Her city is under siege. The zombies are coming back. And all Nona wants is a birthday party. In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona's not like other people. Six months ago she woke up in a stranger's body, and she's afraid she might have to give it back. The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever. And each night, Nona dreams of a woman with a skull-painted face...

Emily and her mum were always lucky. But Emily’s mum’s luck ran out three years ago when she succumbed to cancer, and nothing has felt right since. Now, the summer before her senior year, things are worse than ever – Emily has wrecked things with her boyfriend, Matt, and her dad is selling the house she grew up in and giving her mum’s belongings away. The only person she has to talk to is Blake, a girl she barely knows since she and her dad moved back to town five seconds ago. But that’s when Emily finds the list – her mum’s senior year summer bucket list – buried in the back of her closet. When Blake suggests that Emily take it on as a challenge, the two set off on a journey to tick each box and help Emily face her fears over losing her connection to her mum. As she starts to feel closer to her mother, so too does Emily’s bond with Blake deepen into something she wasn't expecting. And suddenly Emily must face another fear: accepting the secret part of herself she never got a chance to share with the person who knew her best.

Una novela épica de acción y aventura en un Puerto Rico postapocalíptico En un futuro Puerto Rico postapocalíptico, todo se ha perdido. La tecnología. La civilización. La historia. Diego, un joven obsesionado con el pasado, anhela descubrir todos los secretos que el tiempo ha enterrado. Desesperado por respuestas, comete un crimen para adentrarse a las ruinas de la civilización avanzada. Y respuestas encuentra , pero jamás las que él se hubiese imaginado. Su inocente expedición toma un giro inesperado cuando un suceso terrible lo condena a un doloroso camino de venganza, violencia y autorreflexión. Arrastrado a una cíclica guerra entre una tribu de rebeldes y unos invasores que buscan dominar la isla, el destino de una nación olvidada quedará en sus manos. Mezcla fascinante de intriga, herencia taína, acción y aventura, La tercera rebelión es el inicio de una saga épica que busca cautivar una nueva generación de lectores para impulsar el sci-fi y la fantasía del Caribe.

The powerful, untold story of the 1950 revolution in Puerto Rico and the long history of U.S. intervention on the island, that the New York Times says "could not be more timely." In 1950, after over fifty years of military occupation and colonial rule, the Nationalist Party of Puerto Rico staged an unsuccessful armed insurrection against the United States. Violence swept through the assassins were sent to kill President Harry Truman, gunfights roared in eight towns, police stations and post offices were burned down. In order to suppress this uprising, the US Army deployed thousands of troops and bombarded two towns, marking the first time in history that the US government bombed its own citizens. Nelson A. Denis tells this powerful story through the controversial life of Pedro Albizu Campos, who served as the president of the Nationalist Party. A lawyer, chemical engineer, and the first Puerto Rican to graduate from Harvard Law School, Albizu Campos was imprisoned for twenty-five years and died under mysterious circumstances. By tracing his life and death, Denis shows how the journey of Albizu Campos is part of a larger story of Puerto Rico and US colonialism. Through oral histories, personal interviews, eyewitness accounts, congressional testimony, and recently declassified FBI files, War Against All Puerto Ricans tells the story of a forgotten revolution and its context in Puerto Rico's history, from the US invasion in 1898 to the modern-day struggle for self-determination. Denis provides an unflinching account of the gunfights, prison riots, political intrigue, FBI and CIA covert activity, and mass hysteria that accompanied this tumultuous period in Puerto Rican history.

Ten years ago, the kingdom of Jasad burned. Its magic outlawed; its royal family murdered down to the last child. At least, that’s what Sylvia wants people to believe. The lost Heir of Jasad, Sylvia never wants to be found. She can’t think about how Nizahl’s armies laid waste to her kingdom and continue to hunt its people—not if she wants to stay alive. But when Arin, the Nizahl Heir, tracks a group of Jasadi rebels to her village, staying one step ahead of death gets trickier. In a moment of anger Sylvia’s magic is exposed, capturing Arin’s attention. Now, to save her life, Sylvia will have to make a deal with her greatest enemy. If she helps him lure the rebels, she’ll escape persecution. A deadly game begins. Sylvia can’t let Arin discover her identity even as hatred shifts into something more. Soon, Sylvia will have to choose between the life she wants and the one she left behind. The scorched kingdom is rising, and it needs a queen. In this Egyptian-inspired debut fantasy, a fugitive queen strikes a deadly bargain with her greatest enemy and finds herself embroiled in a complex game that could resurrect her scorched kingdom or leave it in ashes forever.

In this epic and seductive gothic fantasy, a vampire escapes the thrall of Dracula and embarks on her own search for self-discovery and true love. Her name was written in the pages of someone else's story: Lucy Westenra was one of Dracula's first victims. But her death was only the beginning. Lucy rose from the grave a vampire, and has spent her immortal life trying to escape from Dracula's clutches--and trying to discover who she really is and what she truly wants. Her undead life takes an unexpected turn when, in twenty-first-century London, she meets another woman who is also yearning to break free from her past. Iris’s family has built a health empire based on a sinister secret, and they’ll do anything to stay in power. Lucy has long believed she would never love again. But she finds herself compelled by the charming Iris, while Iris is mesmerized by the confident and glamorous Lucy. But their intense connection and blossoming love is threatened by forces from without. Iris's mother won't let go of her without a fight, and Lucy's past still has fangs: Dracula is on the prowl again. Lucy Westenra has been a tragically murdered teen, a lonesome adventurer, and a fearsome hunter, but happiness always eluded her. Can she find the strength to destroy Dracula once and for all, or will her heart once again be her undoing?

Samara Breger's A Long Time Dead is a lush, Victorian romance, drenched in blood and drama, about the lengths two women will go to secure a love that cannot die. Somewhere foggy, 1837 . . . Poppy had always loved the night, which is why it wasn’t too much of a bother to wake one evening in an unfamiliar home far from London, weak and confused and plagued with a terrible thirst for blood, to learn that she could no longer step out into the day. And while vampirism presented several disadvantages, it more than made up for those in its benefits: immortality, a body that could run at speed for hours without tiring, the thrill of becoming a predator, the thing that pulls rabbits from bushes and tears through their fur and flesh with the sharp point of a white fang. And, of course, Roisin. The mysterious woman who has lived for centuries, who held Poppy through her painful transformation, and who, for some reason, is now teaching her how to adjust to her new, endless life. A tight, lonely, buttoned-up woman, with kindness and care, pressed up behind her teeth. The time they spend together is as transformative to Poppy as the changes in her body, and soon, she finds herself hopelessly, overwhelmingly attached. But Roisin has secrets of her own, and can’t make any promises; not when vengeance must be served. Soon, their little world explodes. Together and apart, they encounter scores of vampires, shifty pirates, conniving opera singers, ancient nobles, glamorous French women, and a found family that throws a very particular sort of party. But overhead, threat looms—one woman who is capable of destroying everything Poppy and Roisin hold dear.

Read the original inspiration for the new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino. Winner of the Pulitzer Prize and the National Book Award A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love. “Reading The Color Purple was the first time I had seen Southern, Black women’s literature as world literature. In writing us into the world—bravely, unapologetically, and honestly—Alice Walker has given us a gift we will never be able to repay.” —Tayari Jones “The Color Purple was what church should have been, what honest familial reckoning could have been, and it is still the only art object in the world by which all three generations of Black artists in my family judge American art.” —Kiese Laymon