For over a century, LGBTQ+ bookshops have been the unsung heroes of queer liberation Home not only to books but chaotic community noticeboards, vicious rescue cats and countless meet cutes, queer bookshops have always been more than just bookshops, offering friendship, solidarity and sanctuary. Travelling the world – Shakespeare and Company in Paris, Gay’s the Word in London, the Oscar Wilde Bookshop in New York – A. J. West explores the remarkable history of these bookstores. Tracing their evolution from under-the-counter operations to beloved out-and-proud institutions, West reveals how the queer bookshop stood at the vanguard of LGBTQ+ rights, offering support and vital information through the AIDS crisis and bringing the fight to Section 28 and book bans. A powerful testament not only to bookshops but to the courage of queer booksellers, from Sylvia Beach hiding books from the Nazis in laundry baskets to Craig Rodwell facing off against the police at the Stonewall riots, A. J. West celebrates the shops and booksellers that brought queer literature and lives into the mainstream.

A gorgeous account of William Beebe's 1930 Bathysphere expedition, the first-ever deep-sea voyage to the otherworldly environment 3,024 feet below sea level. In the summer of 1930, aboard a ship floating near the Atlantic island of Nonsuch, marine biologist Gloria Hollister sat on a crate, writing furiously in a notebook with a telephone receiver pressed to her ear. The phone line attached to a steel cable that unrolled off the side of the vessel and plunged into the sea, sinking 3000 feet. There, suspended by the cable, dangled a four-and-a-half-foot steel ball called the bathysphere. Crumpled up inside, gazing through three-inch quartz windows at the undersea world, sat Hollister’s colleague William Beebe. He called up to her excitedly, describing bizarre creatures, explosions of bioluminescence, and strange effects of light and color. Hollister, listening amid rocking waves, tried to get down everything she heard. The story of The Bathysphere Book springs from the original expedition logbooks—the first eyewitness account of the deep ocean. They possess a strange poetry, scientific vocabulary shot through with the thrill of the new, and an erotic charge due to the illicit affair Hollister and Beebe were carrying on. The expedition launched from an expansive, transforming America, as streetlights came on in New York City and the Great Plains baked to dust. Backers ranged from eugenicist conservatives to billionaire socialists, while the expedition staff was a ragtag team of eccentrics who socialized with iconic figures of the period, such as Theodore Roosevelt, Amelia Earhart, and Gypsy Rose Lee. The bathysphere was the subject of much media attention and made the team famous. Prefiguring NASA’s blue marble photograph, the first images of the deep ocean offered a new sense of the planetary. The book will include archival images as well as a few reproductions of illustrations by expedition artists. The Bathysphere Book delights in the human drama that surrounds this groundbreaking move into the deep ocean, a story of one visionary encounter with the unknown.

JOURNALIST KOA BECK’S AMBITIOUS HARVARD RESEARCH-BASED DEEP DIVE INTI HOW FEMINISM HAS BEEN COMMODIFIED AND RACIALIZED—AND THE REVOLUTIONARY WAY OF THINKING THAT COULD DRIVE A NEW MOVEMENT Fourth-wave feminism preaches empowerment for women, centering an intersectionality that has been missing from the start. Long before the Lean In phenomenon and branded empowerment conferences, women have been encouraged to “find their power” and to “know their value” when combatting institutional sexism. But we’ve also funded patriarchal institutions that have cashed in on “feminism” without actually making a real difference in the lives of the women they supposedly uplift. From the formation of the suffragette movement over a century ago to the Women’s March in 2017, mainstream feminism has been defined by parameters dictated and sanctioned by the white women they most benefit. In White Feminism, Koa Beck details the conventions that marginalized genders have needed to adopt in order to be recognized and exposes how Indigenous, Black, brown, transgender, disabled, and undocumented women, among other disenfranchised peoples, have been overlooked in order to champion a different feminist narrative. With insights spanning from the rise of girl bosses to widespread civil unrest during a global pandemic, Beck illuminates how white feminism adheres to a political strategy that commercializes struggle and reinforces white Western supremacy. Combining her quick-witted, cutting commentary with methodical historical research, Beck pulls from years of experience in the media industry to highlight the extent of racial prejudice, elitism, and privilege that fuels the dominant feminist discourse. She delivers a call to action that urges readers to reinvent the narrow feminist ideas that have become staples in modern gender politics, asking readers to join her in scrutinizing the capitalist, individualist, and heteronormative paradigms under which white feminism operates. In this wide-ranging analysis of the dangers of homogenizing the global feminist experience, Beck advocates for a new landscape that accounts for visibility and inclusivity.

In this charming and emotionally resonant follow up to the internationally bestselling Days at the Morisaki Bookshop, Satoshi Yagisawa paints a poignant and thoughtful portrait of life, love, and how much books and bookstores mean to the people who love them. Set again in the beloved Japanese bookshop and nearby coffee shop in the Jimbocho neighborhood of Toyko, More Days at the Morisaki Bookshop deepens the relationship between Takako, her uncle Satoru , and the people in their lives. A new cast of heartwarming regulars have appeared in the shop, including an old man who wears the same ragged mouse-colored sweater and another who collects books solely for the official stamps with the author’s personal seal. Satoshi Yagisawa illuminates the everyday relationships between people that are forged and grown through a shared love of books. As time passes, Satoru, with Takako’s help, must choose whether to keep the bookshop open or shutter its doors forever. Making the decision will take uncle and niece on an emotional journey back to their family’s roots and remind them again what a bookstore can mean to an individual, a neighborhood, and a whole culture.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

En partant pour les croisades, ces preux chevaliers avaient bonne conscience : ils portaient leur croix sur le dos et la divine parole en Orient. L'Orient, c'était la terre promise, c'est-à-dire la terre des épices, de l'or et des soieries. La terre qu'on peut piller, brûler, violer. Et ils pillèrent la terre, violèrent les femmes, massacrèrent les hommes, firent rôtir les enfants, au nom de la chrétienté. Ces barbares furent combattus tout aussi férocement du côté de l'islam, où se trouvaient la civilisation la plus avancée du monde, mais aussi les rivalités et la 'torpeur du monde arabe'. Et Jérusalem, Damas, Beyrouth, villes saintes, villes maudites, villes martyres, connurent l'enfer. Religion, que de crimes on commet en ton nom! Histoire, que de leçons tu nous as données ! Et pourtant

The Blair Witch Project meets The Ritual, with a generous helping of The Menu, in Morsel, a delicious folk horror novella perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.Lou did what the children of parents with back-breaking, poor paying jobs are supposed to pulled up her bootstraps, went to college, and got an office job with coworkers who won’t stop talking about their multi-level marketing scheme disguised as self-betterment.Determined to lift her ill mother out of poverty before it's too late, and in the spirit of climbing the corporate ladder, Lou accepts an assignment in the rural hills of Ohio. She quickly finds herself stranded in the middle of nowhere with a sabotaged truck, a dog she’s determined to keep safe, and something stalking her through the ancient Appalachian woods.If she can’t escape the woods in time, she’ll come face to face with the fact that her job isn’t the only thing that wants to eat her alive.Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

Gone Girl meets Big Swiss in this electric, binge-of-a-debut about a millennial antihero who seeks revenge on her ex-situationship with a hex, only for him to actually, literally die. Lillian and Henry have been enjoying each other’s company, especially in bed. Even though Lillian’s best friend calls it “situationship,” Lillian is determined to lock Henry down—and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.Lillian expects Henry to come crawling back to her. What she doesn’t quite anticipate is becoming a prime suspect in his murder case when he’s found dead. As Lillian grapples with the loss of her sort-of-boyfriend, she’s hit with another That Henry had a long-term girlfriend he also left behind. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person heralds Kirsten King as a striking new voice in the canon of celebrated fiction.

Inspired by the Greek myth of Iphigenia and the Grimm fairy tale “Brother and Sister,” Michelle Ruiz Keil’s second novel follows two siblings torn apart and struggling to find each other in early ’90s Portland. All her life, seventeen-year-old Iph has protected her sensitive younger brother, Orr. But this summer, with their mother gone at an artist residency, their father decides it’s time for fifteen-year-old Orr to toughen up at a wilderness boot camp. When he brings Iph to a work gala in downtown Portland and breaks the news, Orr has already been sent away. Furious at his betrayal, Iph storms off and gets lost in the maze of Old Town. Enter George, a queer Robin Hood who swoops in on a bicycle, bow and arrow at the ready, offering Iph a place to hide out while she figures out how to track down Orr. Orr, in the meantime, has escaped the camp and fallen in with The Furies, an all-girl punk band, and moves into the coat closet of their ramshackle pink house. In their first summer apart, Iph and Orr must learn to navigate their respective new spaces of music, romance, and sex work activism—and find each other to try to stop a transformation that could fracture their family forever. Told through a lens of magical realism and steeped in myth, Summer in the City of Roses is a dazzling tale about the pain and beauty of growing up.

The life of the salmon is a predictable one: swimming upstream to the place of its birth to spawn, and then to die. This is the story of a salmon whose silver scales mark him out as different - who dares to leap beyond his fate. It's a story about growing up, and about aching and ardent love. For swimming upstream means pursuing something the salmon cannot see: a dream. Translated for the first time into English, The Salmon Who Dared To Leap Higher is a wise, tender and inspiring modern fable about finding freedom and a harmony with nature we have either forgotten or lost in the binding realities of life.

Dive into the charming conclusion to the Sunken Archive duology, a heart-warming magical academia fantasy filled with underwater cities, romance of manners and found family, perfect for fans of Emily Wilde’s Encyclopaedia of Faeries. Former correspondents E. and Henerey, accustomed to loving each other from afar, did not anticipate continuing their courtship in an enigmatic underwater city. When their journey through the Structure in E.’s garden strands them in a peculiar society preoccupied with the pleasures and perils of knowledge, E. and Henerey come to accept—and, more surprisingly still, embrace—the fact that they may never return home. A year and a half later, Sophy and Vyerin finally discover one of the elusive Entries that will help them seek their siblings. As the group’s efforts bring them closer to E. and Henerey, an ancient, cosmic threat also draws near…

What happens when your enemy becomes your friend … with benefits? Red, White and Royal Blue meets The Magicians in this surprising, wildly original and joyously funny LGBTQ YA novel set in a magical boarding school. Tim Te Maro and Elliott Parker – classmates at Fox Glacier High School for the Magically Adept – have never gotten along. But when they both get dumped the day before the big egg-baby assignment, they reluctantly decide to ditch their exes and work together. When the two boys start to bond over their magically enchanted egg-baby, they realise that beneath their animosity is something like friendship … or physical attraction. Soon, a no-strings-attached hook-up seems like a good idea. Just for the duration of the assignment. After all, they don’t have feelings for each other … so what could possibly go wrong? From debut Kiwi author H.S. Valley, the latest winner of the Ampersand Prize, comes this gleefully addictive own-voices romantic comedy that’s perfect for fans of Rainbow Rowell and David Levithan. In a word – it’s magic.

A tragicomedy set in the confines of a 1994 Daihatsu Mira, Poorhara is a journey of epic proportions—a poignant, expansive and darkly funny first novel written by a true poorhara ERIN can hear the whaanau whispering, and they won’t tell her why. She’s ditched school to help her aunty clean houses—even though she has a full-time job looking after all the moko. But no one cares, and soon she will be picked clean, like the bones in her maamaa’s bedroom. STAR is home for the first time in years, and he’s worn the same clothes for days. Everything feels unfamiliar: the karakia, his nephews, the house that he grew up in. He’s too scared to tell his family that he’s bombing back at uni. And the past is an affliction, a gently rising tide. It is 178 years after colonisation. Together, the cousins escape. Free-wheeling across the countryside in a car without a warrant, they cast their net widely. Their family mythologies, heartaches and rifts will surface, and among it the glint of possibility: a return to the whenua where it all began.

The Eldest Girl is a family drama spanning three generations. It moves between the 1960swith Tom, fresh off the boat from England who falls in love with the seemingly unattainableNgahere, and 2010 where Cassius, their son, is grieving the death of his wife, Mere, andbarely able to parent their children. When Mere's twin sister returns home a successfulfilm producer and her troubled director husband leaves, she enlists Cassius's help with herthree children. Tensions grow when Kiri, Cassius's daughter, becomes jealous and rebels,a daughter Tom never knew he had turns up, and the pressures of juggling a film project, adrunk husband and children increase. But when Tom has a heart attack and family secretsemerge, relationships are examined, and connections are retied.