Named a Most Anticipated Book of 2023 by the New York Times , The Week , Vulture , Elle, and The Millions A piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the same I took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my it could fling my arms out. I was free. . . . A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment. In A Life of One’s Own , Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another? This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths. 

For years, Samuel Emmer has monitored bacteria levels in drinking water for the small city of Guelph. He is content to focus on dangerous life-threatening single-celled organisms as his grasp on his own life recedes—and with it, family and friends. To be sure, it is more than a little surprising when Samuel learns that he has been appointed to the city’s Zoo Feasibility Committee. Even more so, that he is being tasked with interacting not just with animals, but human beings. His travel to zoos around the world and gather information on the stereotypical behavior of animals in their enclosures—the city of Guelph aspiring commendably, if naively, to a cruelty-free habitat for its animals. It is in Tallinn, Estonia, that the dreams start for Samuel. He is in a vast wooded landscape; there is a fire burning in the distance; and it is coming his way…  Weak in Comparison to Dreams , by the historian and art critic James Elkins, is like no other novel you have ever read, even as certain inspirations, from Sebald to Tokarczuk, are clear. With an astounding breadth of knowledge and playful courage, Weak in Comparison to Dreams reignites our love for the ambitious novel with experimentation that never lacks intention, and whose empathetic scope explores the deepest aspects of our individual humanity.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…

Dangerous Art takes up the problem of judging works of art using moral standards. When we think that a work is racist, or morally dangerous, what do we mean? James Harold approaches the topic from two angles. First, he takes up the moral question on its own. What could it mean to say that a work of art (rather than, say, a human being) is immoral ? He then steps back and examines how moral evaluation fits into the larger task of evaluating artworks. If an artwork is immoral, what does that tell us about how to value the artwork? By tackling the issue from both sides, Harold demonstrates how many of the reasons previously given for thinking that works of art are immoral do not stand up to careful scrutiny. While many philosophers of art have simply assumed that artworks can be evaluated morally and proceeded as though such assessments were unproblematic, Harold highlights the complexities and difficulties inherent in such evaluations. He argues that even when works of art are rightly condemned from a moral point of view, the relationship between that moral flaw and their value as artworks is complex. He instead defends a moderate, skeptic version of autonomism between morality and aesthetics. Employing figures and ideas from ancient Greece, classical China, and the Harlem Renaissance, as well as William Styron's novel The Confessions of Nat Turner, he argues that we cannot judge artworks in the same way that we judge people on moral grounds. In this sense, we can judge an artwork to be both wicked and beautiful; nothing requires us to judge an artwork more or less valuable aesthetically just because we judge it to be morally bad or good. Taking up complex issues at the intersection of art and ethics, Dangerous Art will appeal to philosophers and students interested in art, aesthetics, moral philosophy, and philosophy of mind.

A lively and entertaining cultural history of a supremely annoying intellectual viceIntellectuals have long provoked scorn and irritation, even downright aggression. Many learned individuals have cast such hostility as a badge of honor, a sign of envy, or a form of resistance to inconvenient truths. On Pedantry offers an altogether different perspective, revealing how the excessive use of learning has been a vice in Western culture since the days of Socrates.Taking readers from the academies of ancient Greece to today’s culture wars, Arnoud Visser explains why pretentious and punctilious learning has always annoyed us, painting vibrant portraits of some of the most intensely irritating intellectuals ever known, from devious sophists and bossy savants to hypercritical theologians, dry-as-dust antiquarians, and know-it-all professors. He shows how criticisms of pedantry have typically been more about conduct than ideas, and he demonstrates how pedantry served as a weapon in the perennial struggle over ideas, social status, political authority, and belief. Shifting attention away from the self-proclaimed virtues of the learned to their less-than-flattering vice, Visser makes a bold and provocative contribution to the history of Western thought.Drawing on a wealth of sources ranging from satire and comedy to essays, sermons, and film, On Pedantry sheds critical light on why anti-intellectual views have gained renewed prominence today and serves as essential reading in an age of rising populism across the globe.

Are Doctors better at running hospitals than CEOs in fancy suits? Are Doctors Reluctant Leaders? Can hospital services be shopped like airline tickets, with transparent pricing and flexible options? Will AI eventually replace doctors? How can doctors negotiate good compromises between medicine and economics? In “Where Medicine Meets Money”, SJ cuts through the clutter to expose the hidden forces driving a hospital’s chaos and contradictions. It is a fastpaced, thoughtprovoking handbook that challenges everything you think you know about hospitals and doctors. Packed with practical ideas, realworld anecdotes, and sharp analogies, this book • Redefine your view of hospitals and the people who run them. • Examine the interplay between hospital complexity and human behavior. • Provide actionable insights to simplify and improve doctors’ lives. Whether you’re a doctor, a hospital executive, or just intrigued by the business of medicine, this book will keep you questioning and rethinking at every turn.

A love letter to pop music, American Spirits charts an icon’s fall—and an obsessive fangirl’s rise.Thirty-eight-year-old Blue Velour has finally achieved the critical acclaim she’s long been chasing. Over the last decade, she’s released six studio albums to mixed reviews, landing her somewhere between performance artist and niche legend. But her latest album, Blue’s Beard—a cheeky reference to the subreddit fanatically dedicated to her suspected secret relationship with longtime producer Sasha Harlow—has rocket-launched her reputation. Blue hires nerdy superfan Rose Lutz as her assistant to handle the pressures of the upcoming tour. When the pandemic shuts down the tour, however, Blue decides to hole up in the redwoods with Sasha to make another album. An aspiring singer herself, Rose is frothing at the mouth to be isolated in a cabin with these two legends, but what begins as a creative retreat spirals into a flurry of chaos and betrayal—culminating in a tragic act that changes their lives forever. Smart, entertaining, and edgy, American Spirits is a compelling exploration of the dark side of fame.

Marcel Proust's In Search of Lost Time is one of the most entertaining reading experiences in any language and arguably the finest novel of the twentieth century. But since its original prewar translation there has been no completely new version in English. Now, Penguin brings Proust's masterpiece to new audiences throughout the world, beginning with Lydia Davis's internationally acclaimed translation of the first volume, Swann's Way. Swann's Way is one of the preeminent novels of childhood: a sensitive boy's impressions of his family and neighbors, all brought dazzlingly back to life years later by the taste of a madeleine. It also enfolds the short novel "Swann in Love," an incomparable study of sexual jealousy that becomes a crucial part of the vast, unfolding structure of In Search of Lost Time. The first volume of the work that established Proust as one of the finest voices of the modern age — satirical, skeptical, confiding, and endlessly varied in its response to the human condition — Swann's Way also stands on its own as a perfect rendering of a life in art, of the past re-created through memory.

Many of us long for an alternative to the commercial industry Christmas has become. This beautifully illustrated, full-color book, brimming with folklore, stories, recipes, games, activities, decorating ideas, songs, and other resources, will help families who are "burned out" on Christmas create alternative celebrations more in keeping with the heartful spirit of the original Winter Solstice festivals.

Swann's Way tells two related stories, the first of which revolves around Marcel, a younger version of the narrator, and his experiences in, and memories of, the French town Combray. Inspired by the "gusts of memory" that rise up within him as he dips a Madeleine into hot tea, the narrator discusses his fear of going to bed at night. He is a creature of habit and dislikes waking up in the middle of the night not knowing where he is. He claims that people are defined by the objects that surround them and must piece together their identities bit by bit each time they wake up. The young Marcel is so nervous about sleeping alone that he looks forward to his mother's goodnight kisses, but also dreads them as a sign of an impending sleepless night. One night, when Charles Swann, a friend of his grandparents, is visiting, his mother cannot come kiss him goodnight. He stays up until Swann leaves and looks so sad and pitiful that even his disciplinarian father encourages "Mamma" to spend the night in Marcel's room.

For something that happens every year of our lives, we really don't know much about Christmas. We don't know that the date we celebrate was chosen by a madman, or that Christmas, etymologically speaking, means "Go away, Christ." Nor do we know that Christmas was first celebrated in 243 AD on March 28—and only moved to December 25 in 354 AD. We're oblivious to the fact that the advent calendar was actually invented by a Munich housewife to stop her children pestering her for a Christmas countdown. And we would never have guessed that the invention of Christmas crackers was merely a way of popularizing sweet wrappers. Luckily, Mark Forsyth is here to unwrap this fundamentally funny gallimaufry of traditions and oddities, making it all finally make sense—in his wonderfully entertaining wordy way.

"История одного города" - одно из самых известных произведений замечательного русского писателя-сатирика М. Е. Салтыкова-Щедрина (1826-1889). В романе рассказывается история вымышленного города Глупова на протяжении почти ста лет. Обращаясь к фантастике и гротеску, Салтыков-Щедрин описал нравы и жизнь "глуповцев" и создал целую галерею сменяющих друг друга глуповских градоначальников, за смешными, а порой и страшными образами которых угадываются правители российского государства, его прошлое и настоящее. Издание снабжено статьей Е. Н. Грачевой, а также подробными комментариями.

Searingly hot in the summer, bitterly cold in the winter, the ancestral estate of the Golovlyov family is the end of the road. There Anna Petrovna rules with an iron hand over her servants and family-until she loses power to the relentless scheming of her hypocritical son Porphyry. One of the great classic novels of Russian literature, The Golovlyov Family is a vivid picture of a condemned and isolated outpost of civilization that, for contemporary readers, will recall the otherwordly reality of Macondo in Gabriel García Márquez's One Hundred Years of Solitude.

What makes your job hard? Most likely it's working with others, right? Numerous studies demonstrate that working with people is the most stressful part of a job. Professor Loredana Padurean shares in 10 candid and authentic interviews, with professional managers and academic leaders from Asia School of Business and MIT Sloan, 10 essential skills that she coined as “smart” skills, (to replace the “soft” skills), such as validation, emotional maturity, followership, cognitive readiness and more. In the 10 interviews, you will hear how “regular” people navigate the complex waters of working with others, get practical suggestions about how to develop your own smart skills, and realize that you are also one of the people that makes the job harder than it should be!

My Life Since COVID, A Memoir Salam has done everything she can to not contract COVID-19 including getting vaccinated, socially distancing, and taking all possible precautions. When the delta variant spread, she ended up with a breakthrough infection that upended her life. In this memoir, the author provides the reader with an honest and at times satirical take on what it's like to live with COVID and subsequently long-COVID. She talks about the tiny details that no one thinks of like what happens when you are quarantined and run out of underwear. She also talks about becoming disabled and what it means to be vulnerable when your health status is unknown. If you have been impacted by the coronavirus, or are simply curious to learn more about those impacted by the virus including long-COVID, then look no further because this book is for you.

December 1962, a small village near Bristol. Eric and Irene and Bill and Rita. Two young couples living next to each other, the first in a beautiful cottage - suitable for a newly appointed local doctor - the second in a rundown, perennially under-heated farm. Despite their apparent differences, the two women (both pregnant) strike an easy friendship - a connection that comes as a respite from the surprising tediousness of married life, with its unfulfilled expectations, growing resentments and the ghosts of a recent past.But as one of the coldest winters on record grips England in a never-ending frost and as the country is enveloped in a thick, soft, unmoving layer of snow, the two couples find themselves cut off from the rest of the world. And without the small distractions of everyday existence, suddenly old tensions and shocking new discoveries threaten to change the course of their lives forever.A masterful, page-turning examination of the minutiae of life, The Land in Winter is a masterclass in storytelling - proof yet again that Andrew Miller is one of Britain's most dazzling chroniclers of the human heart.