On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Tara Selter’s epic journey through November 18th continues in Book II of the masterly On the Calculation of Volume from one of Scandinavia’s most beloved writers. The first year of November eighteenth is coming to a close, and Tara Selter has returned to her hotel room in Paris, the place where it all began. As if perched at the edge of a precipice, she readies herself to leap into November nineteenth. Book II of Solvej Balle’s astounding seven-part series On the Calculation of Volume beautifully expands on the speculative premise of Book I, drawing us further into the maze of time, where space yawns open, as if suddenly gaining a new dimension, extending into ever more fined-grained textures. Within this new reality, our senses and the tactility of things grows sounds, smells, sights, objects come suddenly alive, as if the world had begun whispering to us in a new language. And yet as the world announces itself anew, Tara’s own sense of self is eroding, making her wonder just which bits of her are really left intact? “It is the Tara Selter with hopes and dreams who has fallen out of the picture, been thrown off the world, run over the edge, been poured out, carried off down the stream of eighteenths of November, lost, evaporated, swept out to sea.” She begins to think of herself as a relic of the past, as something or someone leftover, similar to the little Roman coin she carries around in her pocket, without a purpose or a place. Desperate to recover a sense of herself within time, Tara decides to head north by train in search of winter, but soon she turns south in pursuit of spring, as she tries to grasp on to durational time through seasonal variations. Amazingly, On the Calculation of Volume Book II is all movement and motion—taking us through the European countries of the North and the South, through seasons, and languages—a beautiful travelogue that is also a love letter to our vanishing world. To be continued.

"Mehdi se sécha, enfila un tee-shirt propre et un pantalon de toile, et il chercha au fond de sa sacoche le livre qu’il avait acheté pour sa fille. Il poserait sa main sur son épaule, il lui sourirait et lui ordonnerait de ne jamais se retourner. "Mia, va-t’en et ne rentre pas. Ces histoires de racines, ce n’est rien d’autre qu’une manière de te clouer au sol, alors peu importent le passé, la maison, les objets, les souvenirs. Allume un grand incendie et emporte le feu."" Enfants de la troisième génération de la famille Belhaj, Mia et Inès sont nées dans les années 1980. Comme leur grand-mère Mathilde, leur mère Aïcha ou leur tante Selma, elles cherchent à être libres chacune à sa façon, dans l’exil ou dans la solitude. Il leur faudra se faire une place, apprendre de nouveaux codes, affronter les préjugés, le racisme parfois. Leïla Slimani achève ici de façon splendide la trilogie du Pays des autres, fresque familiale emportée par une poésie vigoureuse et un souffle d’une grande puissance.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it. And the highwayman? He just so happens to be the King’s nephew, Captain of the most dangerous men in Blunder…and guilty of high treason. Together they must gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly taking over her mind. And she might not be able to stop him.

Tara Selter’s epic journey through November 18th continues in Book II of the masterly On the Calculation of Volume from one of Scandinavia’s most beloved writers. The first year of November eighteenth is coming to a close, and Tara Selter has returned to her hotel room in Paris, the place where it all began. As if perched at the edge of a precipice, she readies herself to leap into November nineteenth. Book II of Solvej Balle’s astounding seven-part series On the Calculation of Volume beautifully expands on the speculative premise of Book I, drawing us further into the maze of time, where space yawns open, as if suddenly gaining a new dimension, extending into ever more fined-grained textures. Within this new reality, our senses and the tactility of things grows sounds, smells, sights, objects come suddenly alive, as if the world had begun whispering to us in a new language. And yet as the world announces itself anew, Tara’s own sense of self is eroding, making her wonder just which bits of her are really left intact? “It is the Tara Selter with hopes and dreams who has fallen out of the picture, been thrown off the world, run over the edge, been poured out, carried off down the stream of eighteenths of November, lost, evaporated, swept out to sea.” She begins to think of herself as a relic of the past, as something or someone leftover, similar to the little Roman coin she carries around in her pocket, without a purpose or a place. Desperate to recover a sense of herself within time, Tara decides to head north by train in search of winter, but soon she turns south in pursuit of spring, as she tries to grasp on to durational time through seasonal variations. Amazingly, On the Calculation of Volume Book II is all movement and motion—taking us through the European countries of the North and the South, through seasons, and languages—a beautiful travelogue that is also a love letter to our vanishing world. To be continued.

Two young women meet in Paris in this decades-spanning tour de force about the enduring power of young love and the poignant heartbreak of missed chances—perfect for fans of One Day and Normal People. Erica and Laure meet on the steps of the Sacré-Coeur in Paris, 1978. Erica is a student, relishing her first summer abroad before beginning university at home in England. Laure is studying for her PhD at the Sorbonne, drinking and smoking far too much, and sleeping with a married woman. The moment the two women meet, the spark is undeniable, but their encounter turns into far more than a summer of love. It is the beginning of a relationship that will define their lives and every decision they have yet to make… Erica and Laure’s love story spans decades, marriage, children, secret trysts, and the agonizing changes—both personal and political—that might mean they can be together, after all. But when life brings them within touching distance again, will they be brave enough to seize a future together? Beautifully capturing young love and all its complexities, Almost Life is a story of longing for the paths not taken, and the almost lives we live.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. Eo kisses my cheek. "Then you must live for more." Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

In the vein of Octavia E. Butler and Margaret Atwood, a harrowing novel set in an alternate United States —a world of injustice and bondage in which a young Black woman becomes the concubine of a powerful white government official and must face the dangerous consequences. Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows. Inspired by the lives of enslaved concubines to U.S. politicians and planters, The Blueprint unfolds over dual timelines to explore bodily autonomy, hypocrisy, and power imbalances through the lens of the nation’s most unprotected: a Black girl.

'A fresh, flamboyantly witty voice' Helen Fielding, author of Bridget Jones's Diary Adora Hazzard has it all figured out. A Stoic philosopher and divorcee, she lives amongst friends and culture on New York's Upper West Side, and works for the ultra-wealthy and secretive Lockwood family as a private ethics tutor for their tween boys. Her main life hack - and the key to her own enviable happiness - is to desire only what you have. Everything else life throws at you? Don't just accept it; love it. Amor Fati. Adora believes it so deeply she has it tattooed on her wrist.When Adora meets Johnny, a handsome stranger at the ballet, she finds herself loving fate indeed. Soon, she's pulled into a world of secret rendezvous, black-market art deals and international intrigue. Driven by an unexpected and maddening desire, Adora risks reputation, job and hard-won serenity for the feelings Johnny has awoken in her.Go Gentle is a romance with wit, a page-turner of ideas, a globe-trotting mother-daughter story, all wrapped inside a mystery with a socko twist. Maria Semple has created another hilarious and unforgettable heroine.

When everything is lost, it’s our stories that survive. How do we weather the end of things? Cloud Cuckoo Land brings together an unforgettable cast of dreamers and outsiders from past, present and future to offer a vision of survival against all odds. Constantinople, 1453: An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love. Idaho, 2020: An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans? Unknown, Sometime in the Future: With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance. Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.

Spanning twenty years and one life-altering summer in Croatia, Slanting Towards the Sea is at once an unforgettable love story and a powerful exploration of what it means to come of age in a country younger than oneself.Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the new millennium, when democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life’s disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited new wife, Marina. But when a new man enters Ivona’s life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved. Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.

G.H., a well-to-do Rio sculptress, enters the room of her maid, which is as clear and white 'as in an insane asylum from which dangerous objects have been removed'. There she sees a cockroach - black, dusty, prehistoric - crawling out of the wardrobe and, panicking, slams the door on it. Her irresistible fascination with the dying insect provokes a spiritual crisis within, in which she questions her place in the universe and her very identity, propelling her towards an act of shocking transgression. Clarice Lispector's spare, deeply disturbing yet luminous novel transforms language into something otherworldly, and is one of her most unsettling and compelling works.

Mycroft Canner is a convict. For his crimes he is required, as is the custom of the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer--a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away. The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labeling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world's population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competition is carefully managed by central planners of inestimable subtlety. To us it seems like a mad combination of heaven and hell. To them, it seems like normal life. And in this world, Mycroft and Carlyle have stumbled on the wild card that may destablize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life...