A bold and inventive novel about real romance in the virtual workplace—​bringing Castillo's trademark wit and sharp cultural criticism to an irresistible story about the possible future of love.Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction. Despite the isolation that virtual reality requires from colleagues, friends, and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. She doesn't have to think about the childhood home they lost back in the Bay Area, or history at all—she can just pay any debts that come due. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer) and slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.

A Chinese American woman spins tragedy into comedy when her life falls apart in a taut, wry debut novel that grapples with grief, motherhood, and myths—perfect for fans of Joan Is Okay and Crying in H Mart.A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her own mother, in an attempt to make them fall in love with their shared culture—and to maybe save herself in the process. In the style of Jenny Offill and the tradition of Nora Ephron’s hilarious and devastating writing on heartbreak and womanhood, Maggie is a master class in transforming personal tragedy into a form of defiant comedy.

「俺に教えてくんない　ロマンチックってやつ」 幼稚園の時のファーストキスがきっかけで、人生にロマンスを求めるようになった熊森。 高２になって、初キスの相手「たじまきょうへい」くんと運命の再会！？ と思いきや、同姓同名の別人！ しかも田島くんは、超ドライで熊森の言うことなすこと、否定してばかり。 分かり合えないと思ってたのに、本当の彼は優しくて…。 田島君といると、なんでもないことでもドキドキしちゃうのはなんで！？ ロマンチスト女子×超ドライ男子のトキメキ２００％ラブ、開幕！！

目立たず、いてもいなくても変わらない存在だった藤ヶ谷咲（ふじがや さく）。咲は、ある日電車で「桜」という名前の人に助けられたことをきっかけに、自分も困っている人をほっておかないと心に決める。時は流れ、入学した高校で「桜」と呼ばれる男の子に出会って…!?　ピュアで切ない恋のつぼみが今、開きはじめる――！

A deeply researched and highly readable cultural history of queer women’s lives in the second half of the twentieth century, told through six iconic spaces For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own , journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore. Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women’s spaces of the ’70s toward today’s more inclusive yet more diffuse LGBTQ+ communities. At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history—and timeless present—of the lesbian community to vivid life.

“Generation Dread is a vital and deeply compelling read.”—Adam McKay, award-winning writer, director, and producer (Vice, Succession, Don’t Look Up)“Read this courageous book.”—Naomi Klein, author of This Changes Everything “Wray shows finally that meaningful living is possible even in the face of that which threatens to extinguish life itself.”—Dr. Gabor Maté, author of When the Body Says NoWhen we’re faced with record-breaking temperatures, worsening wildfires, more severe storms, and other devastating effects of climate change, feelings of anxiety and despair are normal. In Generation Dread, Britt Wray reminds us that our distress is, at its heart, a sign of our connection to and love for the world. The first step toward becoming a steward of the planet is connecting with our climate emotions—seeing them as a sign of our humanity and empathy and learning how to live with them. Britt Wray, a scientist and expert on the psychological impacts of the climate crisis, brilliantly weaves together research, insight from climate-aware therapists, and personal experience, to illuminate how we can connect with others, find purpose, and thrive in a warming, climate-unsettled world.

A bombshell bestseller in Japan, a provocative, defiant debut novel about a young woman in a care home seeking autonomy and the full possibilities of her life. Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka's physical life is limited, her quick, mischievous mind has no she takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“If I were to live again, I’d want to be a highclass prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor. To her surprise—and ours—her new nurse accepts the dare, unleashing a series of events that will forever change Shaka's sense of herself as a woman in the world. Hunchback has shaken Japanese literary culture with its skillful depiction of the physical body and unrepentant humor. Winner of the prestigious Akutagawa Prize, it's a feminist story about the dignity of an individual who insist on her right to make choices for herself, no matter the consequences. Formally creative and refreshingly unsentimental, Hunchback depicts the joy, anger, and desires of a woman demanding autonomy in a world that doesn't aways always grant it to people like her. Full of wit, bite, and heart, this unforgettable novel reminds us all of the full potential of our lives, no matter the limitations we experience.

ちょろくて異性のなにげない言動にときめきがちな高校生・大野なな。 自分には現実の恋より少女漫画だと思っていたのに、ある日クラスメイトのヤンキー・巣鷹からなぜか告白されてしまう！ 戸惑うななだけど、ド直球な巣鷹にドキドキさせられっぱなしで……!? このヤンキー男子が甘すぎる～～！！ 全ちょろ女子がキュン必至！　笑えてときめく、ちょろキュンラブコメ第１巻！

Look at these two. They have been sure that their fate is in their own hands – they have been desperate to believe this – and now they are learning it is not. The ending is a pivotal moment in their story. ***** Noa is desperate to be loved. More than anything else – more than her studies, more than her job, her friends, her family – she wants to belong to someone. And she knows if this can happen, if someone will just choose her, she’ll finally be happy. Elliot is terrified. Terrified about what will happen to his brother, Willy, if he isn’t there to keep him safe. Terrified that his friends will find out that he doesn’t have any of his own opinions. Terrified that the girl he loves will realise he isn’t a real person. When they meet, Noa and Elliot have an immediate connection. And each of them hopes their great love might be enough to quiet the voices that tell them they’re not enough. But is it possible to love another person when you have no idea how to love yourself? It Might Never Happen is a beautiful, painful, brutally relatable novel about the ways that love tears us apart, again and again. About fearing for the worst – and how we pick ourselves up when it happens. Perfect for fans of Talking at Night, Ordinary Love or Milk Teeth.

A bold and inventive novel about real romance in the virtual workplace—​bringing Castillo's trademark wit and sharp cultural criticism to an irresistible story about the possible future of love.Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction. Despite the isolation that virtual reality requires from colleagues, friends, and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. She doesn't have to think about the childhood home they lost back in the Bay Area, or history at all—she can just pay any debts that come due. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer) and slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.