Award-winning novelist Caro De Robertis offers a first-of-its-kind, deeply personal, and moving oral history of a generation of queer and trans elders of color, from leading activists to artists to ordinary citizens to tell their stories of breathtaking courage, cultural innovations, and acts of resistance, all in their own words.So Many Stars knits together the voices of trans, nonbinary, genderqueer and two spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world, how they pursued their passions, and how they continue to be at the vanguard of social change. This singular project collects the testimonies of over a dozen elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations—who can more fully exist in the world today because of these very voices. Award-winning novelist De Robertis creates a collective coming-of-age story based on hundreds of hours of interviews, offering rare snapshots of ordinary kids growing up, navigating family issues and finding community, coming out and changing how they identify over the years, building movements and weathering the AIDS crisis, and sharing wisdom for future generations. Often narrating experiences that took place before they had the array of language that exists today to self-identify and to describe life beyond the gender binary, this generation lived through remarkable changes in American culture, shaped American culture, and yet rarely takes center stage in the history books. Their stories feel particularly urgent in the current political moment, but also remind readers that their experiences are not new. Young trans and nonbinary people of color today belong to a long lineage.   The anecdotes in these pages are riveting, joyful, heartbreaking—so full of life and personality and wisdom, and artfully woven together into one immersive narrative. In De Robertis’s words, So Many Stars shares “behind-the-scenes tales of what it meant—and still means—to create an authentic life, against the odds.”

In this hilarious, off-the-wall queer fantasy romance, a reclusive sorcerer is forced to protect a cowardly knight after a prophecy ties their fates together. Funny, touching and inventive, this book is perfect for fans of A Marvellous Light and Dreadful. All his life, Sir Cameron has tried to stay as far away from danger as possible. But when the Church hands down a prophecy to his fellow knights predicting that the only way to defeat their nemesis, the mad sorcerer Merulo, is to kill Sir Cameron, he finds himself in a situation too sticky for even his considerable wiles. Short of ideas, Cameron throws himself on the mercy of the one person who now actually wants him to the mad sorcerer. Merulo isn't thrilled to be babysitting a spoilt, attention-seeking knight, but fate has tied them together. And transmogrifying Cameron into a vulture is at least a great source of entertainment. Cameron, meanwhile, is on a voyage of self-discovery. It turns out he's really, really into surly sorcerers who lock him up and tell him what to do. Who knew? As a legion of knights surround their stronghold, led by an angry concussed elf—which definitely isn't in any way Cameron's fault—the sorcerer's poisonous ambitions draw ever closer to fruition. Cameron is quite invested in not dying, but he finds he's also invested in Merulo. And sometimes, supporting the sorcerer you care about means taking an interest in their hobbies. Even if their hobby is trying to kill God. Even if it might get you killed, too.

George has major problems: They’ve just inherited the failing family estate, and the feelings for their best friend, Eleanor, have become more complicated than ever. Not to mention, if anyone found out they were secretly dressing in men’s clothes, George is sure it would be ruination for the family name. Eleanor has always wanted to do everything "right," including falling in love—but she’s never met a boy she was interested in. She’d much rather spend time with her best friend, George, and beloved cousin Charlotte. However, when a new suitor comes to town, she finds her closest friendships threatened, forcing her to rethink what "right" means and confront feelings she never knew she had. Inspired by Jane Austen and queer history, I Shall Never Fall in Love shines a light on what it means to be true to yourself and rewrites the rules for what makes a happily ever after.

The bestselling Indigenous dark fiction anthology returns with a new selection of even more daring and sinister stories. From monsters to mutilation, Never Whistle at Night is back for revenge.They’re baaaaaaaaaack! As any savvy horror fan the monster never truly dies. The team that brought you the bestselling dark fiction anthology Never Whistle at Night has risen, hungry, from the grave to summon more dark delicacies for your delectation. In these twenty-one brand-new, groundbreaking, gruesome stories—authored by both established and newly unearthed Indigenous talent—the contributors are fully embracing both supernatural horrors and the everyday horror of living under colonialist rule.  Featuring stories of unspeakable yet satisfying terror, from twisted psychological tales to gore-filled monster hunts, this new selection of sinister stories will sate your darkest appetites and leave you slavering for more. Never Whistle at Night, Part Back for Blood is a further celebration of Indigenous survival and the enduring tradition of transforming adversity into art.

In this hilarious, off-the-wall queer fantasy romance, a reclusive sorcerer is forced to protect a cowardly knight after a prophecy ties their fates together. Funny, touching and inventive, this book is perfect for fans of A Marvellous Light and Dreadful. All his life, Sir Cameron has tried to stay as far away from danger as possible. But when the Church hands down a prophecy to his fellow knights predicting that the only way to defeat their nemesis, the mad sorcerer Merulo, is to kill Sir Cameron, he finds himself in a situation too sticky for even his considerable wiles. Short of ideas, Cameron throws himself on the mercy of the one person who now actually wants him to the mad sorcerer. Merulo isn't thrilled to be babysitting a spoilt, attention-seeking knight, but fate has tied them together. And transmogrifying Cameron into a vulture is at least a great source of entertainment. Cameron, meanwhile, is on a voyage of self-discovery. It turns out he's really, really into surly sorcerers who lock him up and tell him what to do. Who knew? As a legion of knights surround their stronghold, led by an angry concussed elf—which definitely isn't in any way Cameron's fault—the sorcerer's poisonous ambitions draw ever closer to fruition. Cameron is quite invested in not dying, but he finds he's also invested in Merulo. And sometimes, supporting the sorcerer you care about means taking an interest in their hobbies. Even if their hobby is trying to kill God. Even if it might get you killed, too.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself. You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them. The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.

Halla is a housekeeper who has suddenly inherited her great-uncle's estate… and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws… and the sword itself may prove to be the greatest threat of all.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…