your spouse?--and adds the tension and creepy obsession of You. The result is an irresistible read--compelling, tense, and engaging, infused with sly subversive humor, and told in an utterly original voice that makes it unforgettable. Translated from the French by Emma Ramadan

A dark, bizarre comedy where teachers push boundaries into preposterous places The Follies of Richard Wadsworth showcases Nick Maandag’s signature blend of deadpan satire and exceedingly unexpected plot twists. In “Night School,” a Modern Managerial Business Administration and Operational Leadership class goes awry when a fire alarm brings the Chief to school and he decides to stick around to teach the students a thing or two about leadership―and discipline. “The Follies of Richard Wadsworth” follows the title character, a professor of philosophy, as he begins work as a contract instructor at yet another university. When Wadsworth finds himself smoking reefer at his student’s party and discovers she works at a rub ’n’ tug, an off-kilter plan is hatched. And in “The Disciple,” a yarn about a coed Buddhist monastery, Brother Bananas, the resident gorilla, isn’t the only one having difficulty keeping his lust tucked safely under his robe. In Maandag’s hands―hands that love to toy with morally ambiguous characters and flirt with absurdity―troubled men make poor decisions, unlikable characters gain our sympathies through their very haplessness, and riotous laughs ensue. Maandag has achieved cult acclaim through his self-published and micro-published comics, and The Follies of Richard Wadsworth is his debut book. His mechanical, affectless characters and economical artwork efficiently deliver cringes, heightening the awkward silence and stillness of his hilarious comics.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In November 2021, an inflatable dinghy carrying migrants from France to the United Kingdom capsized in the Channel causing the death of 27 people on board. Despite receiving numerous calls for help, the French authorities wrongly told the migrants they were in British waters and had to call the British authorities for help. By the time rescue vessels arrived on the scene, all but two of the migrants had died. The narrator of Delecroix’s fictional account of the events is the woman who took the calls. Accused of failing in her duty, she refuses to be held more responsible than others for this disaster. Why should she be more responsible than the sea, than the war, than the crises behind these tragedies? A shocking, moral tale of our times, Small Boat reminds us of the power of fiction to illuminate our darkest crimes.

A lost young woman returns to small-town New Hampshire under the strangest of circumstances in this one-of-a-kind novel of life, death, and whatever comes after from the acclaimed author of Rabbit Cake. It was a source of entertainment at Maple Street Cemetery. Both funny and sad, the kind of story we like best. Natural-born healer Emma Starling once had big plans for her life, but she's lost her way. A med school dropout, she's come back to small-town Everton, New Hampshire to care for her father, dying from a mysterious brain disease. Clive Starling has been hallucinating small animals, as well as visions of the ghost of a long-dead naturalist, Ernest Harold Baynes, once known for letting wild animals live in his house. This ghost has been giving Clive some ideas on how to spend his final days. Emma arrives home knowing she must face her dad's illness, her mom's judgement, and her younger brother's recent stint in rehab, but she's unprepared to find that her former best friend from high school is missing, with no one bothering to look for her. The police say they don't spend much time looking for drug addicts. Emma's dad is the only one convinced the young woman might still be alive, and Emma is hopeful he could be right. Someone should look for her, at least. Emma isn't really trying to be a hero—but somehow she and her father set in motion just the kind of miracle the town needs. Set against the backdrop of a small town in the throes of a very real opioid crisis, Unlikely Animals is a tragicomic novel about familial expectations, imperfect friendships, and the possibility of resurrecting that which had been thought irrevocably lost.

When a pair of detectives from the Mississippi Bureau of Investigation arrive in Money, Mississippi, to investigate a series of brutal murders, they find at each crime scene an unexpected second body: that of a man who resembles Emmett Till. After meeting resistance from the local sheriff, his deputy, the coroner, and a string of racist white townsfolk, the MBI detectives suspect these are killings of retribution. Then they discover eerily similar murders taking place in rapid succession all over the country. The past, it seems, refuses to be buried. The uprising has begun. In this provocative page-turner that takes direct aim at racism and police violence, Percival Everett offers a devastating critique of white supremacy and confronts the legacy of lynching in the United States.