The best memoirs are not just an account of a single life, but a guide to how to live. This isn’t because the writer has found all the answers to our oldest human questions; it’s because the writer honors us by telling the hardest truths. Michael Loughran’s Windower is a memoir of grief, an account of the years before and after losing his wife to suicide, a document of love’s impossible forms. It is a report back—tender and uncompromising—from a place we could call hell, the place where we outlive those we love. In this endlessly vivid and true book, we follow the narrator in his ongoing daily life—amid friends and family, work, falling in love again—even as he is pursued by the Furies of guilt, regret, and vicious despair. Windower is a vital book about being human amid loss, about how to go on in this devastating and beautiful world. Praise for Windower: “Windower is an essential addition to the grief canon. At once the memoir of an agonized man reeling from his wife’s suicide and of a man falling in love again; of the guilt and self-abasement a survivor accepts as penance for ordinary sins, and the thousand daily incursions of beauty which preempt his total self-destruction… In spite of its gravity, my predominant feeling reading this book was relief, relief that someone got it right, told the truth.” —Lisa Wells “Windower is an impressively understated yet harrowing demonstration of the truth of Nicholson Baker’s definition of poetry as ‘a controlled refinement of sobbing.’” —David Shields “Windower  is a raw, poetic, and deeply intimate exploration of the space where love and loss blur, each threatening to become the other. Through mythologies, daydreams, confessions, and ghosts, Loughran doesn't just document grief—he inhabits it. The result is a spare yet powerful meditation on what it means to be fully alive.” —Juliet Patterson “Windower has the remarkable ability to imagine as literal what we so often fear to be inexpressible. The result is a book full of startling image, an intricately plotted mechanism that builds until the last page.” —Thomas Mira y Lopez Bio: Michael Loughran’s work has appeared in Boston Review, Indiana Review, Harvard Review, Tin House, and elsewhere. He lives in Philadelphia and teaches at the Community College of Philadelphia.

Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ—the curse that has haunted the Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim. Diaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. A true literary triumph, The Brief Wondrous Life of Oscar Wao confirms Junot Diaz as one of the best and most exciting voices of our time.

Three estranged siblings return to their family home in New York after their beloved sister's death in this unforgettable story of grief, identity, and the complexities of family. The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left Avery, Bonnie, and Lucky reeling. A year later, as they each navigate grief, addiction, and ambition, they find they must return to New York to stop the sale of the apartment they were raised in. But coming home is never as easy as it seems. As the sisters reckon with the disappointments of their childhood and the loss of the only person who held them together, they realize the greatest secrets they've been keeping might not have been from each other, but from themselves.

The best memoirs are not just an account of a single life, but a guide to how to live. This isn’t because the writer has found all the answers to our oldest human questions; it’s because the writer honors us by telling the hardest truths. Michael Loughran’s Windower is a memoir of grief, an account of the years before and after losing his wife to suicide, a document of love’s impossible forms. It is a report back—tender and uncompromising—from a place we could call hell, the place where we outlive those we love. In this endlessly vivid and true book, we follow the narrator in his ongoing daily life—amid friends and family, work, falling in love again—even as he is pursued by the Furies of guilt, regret, and vicious despair. Windower is a vital book about being human amid loss, about how to go on in this devastating and beautiful world. Praise for Windower: “Windower is an essential addition to the grief canon. At once the memoir of an agonized man reeling from his wife’s suicide and of a man falling in love again; of the guilt and self-abasement a survivor accepts as penance for ordinary sins, and the thousand daily incursions of beauty which preempt his total self-destruction… In spite of its gravity, my predominant feeling reading this book was relief, relief that someone got it right, told the truth.” —Lisa Wells “Windower is an impressively understated yet harrowing demonstration of the truth of Nicholson Baker’s definition of poetry as ‘a controlled refinement of sobbing.’” —David Shields “Windower  is a raw, poetic, and deeply intimate exploration of the space where love and loss blur, each threatening to become the other. Through mythologies, daydreams, confessions, and ghosts, Loughran doesn't just document grief—he inhabits it. The result is a spare yet powerful meditation on what it means to be fully alive.” —Juliet Patterson “Windower has the remarkable ability to imagine as literal what we so often fear to be inexpressible. The result is a book full of startling image, an intricately plotted mechanism that builds until the last page.” —Thomas Mira y Lopez Bio: Michael Loughran’s work has appeared in Boston Review, Indiana Review, Harvard Review, Tin House, and elsewhere. He lives in Philadelphia and teaches at the Community College of Philadelphia.

Winner of the 2020 James Laughlin Award from the Academy of American Poets Layered, complex, and infinitely compelling, Chet'la Sebree's Field Study is a daring exploration of the self and our interactions with others--a meditation on desire, race, loss and survival. --Natasha Trethewey, Pulitzer Prize-winning author of Memorial DriveChet'la Sebree's Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society's eraser shards--bits used to fix other people's sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet'la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree's control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers--Audre Lorde, Maya Angelou, Tressie McMillan Cottom--that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. "Even as I accrue these notes," Sebree writes, "I'm still not sure I've found the pulse." A poem of love, heartbreak, womanhood, art, sex, Blackness, and America--sometimes all at once--Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.

You, dear reader, continue at your own risk. It is not for the faint of heart—no more so than the study of dragons itself. But such study offers rewards beyond compare: to stand in a dragon's presence, even for the briefest of moments—even at the risk of one's life—is a delight that, once experienced, can never be forgotten. . . . All the world, from Scirland to the farthest reaches of Eriga, know Isabella, Lady Trent, to be the world's preeminent dragon naturalist. She is the remarkable woman who brought the study of dragons out of the misty shadows of myth and misunderstanding into the clear light of modern science. But before she became the illustrious figure we know today, there was a bookish young woman whose passion for learning, natural history, and, yes, dragons defied the stifling conventions of her day. Here at last, in her own words, is the true story of a pioneering spirit who risked her reputation, her prospects, and her fragile flesh and bone to satisfy her scientific curiosity; of how she sought true love and happiness despite her lamentable eccentricities; and of her thrilling expedition to the perilous mountains of Vystrana, where she made the first of many historic discoveries that would change the world forever.

Garfield Logan has spent his entire life being overlooked. Even in a small town like Eden, Georgia, the 17-year-old with green streaks in his hair can’t find a way to stand out–and the clock is ticking. Senior year is almost over. If Gar doesn’t find a way to impress the Chosen Ones–the social elite at Bull Creek High School–he will never know what it’s like to matter. Gar’s best friends, Stella and Tank, don’t understand why he cares what other people think. They miss their funny, pizza-loving, video game-obsessed best friend. Then Gar accepts a wild dare out of the blue. It impresses the Chosen Ones and his social status soars. But other things are changing, too. Gar grows six inches overnight. His voice drops and, suddenly, he’s stronger and faster. He’s finally getting everything he wanted, but his newfound popularity comes at a price. Gar has to work harder to impress his new friends. The dares keep getting bigger and the stakes keep getting higher. When Gar realizes the extent of his physical changes, he has to dig deep and face the truth about himself–and the people who truly matter–before his life spirals out of control.

Out on the road, no one speaks, everything talks. Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue. As disturbing news arrives of a pandemic sweeping the country, Jean realises this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals — first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin. Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen if - for better or worse - we finally understood what animals were saying.

Winner of the 2020 James Laughlin Award from the Academy of American Poets Layered, complex, and infinitely compelling, Chet'la Sebree's Field Study is a daring exploration of the self and our interactions with others--a meditation on desire, race, loss and survival. --Natasha Trethewey, Pulitzer Prize-winning author of Memorial DriveChet'la Sebree's Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society's eraser shards--bits used to fix other people's sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet'la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree's control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers--Audre Lorde, Maya Angelou, Tressie McMillan Cottom--that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. "Even as I accrue these notes," Sebree writes, "I'm still not sure I've found the pulse." A poem of love, heartbreak, womanhood, art, sex, Blackness, and America--sometimes all at once--Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.

Narnia… the land beyond the wardrobe door, a secret place frozen in eternal winter, a magical country waiting to be set free. Lucy is the first to find the secret of the wardrobe in the professor's mysterious old house. At first her brothers and sister don't believe her when she tells of her visit to the land of Narnia. But soon Edmund, then Peter and Susan step through the wardrobe themselves. In Narnia they find a country buried under the evil enchantment of the White Witch. When they meet the Lion Aslan, they realize they've been called to a great adventure and bravely join the battle to free Narnia from the Witch's sinister spell.

The secret passage to the house next door leads to a fascinating adventure NARNIA...where the woods are thick and cold, where Talking Beasts are called to life...a new world where the adventure begins. Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.

Taken from the poverty of her parents' home in Portsmouth, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank and with her cousin Edmund as her sole ally. During her uncle's absence in Antigua, the Crawford's arrive in the neighbourhood bringing with them the glamour of London life and a reckless taste for flirtation. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.

Welcome to Rivers Solomon's dark and wondrous Model Home, a new kind of haunted-house novel. The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned. As adults, the siblings could finally get away from the horrors of home, leaving their parents all alone in the house. But when news of their parents' death arrives, Ezri is forced to return to Texas with their sisters, Eve and Emanuelle, to reckon with their family’s past and present, and to find out what happened while they were away. It was not a “natural” death for their parents . . . but was it supernatural? Rivers Solomon turns the haunted-house story on its head, unearthing the dark legacies of segregation and racism in the suburban American South. Unbridled, raw, and daring, Model Home is the story of secret histories uncovered, and of a queer family battling for their right to live, grieve, and heal amid the terrors of contemporary American life.

Ulysses is a modernist novel by Irish writer James Joyce. It was first serialized in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement." According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking". Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature. Since its publication, the book has attracted controversy and scrutiny, ranging from an obscenity trial in the United States in 1921 to protracted textual "Joyce Wars." The novel's stream-of-consciousness technique, careful structuring, and experimental prose—replete with puns, parodies, and allusions—as well as its rich characterisation and broad humour have led it to be regarded as one of the greatest literary works in history; Joyce fans worldwide now celebrate 16 June as Bloomsday.'

The secret passage to the house next door leads to a fascinating adventure NARNIA...where the woods are thick and cold, where Talking Beasts are called to life...a new world where the adventure begins. Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.