We take journeys to explore exotic new places and to return to the comforts of home, to visit old acquaintances and to make new friends. But the most important journey is the one that shows us how to follow our hearts... An instant international bestseller and indie bestseller, The Travelling Cat Chronicles has charmed readers around the world. With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe... With his crooked tail—a sign of good fortune—and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.

“If you struggle with that screensaver type of anxiety that’s always on…this book will feel like coming up for air. Read it and get free.” —Katherine Morgan Schafler, psychotherapist and author of The Perfectionist’s Guide to Losing Control From psychotherapist and social media star Meg Josephson, a groundbreaking exploration of people-pleasing as an under-recognized but common trauma response, that also offers a compassionate and actionable path for healing. Are you... - Constantly worried about what people think of you, if they like you, if they’re mad at you? - Anxious, a perfectionist, or an overachiever? - Always overextending yourself (and then resentful)? - Someone who avoids conflict at all costs? - Fearful of getting into trouble or being seen as “bad”? - Silencing your needs for the comfort and happiness of everyone else? - Prone to overexplain or over apologize? - Eternally obsessing over why someone texted with a period instead of an exclamation point? It’s time to stop surviving and start thriving. Meg Josephson, MSW, will tell you how. In Are You Mad at Me?, Josephson explodes the idea that people-pleasing is a personality trait. Instead, she illuminates how it’s actually a common trauma response (also known as “fawning”): an instinct often learned in childhood to become more appealing to a perceived threat in order to feel safe. Yet many people are stuck in this way of being for their whole lives. Meg weaves her own moving story, fascinating patient case studies, and thought-provoking exercises to show readers how to: - Identify all the roles you might play—from peacekeeper to performer to caretaker to perfectionist to lone wolf to chameleon—that keep you far from yourself. - Stop fearing your thoughts and emotions, even if they’re unpleasant. - Rethink conflict and boundaries as an opening for deeper connection. - Practice “leaning back” in relationships.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists -- he a photographer, she a dancer -- trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day.

In this prequel to the bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls. #1 New York Times bestseller! It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking. Told with acclaimed author Adam Silvera’s signature bittersweet touch, this story celebrates the lasting impact that people have on each other and proves that life is always worth living to the fullest.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

While the Titanic and Lusitania are both well-documented disasters, the single greatest tragedy in maritime history is the little-known January 30, 1945 sinking in the Baltic Sea by a Soviet submarine of the Wilhelm Gustloff, a German cruise liner that was supposed to ferry wartime personnel and refugees to safety from the advancing Red Army. The ship was overcrowded with more than 10,500 passengers — the intended capacity was approximately 1,800 — and more than 9,000 people, including 5,000 children, lost their lives. Sepetys (writer of 'Between Shades of Gray') crafts four fictionalized but historically accurate voices to convey the real-life tragedy. Joana, a Lithuanian with nursing experience; Florian, a Prussian soldier fleeing the Nazis with stolen treasure; and Emilia, a Polish girl close to the end of her pregnancy, converge on their escape journeys as Russian troops advance; each will eventually meet Albert, a Nazi peon with delusions of grandeur, assigned to the Gustloff decks.

Tidings of a shrinking middle class in one part of the world and its expansion in another absorb our attention, but seldom do we question the category itself. We Have Never Been Middle Class proposes that the middle class is an ideology. Tracing this ideology up to the age of financialisation, it exposes the fallacy in the belief that we can all ascend or descend as a result of our aspirational and precautionary investments in property and education. Ethnographic accounts from Germany, Israel, the United States and elsewhere illustrate how this belief orients us, in our private lives as much as in our politics, toward accumulation-enhancing yet self-undermining goals. This meshing of anthropology and critical theory elucidates capitalism by way of its archetypal actors.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

As old white men continue to dominate the national and international stages, the needs of women and minorities are constantly ignored. International politics are shaped by a ruthless competition for advantage, and the world is full of conflicts, crises and wars. Things have to change. Activist and political scientist Kristina Lunz is on a mission to do just that. In her work from New York to Bogotá, from Germany to Myanmar, she became aware of a stubborn unwillingness to think past the status quo and to embrace new, innovative voices from marginalized groups. She also saw that the tradition of feminist activism combined brilliantly with both require grim tenacity, boundless creativity and a solutions-oriented approach. In her attempt to reconfigure the field of foreign policy, she aims to set in motion a paradigm shift, replacing grandiose displays of military might with feminism, solidarity and climate justice.  A feminist foreign policy requires the promotion of equal rights in the handling of foreign affairs and security matters worldwide, with a particular focus on marginalized and politically underrepresented groups. Ultimately, this is nothing less than an inclusive, visionary policy for the twenty-first century, one where security and prosperity, health and climate justice are possible – in other where peace is possible for everyone, everywhere.

American diplomacy is under siege. Offices across the State Department sit empty, while abroad the military-industrial complex has assumed the work once undertaken by peacemakers. We’re becoming a nation that shoots first and asks questions later. In an astonishing account ranging from Washington, D.C., to Afghanistan, Pakistan, and North Korea in the years since 9/11, acclaimed journalist and former diplomat Ronan Farrow illuminates one of the most consequential and poorly understood changes in American history. His firsthand experience in the State Department affords a personal look at some of the last standard-bearers of traditional statecraft, including Richard Holbrooke, who made peace in Bosnia and died while trying to do so in Afghanistan. Farrow’s narrative is richly informed by interviews with whistleblowers, policymakers, and a warlord, from Henry Kissinger to Hillary Clinton. Diplomacy, Farrow argues, has declined after decades of political cowardice, short-sightedness, and outright malice—but it may just offer America a way out of a world at war.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

We take journeys to explore exotic new places and to return to the comforts of home, to visit old acquaintances and to make new friends. But the most important journey is the one that shows us how to follow our hearts... An instant international bestseller and indie bestseller, The Travelling Cat Chronicles has charmed readers around the world. With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe... With his crooked tail—a sign of good fortune—and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.