2021 LODESTAR AWARD for BEST YOUNG ADULT BOOK Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt’s bakery making gingerbread men dance. But Mona’s life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona’s city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona’s worries…

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

Ancient sorcery. Magic gemstones. Only one woman can save a city in ruins… 1348. As the Black Plague ravages Italy, Ginevra di Gasparo is summoned to Florence after nearly a decade of lonely exile. Ginevra has a gift—harnessing the hidden powers of gemstones, she can heal the sick. But when word spread of her unusual abilities, she was condemned as a witch and banished. Now the same men who expelled Ginevra are begging for her return. Ginevra obliges, assuming the city’s leaders are finally ready to accept her unorthodox cures amid a pandemic. But upon arrival, she is tasked with a much different she must use her collection of jewels to track down a ruthless thief who is ransacking Florence’s churches for priceless relics—the city’s only hope for protection. If she succeeds, she’ll be a recognized physician and never accused of witchcraft again. But as her investigation progresses, Ginevra discovers she’s merely a pawn in a much larger scheme than the one she’s been hired to solve. And the dangerous men behind this conspiracy won’t think twice about killing a stone witch to get what they want…

A gifted young knight named Collum arrives at Camelot to compete for a spot on the Round Table, only to find he’s too late. The king died two weeks ago at the Battle of Camlann, leaving no heir, and only a handful of the knights of the Round Table survive. They aren’t the heroes of legend, like Lancelot or Gawain. They’re the oddballs of the Round Tables, from the edges of the stories, like Sir Palomides; the Saracen Knight; and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. Together this ragtag fellowship will set out to rebuild Camelot in a world that has lost its balance. But Arthur’s death has revealed Britain’s fault lines. God has abandoned it, and the fairies and monsters and old gods are returning, led by Arthur’s half-sister Morgan le Fay. Kingdoms are turning on each other, warlords are laying siege to Camelot, and rival factions are forming around the disgraced Lancelot and the fallen Queen Guinevere. It is up to Collum and his companions to reclaim Excalibur, solve the mysteries of this ruined world and make it whole again. But before they can restore Camelot they’ll have to learn the truth of why the lonely, brilliant King Arthur fell and lay to rest the ghosts of his troubled family and of Britain’s dark past.

Magic and adventure swirl through this spellbinding romantasy where a young woman reignites the embers of an ancient prophecy, unleashing a storm that could save her realm or doom them all. Fear of maegic plagues war-torn Anwyvn. Halflings like Rhya Fleetwood are killed on sight. But Rhya’s execution is interrupted by an unexpected savior—one far more terrifying than her would-be killers. The mysterious and mercenary Commander Scythe. In the clutches of this new enemy, Rhya finds herself fighting for her life in the barren reaches of the Northlands. Yet the farther she gets from home, the more she learns that nothing is as it seems—not her fearsome captor, not the blight that ravages her dying realm, not even herself. For Rhya is no ordinary halfling. The strange birthmark on her chest and the wind she instinctively calls forth means she is a Remnant, one of four souls scattered across Anwyvn, fated to restore the balance of maegic…or die trying. But mastering the power inside her is only the beginning. Desire for the Commander—a man she can never trust, a man with plans of his own—burns just as fiercely as the tempests beating against her rib cage for release. Rhya must choose: smother the flames…or let them consume her.

A princess with two futures. A destiny all her own. Between her cruel family and the contempt she faces at court, Princess Alyrra has always longed to escape the confines of her royal life. But when she’s betrothed to the powerful prince Kestrin, Alyrra embarks on a journey to his land with little hope for a better future. When a mysterious and terrifying sorceress robs Alyrra of both her identity and her role as princess, Alyrra seizes the opportunity to start a new life for herself as a goose girl. But Alyrra soon finds that Kestrin is not what she expected. The more Alyrra learns of this new kingdom, the pain and suffering its people endure, as well as the danger facing Kestrin from the sorceress herself, the more she knows she can’t remain the goose girl forever. With the fate of the kingdom at stake, Alyrra is caught between two worlds and ultimately must decide who she is, and what she stands for. Includes The Bone Knife, a bonus short story set in the world of Thorn.

Listening time: 13h 15m A historical fantasy debut set against the backdrop of World War II, where a witch journeys to find a book of unspeakable power before it lands in Nazi hands Stubborn, plain-spoken and from an unimpressive family, Lydia Polk never expected to be accepted into the Royal Academy of Witches. Now, with Hitler’s army rampaging across Europe, the witches of Britain have joined the war effort, and Lydia is key to the she must use her magic to track down magical relics before Hitler and his sycophants can. Then a Nazi witch infiltrates the Academy with heart-breaking consequences, leaving the coven shaken, exposed and the elder British witches have no interest in further loss of coven life in service of a government that has forced them into hiding for decades, no matter the consequences to the world. But with the discovery of the Grimorium Bellum, an ancient book that leaves a trail of death and destruction wherever it goes—one the Nazi coven is desperate to get their hands on—Lydia’s mission has never been more urgent. Alone and woefully outnumbered, Lydia makes her way to the heart of occupied France, where she finds allies in Rebecca Gagne—a fierce French resistance fighter chockful of secrets—and Henry Boudreaux—a handsome Haitian-American art historian with a little magic of his own. Together, they traverse the country, stalked by the natural and supernatural alike, in search of the grimoire. But, as Lydia soon discovers, finding the book is only half the battle—the Grimorium Bellum has a dark agenda all its own. Lydia must subdue it before the Witches of the Third Reich can use it—but she’ll have to survive the book herself, first.

The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim. Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom. In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."

An extraordinary, gloriously uplifting novel about the power of friendship and the puzzling ties that bind us Clayton Stumper might be twenty-six years old, but he dresses like your grandpa and drinks sherry like your aunt. Abandoned at birth on the steps of the Fellowship of Puzzlemakers, he was raised by a group of eccentric enigmatologists and now finds himself among the last survivors of a fading institution. When the esteemed crossword compiler and main maternal presence in Clayton's life, Pippa Allsbrook, passes away, she bestows her final puzzle on him: a promise to reveal the mystery of his parentage and prepare him for life beyond the walls of the commune. As Clay begins to unpick the clues, he uncovers something even the Fellowship have never been able to solve—and it's a secret that has the potential to change everything.

The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim. Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom. In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."