The Age of Kings is dead . . . and I have killed it. It's a bloody business overthrowing a king... Field Marshal Tamas' coup against his king sent corrupt aristocrats to the guillotine and brought bread to the starving. But it also provoked war with the Nine Nations, internal attacks by royalist fanatics, and the greedy to scramble for money and power by Tamas's supposed allies: the Church, workers unions, and mercenary forces. Stretched to his limit, Tamas is relying heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be his estranged son, and Adamat, a retired police inspector whose loyalty is being tested by blackmail. But when gods are involved... Now, as attacks batter them from within and without, the credulous are whispering about omens of death and destruction. Just old peasant legends about the gods waking to walk the earth. No modern educated man believes that sort of thing. But they should... In a rich, distinctive world that mixes magic with technology, who could stand against mages that control gunpowder and bullets?

The much-anticipated new fantasy series from Ransom Riggs, his first since introducing the #1 global phenomenon Miss Peregrine's Peculiar Children series. Seventeen-year-old Leopold Berry is seeing weird things around Los Angeles. A man who pops a tooth into a parking meter. A glowing trapdoor in a parking lot. A half-mechanical raccoon with its tail on fire that just won’t leave him alone. Every hallucinatory moment seems plucked from a cheesy 1990s fantasy TV show called Max's Adventures in Sunderworld—and that’s because they are. Not a good sign. In the blurry weeks after his mother’s death, a young Leopold discovered VHS tapes of its one and only season in a box headed for the trash—and soon became obsessed. Losing himself in Sunder was the best way to avoid two things: grieving his mother and being a chronic disappointment to his overbearing father. But when the strange visions return—at the worst possible time on the worst possible day—Leopold turns to his best friend Emmet for help. Together they discover that Sunder is much more than just an old TV show, and that Los Angeles is far stranger than they ever imagined. And soon, he’ll realize that not only is Sunderworld real, but it’s in grave danger. Certain he’s finally been chosen for greatness, Leopold risks everything to claim his destiny, save the world of his childhood dreams, and prove once and for all that he’s not the disappointment his father believes him to be. But when everything goes terribly, horribly, excruciatingly wrong, Leopold’s disappointments prove to be more extraordinary than he ever could have imagined. How do you battle darkness when no one believes in you—not even yourself? Welcome to Sunderworld.

The much-anticipated new fantasy series from Ransom Riggs, his first since introducing the #1 global phenomenon Miss Peregrine's Peculiar Children series. Seventeen-year-old Leopold Berry is seeing weird things around Los Angeles. A man who pops a tooth into a parking meter. A glowing trapdoor in a parking lot. A half-mechanical raccoon with its tail on fire that just won’t leave him alone. Every hallucinatory moment seems plucked from a cheesy 1990s fantasy TV show called Max's Adventures in Sunderworld—and that’s because they are. Not a good sign. In the blurry weeks after his mother’s death, a young Leopold discovered VHS tapes of its one and only season in a box headed for the trash—and soon became obsessed. Losing himself in Sunder was the best way to avoid two things: grieving his mother and being a chronic disappointment to his overbearing father. But when the strange visions return—at the worst possible time on the worst possible day—Leopold turns to his best friend Emmet for help. Together they discover that Sunder is much more than just an old TV show, and that Los Angeles is far stranger than they ever imagined. And soon, he’ll realize that not only is Sunderworld real, but it’s in grave danger. Certain he’s finally been chosen for greatness, Leopold risks everything to claim his destiny, save the world of his childhood dreams, and prove once and for all that he’s not the disappointment his father believes him to be. But when everything goes terribly, horribly, excruciatingly wrong, Leopold’s disappointments prove to be more extraordinary than he ever could have imagined. How do you battle darkness when no one believes in you—not even yourself? Welcome to Sunderworld.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon. Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon. Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

From award-winning author Nghi Vo comes Don't Sleep with the Dead, a standalone companion novella to The Chosen and the Beautiful, her acclaimed reimagining of The Great Gatsby. “A vibrant and queer reinvention of F. Scott Fitzgerald's jazz age classic. . . . I was captivated from the first sentence.”―NPR on The Chosen and the Beautiful Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him. In all paper there is memory, and Nick's ghost has come home.

An immortal Knight of the Round Table faces his greatest challenge yet—saving the politically polarized, rapidly warming world from itself—in this slyly funny contemporary take on Arthurian legend. Legends don’t always live up to reality. Being reborn as an immortal defender of the realm gets awfully tiring over the years—or at least that’s what Sir Kay’s thinking as he claws his way up from beneath the earth yet again. Kay once rode alongside his brother, King Arthur, as a Knight of the Round Table. Since then, he has fought at Hastings and at Waterloo and in both World Wars. But now he finds himself in a strange new world where oceans have risen, the army’s been privatized, and half of Britain’s been sold to foreign powers. The dragon that’s running amok—that he can handle. The rest? He’s not so sure. Mariam’s spent her life fighting what’s wrong with her country. But she’s just one ordinary person, up against a hopelessly broken system. So when she meets Kay, she dares to hope that the world has finally found the savior it needs. Yet as the two travel through this bizarre and dangerous land, they discover that a magical plot of apocalyptic proportions is underway. And Kay’s too busy hunting dragons—and exchanging blows with his old enemy Lancelot—to figure out what to do about it.  In perilous times like these, the realm doesn’t just need a knight. It needs a true leader.  Luckily, Excalibur lies within reach.  But who will be fit to wield it?  With a cast that includes Merlin, Morgan le Fay, the Lady of the Lake, and King Arthur himself—all reimagined in joyous, wickedly subversive fashion— Perilous Times is an Arthurian retelling that looks forward as much as it looks back . . . and a rollicking, deadpan-funny, surprisingly touching fantasy adventure.

A primer on intersectional environmentalism aimed at educating the next generation of activists on how to create meaningful, inclusive, and sustainable change.  The Intersectional Environmentalist is an introduction to the intersection between environmentalism, racism, and privilege, and an acknowledgment of the fundamental truth that we cannot save the planet without uplifting the voices of its people -- especially those most often unheard. Written by Leah Thomas, a prominent voice in the field and the activist who coined the term "Intersectional Environmentalism," this book is simultaneously a call to action, a guide to instigating change for all, and a pledge to work towards the empowerment of all people and the betterment of the planet. In The Intersectional Environmentalist, Thomas shows how not only are Black, Indigenous and people of color unequally and unfairly impacted by environmental injustices, but she argues that the fight for the planet lies in tandem to the fight for civil rights; and in fact, that one cannot exist without the other. An essential read, this book addresses the most pressing issues that the people and our planet face, examines and dismantles privilege, and looks to the future as the voice of a movement that will define a generation.