Life after crime from the Booker International finalist author of Elena Knows. Fifteen years after poisoning her husband’s lover, Ines is released from prison and left to put together a life. Her old friend Manca is out now too, and they decide to work together in pest control. But Señora Bonar, one of their clients, wants them to do more than kill bugs―she wants their expertise, and their criminal pasts, to help her kill her husband’s lover, too. Marital abuse, crimes against women, and crimes by women, worlds upended, mothers and daughters―this is classic Piñeiro, alive to all the ways institutions set us up to fail and to fail each other.

A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this "fast-paced and frightening debut" (Rachel Harrison) about the long shadows cast by family secrets, perfect for readers of Grady Hendrix or Ashley Audrain. Flora is a new mom enamored of her baby girl, Iris, even if she arrived a few weeks early. With her husband still deployed, Flora navigates the newborn stage alone. But as the sleepless nights pass in the loneliness of their half-empty home, the edges of her reality begin to blur. Just as Flora becomes convinced she is losing her mind, a surprising guest shows up: Flora’s own mother, to whom she hasn’t spoken in years. Can they mend their fraught relationship? Or is there more Flora’s mother isn’t telling her about the events that led to their estrangement? As stranger and scarier events unfold, Flora begins to suspect the house is not as empty as she once thought. She must determine: is her hold on reality slipping dangerously away? Or is she, in fact, the only thing standing between a terrifying visitor and her baby? 

A trailblazing, conversation-starting history of women's health--from the earliest medical ideas about women's illnesses to hormones and autoimmune diseases--brought together in a fascinating sweeping narrative. Elinor Cleghorn became an unwell woman ten years ago. She was diagnosed with an autoimmune disease after a long period of being told her symptoms were anything from psychosomatic to a possible pregnancy. As Elinor learned to live with her unpredictable disease she turned to history for answers, and found an enraging legacy of suffering, mystification, and misdiagnosis. In Unwell Women, Elinor Cleghorn traces the almost unbelievable history of how medicine has failed women by treating their bodies as alien and other, often to perilous effect. The result is an authoritative and groundbreaking exploration of the relationship between women and medical practice, from the wandering womb of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, menopause, and conditions like endometriosis. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy--and the men who controlled their fate--this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women who suffered so strides could be made, and shows how being unwell has become normalized in society and culture, where women have long been distrusted as reliable narrators of their own bodies and pain. But the time for real change is long overdue: answers reside in the body, in the testimonies of unwell women--and their lives depend on medicine learning to listen.

Other children get given xylophones. Susan just had to ask her grandfather to take his vest off. Yes. There's a Death in the family.It's hard to grow up normally when Grandfather rides a white horse and wields a scythe – especially when you have to take over the family business, and everyone mistakes you for the Tooth Fairy.And especially when you have to face the new and addictive music that has entered Discworld.It's lawless. It changes people.It's called "Music With Rocks In."It's got a beat and you can dance to it, but...It's ALIVE.And it won't fade away.

A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human. Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret. On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before. While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things. We don’t get visitors. Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

A senior citizens’ center and a daycare collide with hilarious results in the new ensemble comedy from New York Times-bestselling author Clare Pooley When Lydia takes a job running the Senior Citizens’ Social Club three afternoons a week, she assumes she’ll be spending her time drinking tea and playing gentle games of cards. The members of the Social Club, however, are not at all what Lydia was expecting. From Art, a failed actor turned kleptomaniac to Daphne, who has been hiding from her dark past for decades to Ruby, a Banksy-style knitter who gets revenge in yarn, these seniors look deceptively benign—but when age makes you invisible, secrets are so much easier to hide. When the city council threatens to sell the doomed community center building, the members of the Social Club join forces with their tiny friends in the daycare next door—as well as the teenaged father of one of the toddlers and a geriatric dog—to save the building. Together, this group’s unorthodox methods may actually work, as long as the police don’t catch up with them first.