Librarian note: Alternate covers can be found here and here. 'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white' The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.

Shirley Jackson’s beloved gothic tale of a peculiar girl named Merricat and her family’s dark secret Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna. Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences… Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat. Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

**AUTHOR'S NOTE: This book was REIMAGINED and REWRITTEN in 2024 to improve the reading experience. "Merry Christmas to all! And to all a good fright..." The Quarrel of Sword and Bone was a death sentence for anyone who stepped into the arena with the deranged Queen, whose soul had crisped to frost in an age long since past. Sixteen-year-old Helen Bell understood tragedy better than most kids growing up. She knew what it was like to wear clothes from donation bins and be mocked by the beautiful girls in high school. She thought those brutal experiences made her ready for anything, but she wasn't ready for this. After an eccentric girl opens Helen's eyes to let her see the realm of Winter—a world with intersects tucked carefully into the cracks of our own, where monarchs have risen and fallen, it's forbidden to mention the name of The Dead King, and the currency is gold rings—Helen discovers things are far from ordinary in Winter. After trying to deny the existence of a disrupting train horn ringing in her ears for days, Helen receives a mysterious summons from a group who call themselves “The Crimson Court” to enter into The Quarrel of Sword and Bone—a traditional duel performed before one thousand witnesses that leaves only one survivor—and she’s forced to finally pay attention to the handsome boy who's been following her around with a warning on his tongue. When the arrival of wicked villains propels Helen into the heart of Winter where there’s no going back, she finds herself being pursued by something else too—a whispered prayer battling on her behalf, and an ancient Truth that breathes living words of wisdom—the very wisdom forgotten by the Rime Folk when their disunity drove them to draw lines in the snow in an age of the past. Helen must find a way out, or she’ll be dragged into the arena to face the crooked Queen head on before a crowd ready to watch her die. The Winter Souls Series blends action and warm Christmas traditions, bringing the old forgotten tales of the season to life with new and grittier versions of famous characters out of old holiday legends, folklore, and myths; such as St. Nicholas, the Snow Queen, the Scrooge, and the Nutcracker.

An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick. Bettering myself -- Mr. Wu -- Malibu -- The weirdos -- A dark and winding road -- No place for good people -- Slumming -- An honest woman -- The beach boy -- Nothing ever happens here -- Dancing in the moonlight -- The surrogate -- The locked room -- A better place