With a breathtaking array of original stories from around the world, P. Djèlí Clark, Amal El Mohtar, Garth Nix, Darcie Little Badger, Sheree Renée Thomas, and two dozen other fantasy and science fiction geniuses bring a new and exciting twist to one of the most beloved figures in fiction, witches, in never-before-seen works written exclusively for The Book of Witches , compiled by award-winning editor Jonathan Strahan and illustrated by award-nominated artist Alyssa Winans. Witches! Whether you know them from Shakespeare or from Wicked , there is no staple more beloved in folklore, fairy tale, or fantasy than these magical beings. Witches are everywhere, and at the heart of stories that resonate with many people around the world. This dazzling, otherworldly collection gathers new stories of witches from all walks of life, ensuring a Halloween readers will never forget. Whether they be maiden, mother, crone, or other; funny, fierce, light and airy, or dark and disturbing; witches are a vital part of some of the greatest stories we have, and new ones start here! Bringing together twenty-nine stories and poems from some of the greatest science fiction and fantasy writers working today, including three tales from a BIPOC-only open submission period,  The Book of Witches  features Linda Addison, C.L. Clark, P Djeli Clark, Indrapramit Das, Amal El Mohtar, Andrea Hairston, Millie Ho, Saad Hossain, Kathleen Jennings, Alaya Dawn Johnson, Cassandra Khaw, Fonda Lee, Darcie Little Badger, Ken Liu, Usman T. Malik, Maureen F. McHugh, Premee Mohamed, Garth Nix, Tobi Ogundiran, Tochi Onyebuchi, Miyuki Jane Pinckard, Kelly Robson, Angela Slatter, Andrea Stewart, Emily Teng, Sheree Renée Thomas, Tade Thompson, and E. Lily Yu—and contains illustrations from three-time Hugo award-nominated artist Alyssa Winans throughout. This extraordinary anthology vividly breathes life into one of the most captivating and feared magical sorceresses and will become a treasured keepsake for fans of fantasy, science fiction, and fairy tales everywhere.

A blazingly original and stylish debut novel about a young man whose reality unravels when he suspects his employers have inadvertently discovered time travel and are covering up a string of violent crimes. Combining elements of neo-noir, speculative fiction, and '80s detective shows, FLUX is a haunting and sometimes shocking exploration of the cyclical nature of grief, of moving past trauma, and of the pervasive nature of whiteness within the development of Asian identity in America. In FLUX, a brilliant debut in the vein of William Gibson’s Neuromancer and Ling Ma’s Severance, Jinwoo Chong introduces us to three characters —Bo, Brandon and Blue— who are tortured by these questions as their lives spin out of control. * After 8-year-old Bo loses his mother in a tragic accident, his white father, attempting to hold their lives together, begins to gradually retreat from the family. * 28-year-old Brandon loses his job at a legacy magazine publisher and is offered a new position. Confused to find himself in an apartment he does not recognize, and an office he sometimes cannot remember leaving, he comes to suspect that something far more sinister is happening behind the walls. * 48-year-old Blue participates in a television exposé of Flux, a failed bioelectric tech startup whose fraudulent activity eventually claimed the lives of three people and nearly killed him. Blue, who can only speak with the aid of cybernetic implants, stalks his old manager while holding his estranged family at arms-length. Intertwined with the saga of a once-iconic '80s detective show, Raider, whose star has fallen after decades of concealed abuse, the lives of Bo, Brandon and Blue intersect with each other, to the extent that it becomes clear that their lives are more interconnected and interdependent than the reader could have ever imagined. Can we ever really change the past, or the future? What truth do we owe our families? What truth do we owe ourselves?

Victims all describe hearing a voice before they die gruesomely. Sometimes it’s singing an old Taiwanese song, sometimes it’s in Japanese, and sometimes it’s an anguished call for help from a loved one. Can Wu Shih-Sheng, a degenerate taxi driver in Taipei, hunt down the source of the voice that killed his wife before he becomes the next victim? Whisper is a plot-driven, Taiwanese horror story. As well as being a chilling read, Chang Yu-Ko cleverly combines Taiwanese folklore, the Japanese occupation of Taiwan, and the long-term mistreatment of the country’s aboriginal people into a story of how the past can still kill.

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance

Into The Woods is a revelation of the fundamental structure and meaning of all stories, from the man responsible for more hours of drama on British television than anyone else, John Yorke. We all love stories. Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling. What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . . Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life. This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine.Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home.In Athens’ colorful market streets and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, a drunken night between girl and god ends in violence, and the course of Meddy’s promising future is suddenly and irrevocably altered.Her locs transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth.Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the cross currents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

From Olivie Blake, the New York Times bestselling author of The Atlas Six comes Masters of Death, a story about vampires, ghosts, and death itself!Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the house has been murdered, and until he can solve the mystery of how he died, he refuses to move on.Fox D’Mora is a medium, and though is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death.When Viola seeks out Fox to help her with her ghost-infested mansion, he becomes inextricably involved in a quest that neither he nor Vi expects (or wants). But with the help of an unruly poltergeist, a demonic personal trainer, a sharp-voiced angel, a love-stricken reaper, and a few high-functioning creatures, Vi and Fox soon discover the difference between a mysterious lost love and an annoying dead body isn’t nearly as distinct as they thought.

The things that go bump in the night are supposed to be headboards, not monsters. Leaving my husband was hard. Trying to face the world alone with my teenage daughter is the sort of thing nightmares are made of, but I caught a break. My best friend just hired me for a great job. It's not anything special, simply managing the leasing office of this very fancy and highly exclusive neighborhood, yet the perks mean I get my second chance. Speaking of perks, my rent-free house is right beside not just one handsome man, but five! Each one is hotter than the last, and all of them seem interested in me. Maybe I can't remember the last date I was on, but if I want to master being a strong woman, then this is a good place to start. It's just dating, right? Normal life stuff. Not so much. Everyone around us has these strange golden eyes. Then there are the questions no one will answer. And who cares if there's a lot of wildlife running around at night? I do, especially when a wolf keeps sneaking into my backyard. I have a kid to worry about. Things have got to change before someone gets bitten! Normal is going out the window, and fast. My neighbors say I don't belong here, and they don't mean because I'm Hispanic. Never mind that I just heard a man growl. Now they're talking about fated somethings, and I'm pretty sure they mean me. I feel like I'm going crazy! Because when I said I wanted to learn how to be strong, this wasn't what I meant at all. Still, when it comes to taking care of my little girl, I will definitely learn how to be the biggest bitch on the block. I just hope that doesn't become literal. Wolf's Bane is a 136,000 word, full-length novel with multiple love interests. Note: Wolves Next Door series contains profanity, consensual sex, and one adult woman who falls for multiple younger men. This is the first book in a trilogy.

A new gothic dark fantasy coming in 2024 Only the banished know what lies beyond the woods ... There are whispers about what lurks in Witch Knell—the forest where sinners go to die. The villagers call it The Eating Woods because what’s taken is never given back. Only those who’ve lost their senses would dare to go near it. Or the banished. Maevyth Bronwick knows better than to breach the misty labyrinth of trees, but a tragic turn of events compels her beyond the archway of bones, to a boundary no mortal has crossed before. One that cloaks a dark and fantastical world that’s as dangerous as it is alluring. It’s there that he dwells, the cursed lord of Eidolon. The one tasked to keep her hidden from the magehood that seeks to crucify her in the name of an arcane prophesy. Zevander Rydainn, known to his prey as The Scorpion, is the coldest, most calculated assassin in all of Aethyria and he’d sooner toss his feisty ward to a pack of vicious fyredrakes than keep her safe. If only he could. Maevyth’s blood is the key to breaking his despised curse and vanquishing the slumbering evil in Witch Knell. Unfortunately for Lord Rydainn, fate has other plans for the irresistible little enchantress. And his growing obsession with her threatens to destroy everything. Including himself.