A provocative novel about intimacy, love, and consent, following an increasingly obsessive radio host who tests boundaries she didn’t know existed Olive is desperate to get close to Theo—really, really close. She’s always struggled to connect with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social clues and find a way to be less alone. Then Theo turns up for a shift at the same food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former soccer player, and possibly as weird as Olive. For the first time, someone seems to crave and understand her. Every recording Olive makes of Theo is a balm, which just makes her more afraid of losing him. The only solution seems to be to bind him to her forever. Luckily, the gap between Theo’s front teeth is just wide enough for something—or someone—to slip inside. Arresting and immersive, Open Wide explores the boundaries of love and the body, as universal human impulses bleed into the surreal.

Honestly, sometimes I think it’s the only recourse. Killing men in times like these.Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Winner of the Golden Poppy Octavia E. Butler Award! A Bram Stoker and Splatterpunk Award Nominee! One of Esquire's Best Horror Books of the Year! An Indie Next Pick! "This is gory and brutal and beautiful and painful and terrifying and a pure delight."—Stephen Graham Jones A provocative and unforgettable debut that is both a blood-soaked love letter to Los Angeles and a gleeful send-up to iconic horror villains, Maeve Fly will thrill fans of slashers and the macabre. By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess. By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes. But when Gideon Green - her best friend’s brother - moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet. Untethered, Maeve ditches her discontented act and tries on a new persona. A bolder, bloodier one, inspired by the pages of American Psycho. Step aside Patrick Bateman, it’s Maeve’s turn with the knife. "An apocalyptic Anaheim Psycho." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House

From Chuck Tingle, USA Today bestselling author of Bury Your Gays, comes Fabulous Bodies, a supernatural joyride where Drive meets Beetlejuice. Fashion influencer by day and grave-robber by night, Poppy Stringer is on call when Eddie Michaels—a flamboyant, piano-slamming rockstar and queer icon—unexpectedly dies. All Poppy has to do is retrieve Eddie’s body from the medical examiner’s office, but what starts as a routine delivery quickly goes off course when Eddie wakes up. Poppy must fight for her life in a blood-soaked night of carnage and fabulous entertainment all across Palm Springs. Also by Chuck Lucky Day Bury Your Gays Camp Damascus Straight

Revenge me. For I am murdered . . . Odette and her best friend, Cecilia, grow up between two grand homes, one in Hampstead and one in Suffolk, the ancient and imposing Herne House. Odette’s mother, Lydia, is almost parasitic in her neediness, but despite her, Odette and Cecilia come of age together—free to roam, to learn, and to love. When Lydia inexplicably sickens and dies, a dark veil falls. Odette’s father retreats to his study, while her aunt—the cold and cruel Claudine—increasingly takes charge of the household. Lost in grief and spiraling into madness, Odette disappears into the shadows, leaving Cecilia alone and with her affections tested. As Claudine is announced as Odette’s new stepmother, the girls reckon with this final betrayal, and a sinister presence awakens. To her horror, Odette realizes that her mother never truly left. She now haunts the manor, ready to drag long- held secrets into the light and exact revenge against those who thought her dead and gone. A visceral tale of grief and madness, Rottenheart exhumes the heart of Hamlet to tell a fearless queer love story laced with an unforgettable haunting, asking whether we can truly outrun our suffering, or if we are forever indebted to the vengeful dead.

Schoolteacher Rosy Winter is dying. But, beyond the homeopathic remedies, the dinner party obligations, the snatched whispers on wards and in staffrooms, a force - murderous, feminine, feverish - is stirring within her. A story of power and powerlessness, light and dark, life and death, Mrs Jekyll embraces the paradoxes and paroxysms of modern womanhood, in a story every bit as gripping as the original.

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

One day, the mother was a mother but then, one night, she was quite suddenly something else... At home full-time with her two-year-old son, an artist finds she is struggling. She is lonely and exhausted. She had imagined - what was it she had imagined? Her husband, always travelling for his work, calls her from faraway hotel rooms. One more toddler bedtime, and she fears she might lose her mind. Instead, quite suddenly, she starts gaining things, surprising things that happen one night when her child will not sleep. Sharper canines. Strange new patches of hair. New appetites, new instincts. And from deep within herself, a new voice... With its clear eyes on contemporary womanhood and sharp take on structures of power, Nightbitch is an outrageously original, joyfully subversive read that will make you want to howl in laughter and recognition. Addictive enough to be devoured in one sitting, this is an unforgettable novel from a blazing new talent.

Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here. Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories. These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved. Collects: —The Yellow Wallpaper —Three Thanksgivings —The Cottagette —Turned —Making a Change —If I Were a Man —Mr. Peebles' Heart