“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

When a demonic presence awakens deep in a Mexican silver mine, the young woman it seizes must turn to the one man she shouldn’t trust… from bestselling author Isabel Cañas. In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong. Elías, haunted by a troubled past, came to the New World to make his fortune and escape his family’s legacy of greed. Alba, as his cousin’s betrothed, is none of his business. Which is of course why he can’t help but notice her every time she enters a room or the growing tension between them… and why he notices her deteriorate when the demon’s thirst for blood grows stronger.

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this one-of-a-kind fairy tale inspired by Mexican folklore. The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Alternate cover edition of ISBN 9780525620754

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…