It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

There is an alternate cover edition for ISBN13 9780316160193 here. I knew we were both in mortal danger. Still, in that instant, I felt well. Whole. I could feel my heart racing in my chest, the blood pulsing hot and fast through my veins again. My lungs filled deep with the sweet scent that came off his skin. It was like there had never been any hole in my chest. I was perfect - not healed, but as if there had never been a wound in the first place. I FELT LIKE I WAS TRAPPED IN ONE OF THOSE TERRIFYING NIGHTMARES, the one where you have to run, run till your lungs burst, but you can't make your body move fast enough.... But this was no dream, and, unlike the nightmare, I wasn't running for my life; I was racing to save something infinitely more precious. My own life meant little to me today. FOR BELLA SWAN THERE IS ONE THING more important than life itself: Edward Cullen. But being in love with a vampire is even more dangerous than Bella could ever have imagined. Edward has already rescued Bella from the clutches of one evil vampire, but now, as their daring relationship threatens all that is near and dear to them, they realize their troubles may be just beginning.... LEGIONS OF READERS ENTRANCED BY THE New York Times bestseller Twilight are hungry for the continuing story of star-crossed lovers Bell and Edward. In New Moon, Stephanie Meyer delivers another irresistible combination of romance and suspense with a supernatural spin. passionate, riveting, and full of surprising twists and turns, this vampire love saga is well on its way to literary immortality.

A historian of fascism offers a guide for surviving and resisting America’s turn towards authoritarianism. On November 9th, millions of Americans woke up to the impossible: the election of Donald Trump as president. Against all predictions, one of the most-disliked presidential candidates in history had swept the electoral college, elevating a man with open contempt for democratic norms and institutions to the height of power. Timothy Snyder is one of the most celebrated historians of the Holocaust. In his books Bloodlands and Black Earth, he has carefully dissected the events and values that enabled the rise of Hitler and Stalin and the execution of their catastrophic policies. With Twenty Lessons, Snyder draws from the darkest hours of the twentieth century to provide hope for the twenty-first. As he writes, “Americans are no wiser than the Europeans who saw democracy yield to fascism, Nazism and communism. Our one advantage is that we might learn from their experience.” Twenty Lessons is a call to arms and a guide to resistance, with invaluable ideas for how we can preserve our freedoms in the uncertain years to come.

A small-town waitress and a Hollywood star’s worlds collide in this new romance by Ashley Herring Blake, USA Today bestselling author of Iris Kelly Doesn’t Date. Once upon a time, Ramona Riley was a student at a prestigious art school, with dreams of landing in Hollywood as a costume designer to the stars. But after her father’s car accident, she had to quit and return to her small New Hampshire town, Clover Lake, to help take care of her younger sister. Twelve years later, Ramona is still working at the town’s café, all but given up on her dream. But when a big-budget romantic comedy comes to Clover Lake to film, she wonders if this could be her chance. There’s only one problem—Dylan Monroe, her first kiss and Hollywood’s favorite wild child—is the star. Dylan Monroe has always lived an unconventional life, having famous rock icons for parents. But she wants to prove that she’s not some chaotic, talentless nepo baby, that she has actual skills, that she’s just a normal person. To do that, Dylan takes on a project at a charming lake town—she even works at the town’s café (very quaint), shadowing a local waitress there (very cute), and asks her to take Dylan around to do Normal People Things. But Dylan soon realizes it’s not just some small-town waitress she’s getting to know—Ramona Riley is someone she’s met before, someone who remembers her even more vividly. Before long, however, reality hits them, and both women must decide if the spark between them can fan the flames of their individual dreams, or if it will extinguish their light.

Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue. In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman of color while also taking readers on a ride through culture of the last few years and commenting on the state of feminism today. The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better. Feel me, see me, hear me, reach me -- Peculiar benefits -- Typical first year professor -- To scratch, claw or grope clumsily or frantically -- How to be friends with another woman -- Girls, girls, girls -- I once was Miss America -- Garish, glorious spectacles -- Not here to make friends -- How we all lose -- Reaching for catharsis : getting fat right (or wrong) and Diana Spechler's Skinny -- The smooth surfaces of idyll -- The careless language of sexual violence -- What we hunger for -- The illusion of safety/the safety of illusion -- The spectacle of broken men -- A tale of three coming out stories -- Beyond the measure of men -- Some jokes are funnier than others -- Dear young ladies who love Chris Brown -- So much they would let him beat them -- Blurred lines, indeed -- The trouble with Prince Charming, or, He who trespassed against us -- The solace of preparing fried foods and other quaint remembrances from 1960s Mississippi : thoughts on The help -- Surviving Django -- Beyond the struggle narrative -- The morality of Tyler Perry -- The last day of a young black man -- When less is more -- The politics of respectability -- When Twitter does what journalism cannot -- The alienable rights of women -- Holding out for a hero -- A tale of two profiles -- The racism we all carry -- Tragedy, call, compassion, response -- Bad feminist : take one -- Bad feminist : take two

From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. "Angela Davis is herself a woman of undeniable courage. She should be heard." —The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Doing Justice is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is an assemblage of co-authored reflections, interviews and questions that are intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?