The Renegades Trilogy continues, in this fiercely awaited second installment after the New York Times-bestselling Renegades by Marissa Meyer, author of the Lunar Chronicles. Time is running out. Together, they can save the world. But they each other's worst nightmare. In Renegades, Nova and Adrian (aka Insomnia and Sketch) fought the battle of their lives against the Anarchist known as the Detonator. It was a short-lived victory. The Anarchists still have a secret weapon, one that Nova believes will protect her. The Renegades also have a strategy for overpowering the Anarchists, but both Nova and Adrian understand that it could mean the end of Gatlon City - and the world - as they know it.

Mia's grief counselling practice, The Pleiades, is named for the seven sisters from Greek mythology who were the companions of the Goddess of the Hunt—and who, in some stories, die of grief or are killed to be saved from attackers. Mia has been gathering broken women together for a radical form of group therapy. Amy. Gabrielle. Katy. Brooke. Olivia. Five women crippled with grief by the murders of their sisters—and seething with rage that the partners who killed them all walk free. She just needs one more. When Mia meets Naomi, she knows she has found the perfect candidate, but Naomi is resistant. She only needs to meet the others before she realizes that they, too, are consumed with desire for hands-on revenge. Under Mia's guidance, the women devise a plan to heal themselves. They'll take back their lives from the men who took their sisters. The premise is satisfyingly I'll kill yours if you kill mine...

An alternate cover edition of ISBN 9781982156121 can be found here. In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance. Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. What’s worse is she can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with their angelic daughter Harriet does Frida finally feel she’s attained the perfection expected of her. Harriet may be all she has, but she’s just enough. Until Frida has a horrible day. The state has its eyes on mothers like Frida — ones who check their phones while their kids are on the playground; who let their children walk home alone; in other words, mothers who only have one lapse of judgement. Now, a host of government officials will determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion. Faced with the possibility of losing Harriet, Frida must prove that she can live up to the standards set for mothers — that she can learn to be good. This propulsive, witty page-turner explores the perils of “perfect” upper-middle-class parenting, the violence enacted upon women by the state and each other, and the boundless love a mother has for her daughter.