Save one world. Doom her own. From the acclaimed author of The Deep Sky comes a thrilling anti-colonial space heist to save an alien civilization. Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations—until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she’s haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can’t refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren’t the only ones hunting for it. Maya sets out on a breakneck quest through a universe teeming with strange life and ancient ruins. But the farther she goes, the more her visions cast a dark shadow over her team of friends new and old. Someone will betray her along the way. Worse yet, in choosing to save one species, she may condemn humanity and Earth itself. -- CW: violence and gore, xenophobia, xenocide, colonization, vomit, torture, war, infertility, chronic illness, confinement, suicidal thoughts (minor), pandemic, migraines

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.