From one of the great historians of our time, J.M. Roberts, comes Ancient History, a gorgeous guide to our common past. Hundreds of colorful maps and illustrations guide the reader from prehistoric times up through Enlightenment. From early hominids to Charlemagne, Egyptian kingship to European Dynasticism, Ancient History is an illuminating work on humankind's past. Arranged in chronological order, beginning with prehistoric times over 2,000,000 years ago, this book catalogues major time periods, discoveries, and events (e.g. Homo erectus, The Fertile Crescent, metallurgy, Sumer, Ancient Egypt, Ancient China, Aegean civilization, the Mediterranean world, Greek life, the Roman world, Islam, Byzantium, the Far East, Medieval Christendom, the Renaissance, European colonialism, church reformation, and much more. Following on the heels of the international success of Robert's History of the World, Ancient History will serve as an indispensable reference that will inform, enlighten, and entertain readers for years to come.

A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel. Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda. In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he’s translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself. For readers of Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

Sometimes it takes working with the dead to start living. Kathy Valence is forty-two, mid-divorce, and pregnant with her ex's baby. She's also a modern-day grim reaper employed by S.C.Y.T.H.E. (Secure Collection, Yielding, and Transportation of Human Essences), but frankly that's the easiest part of her life right now. Or at least it was, until her latest client's soul goes missing. When she finally tracks down seventeen-year-old Conner Ortiz, he angrily denies he died of natural causes, despite what his file says. He insists that someone at S.C.Y.T.H.E. murdered him, and he demands Kathy find out who and why. Kathy has only forty-five days to figure out what happened to Conner and help him move on before the boy's soul is doomed to roam the Earth as a ghost forever. She’s forced to rely on the help of her retired mentor, her almost ex-husband—and some sneaky moves by Conner himself. This is the wildest case of her career. . .and one wrong move could cost Kathy her job, not to mention her life.

In the heart of Vandar, as dark forces close in, Elyon, a gifted Bladeborn, fights for his family’s survival. In the war-torn northlands of Tukor, a servant girl with a mysterious past is forced on the run, propelling her on a journey that will change her world forever. From the Shadowfort, a secret power is unleashed, one that will set into motion a series of events that will bring the world to its knees. With the world on the verge of chaos and countless lives at stake, a new First Blade must be selected, but obstacles stand in the way. Alliances are broken. Enemies are born. Only the strong will survive. Follow this epic tale as the battle for power, land, and the divine gifts of the Fallen Gods determine who lives and dies and who possesses ultimate control.

Bridgerton meets The Bachelor in this queer regency romance of a vampire competing for the heart of a duke. After being run out of his castle by vampire hunters, Count Lucian encounters the god of vampires, Vrykolakas, while in hiding. Unhappy with how many vampires have been bested by hunters, Vrykolakas gives Lucian a test: Infiltrate the future duke’s marriage games as a suitor and uncover the clandestine vampire hunters Vrykolakas suspects lurk in their midst. The god strips Lucian of his immortality so he can walk amongst mortals―making him human for the first time in centuries. If Lucian succeeds, Vrykolakas will make him the most powerful vampire in existence, but if he fails, the god of vampires will torture him for the rest of his life. Unfortunately, Lucian isn’t prepared for the emotions that come with humanity, nor the treacheries of courting season with fellow nobles posing as friends, enemies, and wholly unsuitable romantic

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

Impossible love between two girls —one human, one Made. A love that could birth a revolution. After the War of Kinds ravaged the kingdom of Rabu, the Automae, Designed to be the playthings of royals, took over the estates of their owners and bent the human race to their will. Now, Ayla, a human servant rising the ranks at the House of the Sovereign, dreams of avenging the death of her family… by killing the Sovereign’s daughter, Lady Crier. Crier, who was Made to be beautiful, to be flawless. And to take over the work of her father. Crier had been preparing to do just that—to inherit her father’s rule over the land. But that was before she was betrothed to Scyre Kinok, who seems to have a thousand secrets. That was before she discovered her father isn’t as benevolent as she thought. That was before she met Ayla. Set in a richly-imagined fantasy world, Nina Varela’s debut novel is a sweepingly romantic tale of love, loss and revenge, that challenges what it really means to be human.

In a manor by the sea, twelve sisters are cursed. Annaleigh lives a sheltered life at Highmoor, a manor by the sea, with her sisters, their father, and stepmother. Once they were twelve, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Each death was more tragic than the last—the plague, a plummeting fall, a drowning, a slippery plunge—and there are whispers throughout the surrounding villages that the family is cursed by the gods. Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that the deaths were no accidents. Her sisters have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts. Because who—or what—are they really dancing with? When Annaleigh's involvement with a mysterious stranger who has secrets of his own intensifies, it's a race to unravel the darkness that has fallen over her family—before it claims her next.