The ear is the organ of fear. It is a door to that which is not of this world. Leaving behind the dread and decay of the city, Noa and her best friend, Nicole, travel up into the Andes, headed for Solar Noise: an eight-day festival that takes place in the infinite expanse of the páramo. Nestled on the side of a volcano, it is a world of mysticism, shamanism and underground music, a world in tune with the thunder of the earth and the bellows of the mountains, a world in which the belief systems of Ecuador's indigenous communities live on. Noa also harbours a secret motive for attending the festival: she's been drawn there in search of her father, who abandoned her as a child, and who now lives somewhere near the festival site. But soon after their arrival, she becomes prone to somnambulism and begins speaking in a voice that is not her own. Uncertain of whether Noa is in danger or is communing with something primal and eternal, Nicole struggles to care for her friend. Until, as the party spills into Inti Raymi - the Incan festival of the sun - the girls' desire for belonging burns, incandescent, collapsing the thin membrane separating life from death, trauma from transcendence, and ecstasy from oblivion. Wild and incantatory, Electric Shamans at the Festival of the Sun is both an hallucinogenic trip of a novel, and a heartfelt meditation on love, family and kinship - one that announces the arrival of a major writer.

The ear is the organ of fear. It is a door to that which is not of this world. Leaving behind the dread and decay of the city, Noa and her best friend, Nicole, travel up into the Andes, headed for Solar Noise: an eight-day festival that takes place in the infinite expanse of the páramo. Nestled on the side of a volcano, it is a world of mysticism, shamanism and underground music, a world in tune with the thunder of the earth and the bellows of the mountains, a world in which the belief systems of Ecuador's indigenous communities live on. Noa also harbours a secret motive for attending the festival: she's been drawn there in search of her father, who abandoned her as a child, and who now lives somewhere near the festival site. But soon after their arrival, she becomes prone to somnambulism and begins speaking in a voice that is not her own. Uncertain of whether Noa is in danger or is communing with something primal and eternal, Nicole struggles to care for her friend. Until, as the party spills into Inti Raymi - the Incan festival of the sun - the girls' desire for belonging burns, incandescent, collapsing the thin membrane separating life from death, trauma from transcendence, and ecstasy from oblivion. Wild and incantatory, Electric Shamans at the Festival of the Sun is both an hallucinogenic trip of a novel, and a heartfelt meditation on love, family and kinship - one that announces the arrival of a major writer.

This is the way the world ends... for the last time. The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. The remarkable conclusion to the post-apocalyptic and highly acclaimed trilogy that began with the multi-award-nominated The Fifth Season.

This is the way the world ends... for the last time. The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. The remarkable conclusion to the post-apocalyptic and highly acclaimed trilogy that began with the multi-award-nominated The Fifth Season.

Packed with dark magic and thrilling action, Beasts Made of a Night is a gritty Nigerian-influenced fantasy perfect for fans of Paolo Bacigalupi and Nnedi Okorafor. In the walled city of Kos, corrupt mages can magically call forth sin from a sinner in the form of sin-beasts – lethal creatures spawned from feelings of guilt. Taj is the most talented of the aki, young sin-eaters indentured by the mages to slay the sin-beasts. But Taj’s livelihood comes at a terrible cost. When he kills a sin-beast, a tattoo of the beast appears on his skin while the guilt of committing the sin appears on his mind. Most aki are driven mad by the process, but 17-year-old Taj is cocky and desperate to provide for his family. When Taj is called to eat a sin of a royal, he’s suddenly thrust into the center of a dark conspiracy to destroy Kos. Now Taj must fight to save the princess that he loves – and his own life. Debut author Tochi Onyebuchi delivers an unforgettable fantasy adventure that powerfully explores the true meaning of justice and guilt.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From 'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From 'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

In February 1942, shortly after the bombing of Pearl Harbor, Franklin D. Roosevelt issued an executive order authorizing the secretary of war to remove 120,000 Japanese Americans from their homes on the West Coast and corral them into inland concentration camps. To be considered for release, they were required to answer the so-called loyalty questionnaire. Question 27 asked the inmates—who had been imprisoned without cause by the US military—whether they were willing to serve in combat for the US military. Question 28 asked them—many of whom American citizens who had never visited Japan—to renounce allegiance to the Japanese emperor. Answering these questions caused volatile divisions within the camps, tore families and friends apart, and had lasting repercussions in the decades postwar.Questions 27 & 28 reaches backward and forward from the time of the questionnaire, chronicling the individuals who arrived in the US from Japan at the turn of the century, their children who came of age during war and incarceration, and their descendants who lived in its aftermath. Yamashita mixes fact with fiction and layers genres from James Bond movies to haiku to oral history, transfiguring an enormity of archival research into a chorus of stories. With her signature wit and aplomb, she gives voice to laborers, artists, scholars, informants, and activists who, over three generations, defined an immigrant community.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.If all children could just get an education, the logic goes, they would have the same opportunities later in life. But this historical tour de force makes it clear that the opposite is true: The U.S. school system has played an instrumental role in creating and upholding racial hierarchies, preparing children to expect unequal treatment throughout their lives.In Original Sins, Ewing demonstrates that our schools were designed to propagate the idea of white intellectual superiority, to “civilize” Native students and to prepare Black students for menial labor. Education was not an afterthought for the Founding Fathers; it was envisioned by Thomas Jefferson as an institution that would fortify the country’s racial hierarchy. Ewing argues that these dynamics persist in a curriculum that continues to minimize the horrors of American history. The most insidious aspects of this system fall below the radar in the forms of standardized testing, academic tracking, disciplinary policies, and uneven access to resources.By demonstrating that it’s in the DNA of American schools to serve as an effective and underacknowledged mechanism maintaining inequality in this country today, Ewing makes the case that we need a profound reevaluation of what schools are supposed to do, and for whom. This book will change the way people understand the place we send our children for eight hours a day.

A future classic collection of Puerto Rican feminist writing that spans time, terrain, and phases, invokes voices across generations and fields, and bridges island and diaspora. In her years of scholarship and activism with fellow Puerto Rican feminists, editor Jessica N. Pabón-Colón reached for a feminism to ground her work and validate the women who paved her way—but in her search for a specific tradition of Puerto Rican feminism, what she found were gaps, disappearances, and unanswered questions. Despite the presence of Puerto Ricans in US pop culture and the long history of Boricua resistance to US subjugation, both on the archipelago and in the diaspora, she did not find a feminist lens to link the myriad identities and geographies of Ricanness or to focus critique on Puerto Rico’s status as an American neo-colony. Counteracting such erasure, Porque Estamos Aquí maps Boricua feminisms of the past, the present, and the future, defining what it means to be a “bad subject” of US empire. Engaging in radical collectivity, Pabón-Colón joins forces with Puerto Rican scholars, memoirists, artists, and activists—including feminist legends like Aurora Levins Morales and political trailblazers like Rosa Clemente—to ground this anthology in a tradition of resistance to empire at home. Through essays, roundtables, historiographies, poems, and other cross-genre writing, Porque Estamos Aquí asserts that Puerto Rican feminists are undeniably, irreducibly here and will guide generations of our shared movement for years to come.

A Contested Caribbean Indigeneity is an in-depth analysis of the debates surrounding Taíno/Boricua activism in Puerto Rico and the Caribbean diaspora in New York City. Drawing on in-depth ethnographic research, media analysis, and historical documents, the book explores the varied experiences and motivations of Taíno/Boricua activists as well as the alternative fonts of authority they draw on to claim what is commonly thought to be an extinct ethnic category. It explores the historical and interactional challenges involved in claiming membership in, what for many Puerto Ricans, is an impossible affiliation. In focusing on Taíno/Boricua activism, the books aims to identify a critical space from which to analyze and decolonize ethnoracial ideologies of Puerto Ricanness, issues of class and education, Puerto Rican nationalisms and colonialisms, as well as important questions regarding narrative, historical memory, and belonging.

The powerful, untold story of the 1950 revolution in Puerto Rico and the long history of U.S. intervention on the island, that the New York Times says "could not be more timely." In 1950, after over fifty years of military occupation and colonial rule, the Nationalist Party of Puerto Rico staged an unsuccessful armed insurrection against the United States. Violence swept through the assassins were sent to kill President Harry Truman, gunfights roared in eight towns, police stations and post offices were burned down. In order to suppress this uprising, the US Army deployed thousands of troops and bombarded two towns, marking the first time in history that the US government bombed its own citizens. Nelson A. Denis tells this powerful story through the controversial life of Pedro Albizu Campos, who served as the president of the Nationalist Party. A lawyer, chemical engineer, and the first Puerto Rican to graduate from Harvard Law School, Albizu Campos was imprisoned for twenty-five years and died under mysterious circumstances. By tracing his life and death, Denis shows how the journey of Albizu Campos is part of a larger story of Puerto Rico and US colonialism. Through oral histories, personal interviews, eyewitness accounts, congressional testimony, and recently declassified FBI files, War Against All Puerto Ricans tells the story of a forgotten revolution and its context in Puerto Rico's history, from the US invasion in 1898 to the modern-day struggle for self-determination. Denis provides an unflinching account of the gunfights, prison riots, political intrigue, FBI and CIA covert activity, and mass hysteria that accompanied this tumultuous period in Puerto Rican history.

The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

In this exquisite speculative novel set in a world where white people no longer exist, college professor Charlie Brunton receives a call from his estranged daughter Sidney, setting off a chain of events as they journey across a truly “post-racial” America in search of answers. One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house. Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it. When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.