How to Lose a Goblin in Ten Days is a comfort read fantasy romance between a halfling and a goblin: imagine a classic opposites-attract romcom taking place in those cosy scenes in the hobbits' Shire from The Lord of the Rings. Expect magical forests, interfering wizards, lots of home cooking, and maybe even a kiss at the Harvest dance... When a halfling, Pansy, and a goblin, Ren, each think they've inherited the same cottage, they make a bargain: they'll live in the house together and whoever is driven out first forfeits their ownership. Amidst forced proximity and cultural misunderstandings, the two begin to fall in love. But when the cottage - and their communities - are threatened by a common enemy, the duo must learn to trust each other, and convince goblins and halflings to band together to oust the tall intruder. Perfect for fans of cosy fantasy novels including Legends and Lattes, The House in the Cerulean Sea and The Lord of the Rings.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes. To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future - outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.

Mexican Gothic meets The Lie Tree by way of Oscar Wilde and Mary Shelley in this delightfully witty horror debut. A captivating tale of two Victorian gentlemen hiding their relationship away in a botanical garden who embark on a Frankenstein-style experiment with unexpected consequences. It is an unusual thing, to live in a botanical garden. But Simon and Gregor are an unusual pair of gentlemen. Hidden away in their glass sanctuary from the disapproving tattle of Victorian London, they are free to follow their own interests without interference. For Simon, this means long hours in the dark basement workshop, working his taxidermical art. Gregor's business is exotic plants – lucrative, but harmless enough. Until his latest acquisition, a strange fungus which shows signs of intellect beyond any plant he's seen, inspires him to attempt a masterwork: true intelligent life from plant matter. Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment – or Chloe, as she is named – outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes. The mycelium grows apace in this sultry greenhouse. But who is cultivating whom? Told with wit and warmth, this is an extraordinary tale of family, fungus and more than a dash of bloody revenge from an exciting new voice in queer horror.

In this atmospheric Appalachian gothic, the Haddesley siblings of West Virginia must unearth long-buried secrets to carve out a future when the supernatural bargain entwining their fate with their ancestral land is suddenly ruptured Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future. Middle child Wenna, summoned back to the dilapidated family manor just as her marriage is collapsing, believes the Haddesleys must abandon their patrimony. Her siblings are not so easily persuaded. Eldest daughter Eda, de facto head of the household, seeks to salvage the compact by desecrating it. Younger son Percy retreats into the wilderness in a dangerous bid to summon his own bog-wife. And as youngest daughter Nora takes desperate measures to keep her warring siblings together, fledgling patriarch Charlie uncovers a disturbing secret that casts doubt over everything the family has ever believed about itself. Brimming with aching loss and the universal struggle between honoring family commitments and the drive to strike out on one’s own, The Bog Wife is a haunting invocation of the arcane power of the habits and habitats that bound us.

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave. Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom? Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought. Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

Sparks are igniting. Flames are spreading. And the Capitol wants revenge. Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create. Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying. In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.

A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

Six students at Blackwood Academy, an enigmatic boarding school located at the edge of the afterlife, must compete for the once-in-eternity chance to change their fate—or risk remaining stuck in purgatory forever. An unputdownable debut full of hairpin twists, shock betrayals and world-defying love, for fans of The Atlas Six. Welcome to Blackwood Academy: the legendary school located at the fringes of the afterlife, where students are fated to spend the rest of eternity shepherding lost souls. Once a pupil enters the school’s arched gates, there is no way out…except for the Decennial, a once-in-a-decade celebration that rewards nominees who pass its trials with a choice: formally graduate and join Blackwood’s magical elite, or venture into the unknown and cross over to the mysterious Other Side. Wren Loughty is certain that this Decennial, she has what it takes to earn the nomination—unless, that is, her academic archrival Augustine Hughes steals her spot. Irene Manette Bamford has never cared about playing by the rules. She’s willing to break whatever (and whoever) stands between her and getting the hell out of Blackwood, including her best and only friend, Masika Sallow. Olivier Dupont gave up on securing the nomination ages ago. But after he meets Blackwood’s newest student, Emilio Córdova, he’ll do anything to keep Emilio from leaving him and crossing over to the Other Side—even if it means claiming the victory for himself. All of them are determined to be Blackwood’s chosen candidate–and all of them would do anything to win. But none of them are prepared for what’s to come. Because this Decennial will be different. This time, the Decennial isn’t a celebration…it’s a competition. And there can only be one victor. Six nominees. Four trials. Untold danger. Wren, August, Irene, Masika, Olivier and Emilio are about to learn: there are some fates worse than death.

Nothing brings people together like a common enemy, and witches were the greatest enemy of all. Scotland, 1563: Crops failed. People starved. And the Devil's influence was stronger than ever—at least, that's what everyone believed. If you were a woman living in Scotland during this turbulent time, there was a very good chance that you, or someone you knew, would be tried as a witch. During the chaos of the Reformation, violence against women was codified for the first time in the Witchcraft Act—a tool of theocratic control with one chilling to root out witches and rid the land of evil. What followed was a dark and misogynistic chapter in history that fanned the flames of witch hunts across the globe, including in the United States and beyond. In How to Kill a Witch, Zoe Venditozzi and Claire Mitchell, hosts of the popular Witches of Scotland podcast, unravel the grim yet absurdly bureaucratic process of identifying, accusing, trying, and executing women as witches. With sharp wit and keen feminist insight, they reveal the inner workings of a patriarchal system designed to weaponize fear and oppress women. This captivating (and often infuriating) account, which weaves a rich tapestry of trial transcripts, witness accounts, and the documents that set the legal grounds for the witch hunts, exposes how this violent period of history mirrors today's struggles for justice and equality. How to Kill a Witch is a powerful, darkly humorous reminder of the dangers of superstition, bias, and ignorance, and a warning to never forget the past… while raising the question of whether it could ever happen again.

Could you survive on your own in the wild, with every one out to make sure you don't live to see the morning? In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

In this debut gothic fantasy, the first book of an enthralling fantasy romance trilogy, a young woman who can see the dead strikes a deal with a magnetic and dangerous purveyor of dark secrets to save her brother’s life. Three years ago, Leena Al-Sayer awoke with a terrible power. She can see the dead. Since then, she has hidden herself from the world, knowing that if she ever reveals her curse she will be locked away in an asylum. When her beloved brother, Rami, falls fatally ill, Leena is faced with a terrible Let him die or buy the expensive medicine that will save his life by bartering the only valuable thing she has—her secret. The Saint of Silence, a ruthless merchant who trades in confessions and is shrouded in unearthly rumors of cruelty and power, accepts her bargain, for a deadly price. Leena must find the ghost of Percival Avon, the last lord of Weavingshaw—or lose her freedom to the Saint forever. As Leena’s search takes her and the Saint to Weavingshaw, she finds the estate and the surrounding moors to be living things—hungry for blood and sacrifice. Fighting against Weavingshaw’s might, Leena must also fight her growing pull toward the enigmatic Saint himself, whose connection to Percival Avon remains a mystery. As the house begins to entomb them, time is running out on their desperate hunt for answers. For Leena has come to see that here in Weavingshaw, the dead are not hushed—and some secrets are better left buried with them.