A vibrant debut and powerful meditation on family, motherhood, and the cost of holding on to your dreams, reminiscent of Ann Napolitano. It’s 1997, and snow is blanketing a New England beach. Two befuddled seven-year-olds watch as their mother’s body is tipped overboard a crumbling boat. A Viking funeral, followed by a raucous wake. A send-off fit for soap opera star Susan Bliss. Fifteen years earlier, Susan is a blazing, beautiful young woman, passionate about her art. It’s impossible not to fall in love with her, and so Alcott, a practical professor, does—hopelessly. And so begins the love story of Susan’s two-paneled life, an unconventional, jetlag-filled arrangement that takes her back and forth between her home in New England as a wife and mother to young twins, and the bright lights of soapy Los Angeles. In the present, Susan’s twins grow up in the shadow of her all-consuming absence. Sebastian, a sensitive artist, cleaves to her memory, fascinated with the artifacts of her starry past. Viola, resentful of her mother’s torn allegiances, distances herself from the memories of her. But when Viola runs into her mother’s old costar Orson Grey—now a renowned Hollywood star—she finds herself falling deeply in love with him and begins to put together the pieces of a mother she never really knew. Sharp, assured, and beautifully written, Family Drama is a story told in double-helix, with intertwined timelines that explore the different versions of ourselves we share with the world and with each other.

Val—a deadly assassin wrestling with their suppressed heart of gold—will do anything to get their sisters back from a notorious gang of outlaws they double-crossed, even if it means teaming up with their ex-childhood-best-friend who broke their heart. This action-packed heist with a morally gray, nonbinary main character at its center is perfect for fans of HELL FOLLOWED WITH US and IRON WIDOW.

The Hacienda by Isabel Cañas meets “Sister Wives” in a deliciously chilling, darkly romantic, historical gothic horror with a feminist slant, as a young Mormon woman is haunted by a malevolent presence in the decrepit Salt Lake City mansion she shares with her new husband and his other wives… Hazel Russon’s life in 1879 Utah territory is defined by three the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it. Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.  Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . . Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.

The Concrete Alibi is the first book in the new Mason Pierce Legal Thriller series from Michael Stagg. Set in Northlake featuring Mason Pierce as he starts at his new firm. Northlake has its secrets, as does Mason.

Welcome to the Gun Show! The top ten list is populated. The sponsorship program is open. The difficulty is ramping up. The first three floors were nothing compared to what Carl and Donut now face. The Iron Tangle. An impossibly-complicated subway system built out of the world's subterranean railway systems, all combined and then tied together into a knot. Up is down. Down is up. Close is far. The cars are filled with monsters, the railway stations are less than safe, and the exit is always just a few stops away. But there is hope. For the first time, the crawlers are all working together. The loot is better than ever. And the secret to unraveling it all may be hidden in the pages of a seemingly-useless book. Welcome, crawlers. Welcome to the fourth floor of the dungeon.