Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

Olivia Atwater returns to the world of Half a Soul. Dive into The Witchwood Knot, and enjoy a dark faerie tale set in a magical version of Victorian England. The faeries of Witchwood Manor have stolen its young lord. His governess intends to steal him back. Victorian governess Winifred Hall knows a con when she sees one. When her bratty young charge transforms overnight into a perfectly behaved block of wood, she soon realises that the real boy has been abducted by the Fair Folk. Unfortunately, the lord of Witchwood Manor is the only man in England who doesn’t believe in faeries—which leaves Winnie in the unenviable position of rescuing the young lord-to-be all by herself. Witchwood Manor is bigger than its inhabitants realise, however, and full of otherworldly dangers. As Winnie delves deeper into the other side of the house, she enlists the aid of its dark and dubious faerie butler, Mr Quincy, who hides several awful secrets behind his charming smile. Winnie hopes to make her way to the centre of the Witchwood Knot through wit and cleverness… but when all of her usual tricks fail, who will she dare to trust?

Step Kidnap someone cute. Step Force her into marriage. Step Try not to get feelings. When Dark Lord Kazimir Blackrose kidnaps Lady Arabella for a forced marriage, he expects an obedient, trembling bride. What he gets is a knife to the throat and a furious woman with her own terms. He may need her heroic bloodline to achieve ultimate dominion, but she's not about to make this easy for him. Arabella has already survived her father's tower prison and a lifetime of being treated like property. Being abducted by the realm's most notorious villain is just another Tuesday. If she must be married to the infuriating (and infuriatingly attractive) Dark Lord, she'll do it on her freedom within his fortress, hands strictly to himself, and complete honesty about his plans. But when his plans go awry, Kazimir faces his most terrifying challenge yet. He must actually date his own wife. Between awkward dinners, magical training sessions, and playing golf with the eyeballs of his enemies, his villainous seduction plans are failing spectacularly. As they navigate magical explosions and jealous exes, they discover a far more terrifying prospect than war or magical They might actually be falling for each other. A villain and his captive bride discover that magical artifacts, ancient conspiracies, and unconventional dating activities make for one hell of a honeymoon in this dark and sexy fantasy romance. Perfect for readers who Morally gray antiheroes who stay morally gray Heroines who embrace their dark side Romance with explosive chemistry and spice one bed/forced proximity kidnapped bride/forced marriage dark humor and banter

The first novel in an eerie, darkly creative, and romantic new gothic fantasy duology from Maxym M. Martineau, for readers of Sarah J. Maas and Rachel Gillig. Edira Brillwyn is a threadmender. She holds a rare, lifesaving power that can cure disease and heal injuries in the blink of an eye. But magic always comes with a cost, and saving anyone sacrifices a sliver of her own life. She’s always kept her abilities hidden…until the powerful Fernglove family discovers her secret. The Ferngloves are charming and beautiful, possess powerful magic, and don’t take no for an answer—especially Orin, the head of these ruling elites. When Edira’s brothers unexpectedly contract blight—an incurable virus killing people throughout the town, and an illness too strong for her to heal them both—Orin offers to help. Together at his estate they’ll research a cure while Orin slows their sickness and Edira hones her magic. His kindness and honesty surprises Edira, as does her undeniable attraction to him. But the other Ferngloves are suspicious of her power and may be more dangerous than the ever-present disease. The longer Edira stays within the confines of the Manor, the more the family’s pristine exterior begins to crack—until Edira discovers a terrifying secret and must choose who she can save and at what cost…

A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?