When two best friends' hobby of crashing weddings takes a deadly turn, they’re forced to embark on a road trip of survival in this addictive thriller. How well do we really know our friends? As the only Black women at an antebellum-themed wedding, Kayla and Zorie should’ve known this heist was doomed from the start. They should never have come, but when their financial situation became dire, they agreed to hit one last wedding. Jaded and cynical Kayla has spent the last decade trying to fix her life since an angsty teen prank led to her arrest. Now, with her housekeeping job at a subpar hotel and her disappointing, Cinderella-esque relationship with her dad and obnoxious stepsister, she hates the life she’s built. Her only bright spots are her best friend, Zorie, and their favorite weekend pastime of crashing weddings to steal the money and pawn the gifts. But what started as a lark has evolved into a greedy obsession, making each wedding haul riskier than the last. While trying to avoid the angry bride and groom, Kayla and Zorie's getaway takes a gruesome turn and suddenly the “Wedding Crash Killers” are national news. The best friends are forced to hit the road to dodge the authorities, but their escape plan leaves behind a bloody trail of destruction from Georgia all the way to the bayou. As past grudges resurface, Kayla realizes that the best friend she thought she knew is more dangerous than she could ever have realized. Sharp, unpredictable, and madcap from start to finish, Love You to Death is the most fun—and deadly—road trip you’ll ever take.

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family. My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon. Steph Harper is on the run. When she was six, her mother, Hannah, fled an abusive husband—with Steph and her younger sister, Kayla, in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon. Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret. In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family. My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon. Steph Harper is on the run. When she was six, her mother, Hannah, fled an abusive husband—with Steph and her younger sister, Kayla, in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon. Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret. In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

Gilmore Girls fans! Pour yourselves a hot cup of tea and get ready to fall in love with this cozy YA romance that will have you dreaming of autumn all year long. Fall is a big deal in Briar Glen, a quaint and charming village in New England. That’s when tourists from all over the country descend upon this picturesque town to see the babbling brooks and colorful leaves while sipping hot chocolate or pumpkin spice lattes. But sixteen-year-old Lucy Kane hates the uber-popular PSL. She finds it overrated -- especially when you consider the fact that there isn’t even pumpkin in it! -- which is bad because she works at Cup o’ Jo, the local coffee shop her mom owns. Business at Cup o' Jo hasn't been great in the off-season, but that's okay because it always picks up during the fall ... Until Java Junction, a multinational coffee chain, opens across the street and makes things harder for the small shop. And to make matters worse, it turns out Jack Harper, the new kid in school and Lucy's secret crush, is the son of the owner. Suddenly, fall doesnt seem like it'll be all it's cracked up to be. Will Lucy find a way to save her mom's coffee shop?

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

The New York Times best-selling author of Final Girls and Survive the Night is back with his most unexpected thriller yet. Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple who live in the house across the lake. They make for good viewing—a tech innovator, Tom is rich; and a former model, Katherine is gorgeous. One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage is not as perfect and placid as it appears. When Katherine suddenly vanishes, Casey becomes consumed with finding out what happened to her. In the process, she uncovers eerie, darker truths that turn a tale of voyeurism and suspicion into a story of guilt, obsession and how looks can be very deceiving. With his trademark blend of sharp characters, psychological suspense, and gasp-worthy surprises, Riley Sager’s The House Across the Lake unveils more than one twist that will shock readers until the very last page.