A kaleidoscopic account of the crack cocaine era and a community’s ultimate resilience, told through a cast of characters whose lives illuminate the dramatic rise and fall of the epidemic   The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan’s war on drugs, journalist Donovan X. Ramsey’s exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality.   When Crack Was King follows four individuals to give us a startling portrait of crack’s destruction and devastating Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a “crack house”; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark’s most legendary group of drug traffickers.   Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.

Discover the work of the greatest writer in the English language as you've never encountered it before by ordering internationally renowned actor Dame Judi Dench's SHAKESPEARE: The Man Who Pays The Rent—a witty, insightful journey through the plays and tales of our beloved Shakespeare. Taking a curtain call with a live snake in her wig... Cavorting naked through the Warwickshire countryside painted green... Acting opposite a child with a pumpkin on his head... These are just a few of the things Dame Judi Dench has done in the name of Shakespeare. For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans. Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare's most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now. Instructive and witty, provocative and inspiring, this is ultimately Judi's love letter to Shakespeare, or rather, The Man Who Pays The Rent.

When young Julie Jefferson started to race her horse Bonnie under the colors of Fieldstone Farm, the future looked bright. There was the excitement of turning an untried filly into a racing horse, the trainers and jockeys who helped teach Julie the tricks of the trade, and the growing certainty that Bonnie was the stuff of which great champions were made. But suddenly everything changed. Someone was out to steal Bonnie, or else make sure the gallant filly would never win another race -- and dangerous illness darkened the horse's chances still further. It seemed that heartbreak waited at the finish line for Julie Jefferson and her dream -- until the courageous girl made a daring gamble in a story whose thrilling climax will leave readers gasping with surprise and delight. [from back cover]

In Edwardian England, aeroplanes are a new, magical invention, while female pilots are rare indeed. When shy Della Dobbs meets her mother's aunt, her life changes forever. Great Auntie Betty has come home from Kitty Hawk, North Carolina, across whose windswept dunes the Wright Brothers tested their historic flying machines. Della develops a burning ambition to fly and Betty is determined to help her. But the Great War is coming and it threatens to destroy everything - and everyone - Della loves. Uplifting and page-turning, THE WILD AIR is a story about love, loss and following your dreams against all odds.

As the Titanic and her passengers sank slowly into the Atlantic Ocean after striking an iceberg late in the evening of April 14, 1912, a nearby ship looked on. Second Officer Herbert Stone, in charge of the midnight watch on the SS Californian sitting idly a few miles north, saw the distress rockets that the Titanic fired. He alerted the captain, Stanley Lord, who was sleeping in the chartroom below, but Lord did not come to the bridge. Eight rockets were fired during the dark hours of the midnight watch, and eight rockets were ignored. The next morning, the Titanic was at the bottom of the sea and more than 1,500 people were dead. When they learned of the extent of the tragedy, Lord and Stone did everything they could to hide their role in the disaster, but pursued by newspapermen, lawyers, and political leaders in America and England, their terrible secret was eventually revealed. The Midnight Watch is a fictional telling of what may have occurred that night on the SS Californian, and the resulting desperation of Officer Stone and Captain Lord in the aftermath of their inaction. Told not only from the perspective of the SS Californian crew, but also through the eyes of a family of third-class passengers who perished in the disaster, the narrative is drawn together by Steadman, a tenacious Boston journalist who does not rest until the truth is found. The Midnight Watch is a powerful and dramatic debut novel--the result of many years of research in Liverpool, London, New York, and Boston, and informed by the author's own experiences as a ship's officer and a lawyer.

From the very first page of David Peace's first novel, 1974, it soon becomes clear that something is rotten in the state of Yorkshire: a young girl is missing. The Yorkshire Post's young but disillusioned crime correspondent, Edward Dunford, is assigned to the story, while also coping with the recent death of his father and his return to his native Yorkshire after a brief and unsuccessful stint in Fleet Street. For the jaded Dunford, it's just another story; the only intrigue is whether the girl will be found dead or alive before Christmas--that is, until she is discovered brutally murdered, face down in a ditch with a pair of swan's wings sewn into her back. As Dunford follows the case, he begins to make a series of terrifying connections with a string of child murders, plunging him into a gut-wrenching nightmare of corruption, violence, sadism, blackmail, and sexual obsession--from the upper echelons of local government to the tacky heart of Yorkshire darkness. As Peace's tale of corruption and conspiracy unravels, it becomes clear that 1974 is as influenced by Orwell's own bleak vision of Britain in 1984 as it is by the wonderfully evoked atmosphere of the mid '70s. The Bay City Rollers, Leeds United, It Ain't Half Hot Mum, and Vauxhall Viva's all make an appearance. The novel works at several levels, from the brilliantly unsentimental homecoming of the gifted, alienated northern son to a terrifyingly accurate portrayal of an insular, tribal community. The plot is complex and frenetic, and Peace often neglects loose ends, especially as he builds to an extremely powerful climax. Yet the dialogue is fast, witty, and violent; a must-read for fans of Yorkshire Gothic. --Jerry Brotton

"That's what I wanted to show in Aya: an Africa without the ... war and famine, an Africa that endures despite everything because, as we say back home, life goes on." --Marguerite Abouet Ivory Coast, 1978. Family and friends gather at Aya's house every evening to watch the country's first television ad campaign promoting the fortifying effects of Solibra, "the strong man's beer." It's a golden time, and the nation, too--an oasis of affluence and stability in West Africa--seems fueled by something wondrous. Who's to know that the Ivorian miracle is nearing its end? In the sun-warmed streets of working-class Yopougon, aka Yop City, holidays are around the corner, the open-air bars and discos are starting to fill up, and trouble of a different kind is about to raise eyebrows. At night, an empty table in the market square under the stars is all the privacy young lovers can hope for, and what happens there is soon everybody's business. Aya tells the story of its nineteen-year-old heroine, the studious and clear-sighted Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a breezy and wryly funny account of the desire for joy and freedom, and of the simple pleasures and private troubles of everyday life in Yop City. An unpretentious and gently humorous story of an Africa we rarely see-spirited, hopeful, and resilient--Aya won the 2006 award for Best First Album at the Angoulême International Comics Festival. Clément Oubrerie's warm colors and energetic, playful lines connect expressively with Marguerite Abouet's vibrant writing.

In this stunning and heartrending tale set in a Swaziland boarding school, two girls of different castes bond over a shared copy of Jane Eyre.Adele Joubert loves being one of the popular girls at Keziah Christian Academy. She knows the upcoming semester at school is going to be great with her best friend Delia at her side. Then Delia dumps her for a new girl with more money, and Adele is forced to share a room with Lottie, the school pariah, who doesn't pray and defies teachers' orders. But as they share a copy of Jane Eyre, Lottie's gruff exterior and honesty grow on Adele, and Lottie learns to be a little sweeter. Together, they take on bullies and protect each other from the vindictive and prejudiced teachers. Then a boy goes missing on campus and Adele and Lottie must rely on each other to solve the mystery and maybe learn the true meaning of friendship.

Elmwood Ranch is Octavia Daniel’s dream. A safe place to land after years on the road. But once she signs the paperwork and receives the keys, the nightmare begins. Shadows move on their own, strange accidents become the norm, and injured ranch hands refuse to work a second longer. Octavia doesn’t believe in ghosts, but she can’t deny something’s wrong with the land she’s sunk her entire savings into. Rae Jones is in the business of ending nightmares. She comes from a family of successful paranormal investigators. But she’s set herself apart from the Jones sisters by making their legacy into a commercial success. After years of enjoying said success, she’s hit a wall. Whether it’s burnout or a full-blown existential crisis, she doesn’t know. One way to try to avoid a downward spiral? Take every interesting job she can get. And that includes one from a very stand-offish, nonbelieving horse rancher who thinks she’s a scam artist and the things she hunts don’t exist. Octavia and Rae must figure out how to work together if they have any hope of solving what’s truly going on at Elmwood. As they build trust, they begin to build something more. Something that could either help or harm their chances of making it out of this haunting alive. The Case of Elmwood Ranch is a sapphic paranormal romance featuring bisexual leads. This book is intended for 18+ readers.