Alistair Woodson is a loner by choice. Since the traumatic night that ended his only friendship, he’s isolated himself by letting his classmates believe he’s a criminal and an arsonist, best to be avoided at all costs. But on his graduation trip across Paris, Switzerland, and Italy, Alis discovers that isolation isn’t so easy to maintain in hostel rooms and cross-country trains. Soon he finds himself growing closer to classmates who were once strangers to him—namely the class clown, Craig Miltenberg, whose frustratingly good hair and cheerful disposition don’t irritate Alis nearly as much as they should. Yet, as his deepening connections stir up painful reminders of his last doomed friendship, Alis continues to cope the only way he knows how: drowning out the pain on the inside by hurting himself on the outside. When his self-destructive behaviours intensify and put him and his new relationships in jeopardy, Alis must find the courage to confront his spiralling mental health—even if it means letting someone in. Lex Carlow's gritty queer debut is perfect for fans of Alice Oseman, Kathleen Glasgow, and The Perks of Being a Wallflower.

A dual-timeline murder mystery set in an English country manor, when an ambitious professor discovers the long-lost manuscript of a Reformation-era prophetess Historian Alison Sage has made a groundbreaking archival discovery―she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies―or so the world believed. With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived. What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery―but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone's motives become murky. Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. The Lost Book of Elizabeth Barton is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.

Felicity Morrow is back at Dalloway School. Perched in the Catskill mountains, the centuries-old, ivy-covered campus was home until the tragic death of her girlfriend. Now, after a year away, she’s returned to graduate. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds. Witchcraft is woven into Dalloway’s history. The school doesn’t talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She’s determined to leave that behind her now; all Felicity wants is to focus on her senior thesis and graduate. But it’s hard when Dalloway’s occult history is everywhere. And when the new girl won’t let her forget. It’s Ellis Haley’s first year at Dalloway, and she’s already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called “method writer.” She’s eccentric and brilliant, and Felicity can’t shake the pull she feels to her. So when Ellis asks Felicity for help researching the Dalloway Five for her second book, Felicity can’t say no. Given her history with the arcane, Felicity is the perfect resource. And when history begins to repeat itself, Felicity will have to face the darkness in Dalloway–and in herself.

"'There are only two reasons a non-seer would see a spirit on St. Mark's Eve,' Neeve said. 'Either you're his true love...or you killed him.'" It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them — not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can't entirely explain. He has it all — family money, good looks, devoted friends — but he's looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore. From Maggie Stiefvater, the bestselling and acclaimed author of the Shiver trilogy and The Scorpio Races, comes a spellbinding new series where the inevitability of death and the nature of love lead us to a place we've never been before.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

Marty seems to do no wrong. Trent can’t seem to get things right. When they are thrown together by tragedy, their futures may be defined by one What really happened on Day One? Stonesmere is an English seaside suburb defined by poignant traditions passed from generation to generation, and the bonds of small town community spirit. But when a lone gunman disrupts a school assembly, he sets of a chain of events that throws this close-kint town into turmoil. Marty is a golden girl, albeit one sometimes in the shadow of her father’s accomplishments and the care of her mother—an outsider who became a beloved teacher. Meanwhile, Trent’s home life is in the only child of a mother forever on the lookout for the boyfriend who can remake their lives, Trent longs for Stonesmere’s stability. But he and his mother only pass through.  In the wake of the violence in Stonesmere, Trent is transfixed by the news coverage of his former home, and his sense that something doesn't quite add up. As he dives deeper, he falls under the spell of a slick online media personality and the conspiracies he peddles. As Marty fumbles to play the part of the grieving good girl, she becomes the focus of these conspiracies—and Trent’s attention.   Opening with a gripping moment of terror, and then jumping foward in time to show how secrets, trauma, miscommunications, and unrequited feelings reverberate through a lifetime, Abigail Dean once again delivers a riveting page-turner full of hope in the face of despair.

High school nemeses fall in love in this queer YA rom com perfect for fans of Becky Albertalli and Casey McQuiston. After losing spectacularly to her ex-girlfriend in their first game since their break up, Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, the incredibly beautiful and incredibly mean Irene Abraham. Things only get worse when their nosey, do-gooder moms get involved and the girls are forced to carpool together until Irene’s car gets out of the shop. Their bumpy start the only gets bumpier the more time they spend together. But when an opportunity presents itself for Scottie to get back at her toxic ex (and climb her school’s social ladder at the same time), she bribes Irene into playing along. Hijinks, heartbreak, and gay fake-dating scheme for the ages. From author Kelly Quindlen comes a new laugh-out-loud romp through the ups and downs of teen romance.

A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews. Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son? Then the one secret Elodie has been hiding is revealed, and no one is safe anymore. A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

High school nemeses fall in love in this queer YA rom com perfect for fans of Becky Albertalli and Casey McQuiston. After losing spectacularly to her ex-girlfriend in their first game since their break up, Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, the incredibly beautiful and incredibly mean Irene Abraham. Things only get worse when their nosey, do-gooder moms get involved and the girls are forced to carpool together until Irene’s car gets out of the shop. Their bumpy start the only gets bumpier the more time they spend together. But when an opportunity presents itself for Scottie to get back at her toxic ex (and climb her school’s social ladder at the same time), she bribes Irene into playing along. Hijinks, heartbreak, and gay fake-dating scheme for the ages. From author Kelly Quindlen comes a new laugh-out-loud romp through the ups and downs of teen romance.

The untimely death of a student at a girls’ boarding school turns out to be the first in a haunting series of escalating supernatural events. A thrilling debut novel about teenage repression, queer desire, and the everyday horror of coming of age. In 1928, Emily Locke’s final year at the isolated Briarley School for Girls is derailed when Violet, the school’s brightest star (and a cunning beauty for whom Emily would do anything), falls to her death on her eighteenth birthday. Emily and her buttoned-up rival Evelyn are, for once, in agreement: Violet’s death was no accident. There’s an obvious culprit, the French schoolmistress with whom Violet was getting a little too close—they only need to prove it. Desperate for answers, Emily and her classmates turn to spiritualism, hoping for a glimpse of wisdom from the great beyond. To their shock, Violet’s spirit appears, choosing pious Evelyn as her unlikely medium. And Violet has a warning for them: the danger has just begun. Something deadly is infecting Briarley. It starts with rotten food and curdled milk, but quickly grows more threatening. As the body count rises and the students race to save themselves, Emily must confront the fatal forces poisoning the school. Emily’s fight for survival forces her to reevaluate everything she knows: about Violet, Evelyn, Briarley, and, ultimately, herself. Avery Curran channels the indelible ambience and intrigue of the classic boarding school novel while turning the beloved genre on its head in this visceral, exuberant debut.