A sweeping, lyrical debut about the love and longing between humanity and the earth itself, by a major new literary talent from India A spellbinding work of literature, Latitudes of Longing follows the interconnected lives of characters searching for true intimacy. The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A Human hybrid and an Alpha Were claw against the bonds of fate in the highly anticipated companion novel to the New York Times bestselling Bride. Serena Paris is orphaned, pack-less, and one of a kind. Coming forward as the first Human-Were hybrid was supposed to heal a centuries-long rift between species. Instead, it made her a target, prey to the ruthless political machinations between Weres, Vampyres, and Humans. With her enemies closing in on her, she has only one option left—if he’ll have her. As Alpha of the Northwest pack, Koen Alexander commands obedience. His authority is so absolute, only a fool would threaten his mate. It doesn’t matter if Serena doesn’t reciprocate his feelings, nothing will stop him from keeping her safe. But power-hungry Vampyres and Weres are not the only threats chasing Serena. Sooner or later, her past is bound to catch up with her—and Koen might be the only thing standing between her and total annihilation…

A Human hybrid and an Alpha Were claw against the bonds of fate in the highly anticipated companion novel to the New York Times bestselling Bride. Serena Paris is orphaned, pack-less, and one of a kind. Coming forward as the first Human-Were hybrid was supposed to heal a centuries-long rift between species. Instead, it made her a target, prey to the ruthless political machinations between Weres, Vampyres, and Humans. With her enemies closing in on her, she has only one option left—if he’ll have her. As Alpha of the Northwest pack, Koen Alexander commands obedience. His authority is so absolute, only a fool would threaten his mate. It doesn’t matter if Serena doesn’t reciprocate his feelings, nothing will stop him from keeping her safe. But power-hungry Vampyres and Weres are not the only threats chasing Serena. Sooner or later, her past is bound to catch up with her—and Koen might be the only thing standing between her and total annihilation…

In his much-anticipated debut novel, Hank Green--cocreator of Crash Course, Vlogbrothers, and SciShow--spins a sweeping, cinematic tale about a young woman who becomes an overnight celebrity before realizing she's part of something bigger, and stranger, than anyone could have possibly imagined. The Carls just appeared. Coming home from work at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship--like a ten-foot-tall Transformer wearing a suit of samurai armor--April and her friend Andy make a video with it, which Andy uploads to YouTube. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world--everywhere from Beijing to Buenos Aires--and April, as their first documentarian, finds herself at the center of an intense international media spotlight. Now April has to deal with the pressure on her relationships, her identity, and her safety that this new position brings, all while being on the front lines of the quest to find out not just what the Carls are, but what they want from us. Compulsively entertaining and powerfully relevant, An Absolutely Remarkable Thing grapples with big themes, including how the social internet is changing fame, rhetoric, and radicalization; how our culture deals with fear and uncertainty; and how vilification and adoration spring from the same dehumanization that follows a life in the public eye.

A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

Gone Girl meets Big Swiss in this electric, binge-of-a-debut about a millennial antihero who seeks revenge on her ex-situationship with a hex, only for him to actually, literally die. Lillian and Henry have been enjoying each other’s company, especially in bed. Even though Lillian’s best friend calls it “situationship,” Lillian is determined to lock Henry down—and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.Lillian expects Henry to come crawling back to her. What she doesn’t quite anticipate is becoming a prime suspect in his murder case when he’s found dead. As Lillian grapples with the loss of her sort-of-boyfriend, she’s hit with another That Henry had a long-term girlfriend he also left behind. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person heralds Kirsten King as a striking new voice in the canon of celebrated fiction.