Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the King’s favored assassin. When a mysterious figure called the Shadow starts making moves against the Crown, Keera is forced to hunt the masked menace down. She crosses into the magical lands of the Fae, trying to discern if her enemy is Mortal, Elf, or a Halfling like her. But the Faeland is not what it seems, and neither is the Shadow. Keera is shocked by what she discovers and can’t help but wonder who her enemy truly is… The King that destroyed her people? The Prince that tortures them? Or the Shadow that threatens her place at court? As she searches for answers, Keera is haunted by a promise she made long ago. A promise not only to save herself but an entire kingdom.

Welcome to the Gun Show! The top ten list is populated. The sponsorship program is open. The difficulty is ramping up. The first three floors were nothing compared to what Carl and Donut now face. The Iron Tangle. An impossibly-complicated subway system built out of the world's subterranean railway systems, all combined and then tied together into a knot. Up is down. Down is up. Close is far. The cars are filled with monsters, the railway stations are less than safe, and the exit is always just a few stops away. But there is hope. For the first time, the crawlers are all working together. The loot is better than ever. And the secret to unraveling it all may be hidden in the pages of a seemingly-useless book. Welcome, crawlers. Welcome to the fourth floor of the dungeon.

Do werewolves exist? That’s the question skeptical cryptozoologist Morgan Carter has to answer in the latest entry in this USA Today bestselling mystery series. The discovery of a dead body along Bray Road in Wisconsin sparks rumors of The Beast of Bray Road, a werewolf-like creature that is said to inhabit the area. The dead woman has been mutilated by some kind of large animal. The community is convinced that the legendary beast is not only real but responsible for this brutal killing. In an effort to prove them wrong, the police bring in cryptozoologist Morgan Carter, who soon finds that the mystery runs considerably deeper than whether or not one mythical predator is on the prowl.

An anthropologist working with forensic teams and victims' families to investigate crimes against humanity in Latin America explores what science can tell us about the lives of the dead in this haunting account of grief, the power of ritual, and a quest for justice. "Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration--of building something new with the 'pile of broken mirrors' that is memory, loss, and mourning." Throughout Guatemala's thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina's military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights. In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for marks of torture and fatal wounds--hands bound by rope, machete cuts--and also for signs of identity: how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, forensics not only offers proof of mass atrocity but also tells the story of each life lost. Working with forensic teams at mass grave sites and in labs, Hagerty discovers how bones bear witness to crimes against humanity and how exhumation can bring families meaning after unimaginable loss. She also comes to see how cutting-edge science can act as ritual--a way of caring for the dead with symbolic force that can repair societies torn apart by violence. Weaving together powerful stories about investigative breakthroughs, histories of violence and resistance, and her own forensic coming-of-age, Hagerty crafts a moving portrait of the living and the dead.

Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast. Yeah, this plan is... not going to work.