Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

"The perfect book for readers who love their thrillers gripping and utterly original." ― Kimberly Belle, internationally bestselling author of The Paris Widow "Propulsive, shocking, and exquisitely crafted, Wilson’s fantastic thriller features an unforgettable heroine and a harrowing truth: We can never escape our past." ― Abbott Kahler, New York Times bestselling author of Eden Undone and Where You End She gets people to confess their crimes for a living. He knows she's hiding a terrible secret. It's time for the truth to come out… Poe Webb, host of a popular true crime podcast, invites people to anonymously confess crimes they've committed to her audience. She can't guarantee the police won't come after her "guests," but her show grants simultaneous anonymity and instant fame—a potent combination that's proven difficult to resist. After an episode recording, Poe usually erases both criminal and crime from her mind. But when a strange and oddly familiar man appears on her show, Poe is forced to take a second look. Not only because he claims to be her mother's murderer from years ago, but because Poe knows something no one else does. Her mother's murderer is dead. Poe killed him. From the USA Today bestselling author of The Dead Girl in 2A and The New Neighbor comes a chilling new thriller that forces the are murderers always the bad guys?

Chilling Adventures of Sabrina meets The L Word in this fresh, sizzling rom-com by Lana Harper. Emmy Harlow is a witch but not a very powerful one—in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams. But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She's determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago. On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in? But most concerning of all: Why can't she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

New York Times bestselling author Rachel Hawkins, writing as Erin Sterling, casts a spell with a spine-tingling romance full of wishes, witches, and hexes gone wrong. Nine years ago, Vivienne Jones nursed her broken heart like any young witch would: vodka, weepy music, bubble baths…and a curse on the horrible boyfriend. Sure, Vivi knows she shouldn’t use her magic this way, but with only an “orchard hayride” scented candle on hand, she isn’t worried it will cause him anything more than a bad hair day or two. That is until Rhys Penhallow, descendent of the town’s ancestors, breaker of hearts, and annoyingly just as gorgeous as he always was, returns to Graves Glen, Georgia. What should be a quick trip to recharge the town’s ley lines and make an appearance at the annual fall festival turns disastrously wrong. With one calamity after another striking Rhys, Vivi realizes her silly little Ex Hex may not have been so harmless after all. Suddenly, Graves Glen is under attack from murderous wind-up toys, a pissed off ghost, and a talking cat with some interesting things to say. Vivi and Rhys have to ignore their off the charts chemistry to work together to save the town and find a way to break the break-up curse before it’s too late.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling. An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist. (Content warnings for gore, sexual assault, and suicidal ideation)

While the Iskat Empire has long dominated the system through treaties and political alliances, several planets, including Thea, have begun to chafe under Iskat's rule. When tragedy befalls Imperial Prince Taam, his Thean widower, Jainan, is rushed into an arranged marriage with Taam's cousin, the disreputable Kiem, in a bid to keep the rising hostilities between the two worlds under control. But when it comes to light that Prince Taam's death may not have been an accident, and that Jainan himself may be a suspect, the unlikely pair must overcome their misgivings and learn to trust one another as they navigate the perils of the Iskat court, try to solve a murder, and prevent an interplanetary war... all while dealing with their growing feelings for each other.

From the New York Times bestselling authors of Welcome to Night Vale and It Devours! and the creators of the hit podcast, comes a new novel set in the world of Night Vale and beyond. In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early nineteenth century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath, as her spirit travels the world for decades until settling in modern-day Night Vale. Interspersed throughout is a present-day story in Night Vale, as The Faceless Old Woman guides, haunts, and sabotages a man named Craig. In the end, her current day dealings with Craig and her swashbuckling history in nineteenth century Europe will come together in the most unexpected and horrifying way. Part The Haunting of Hill House, part The Count of Monte Cristo, and 100% about a faceless old woman who secretly lives in your home.

A professor of literature finds herself caught up in a work of fiction… literally. Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going to her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what. But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it’s right out of a novel… Because it is. This place can’t be real, and yet… she’s here, in Eloraton, the town of her favorite romance series, where the candy store’s honey taffy is always sweet, the local bar’s burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It’s perfect—and perfectly frozen, trapped in the late author’s last unfinished story. Elsy is sure that’s why she must be here: to help bring the town to its storybook ending. Except there is a character in Eloraton that she can’t place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book. Which is a problem because Elsy is beginning to think the town’s happily-ever-after might just be intertwined with her own.