A bold and searing investigation into the role of white women in the American slave economy Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave-owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave-owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave-owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

From the bestselling author of the Kingdom of Lies series comes a slow-burn romantasy set in a Roman-inspired world ruled by merciless vampires. Filled with breathtaking combat, vengeful gods, and magical creatures, We Who Will Die is the epic first installment in an enthralling new series perfect for fans of Carissa Broadbent, Jasmine Mas, and Rebecca Yarros. Life in the perilous Thorn district is a constant battle for Arvelle and her younger brothers. And the vampire standing on her doorstep is about to turn their world upside down. Faced with an unthinkable choice, Arvelle makes a magically binding vow to do the impossible: kill the emperor, an ancient vampire created by the god Umbros. But first, she must enter the Sundering—an arena where only the fastest, strongest, and deadliest survive long enough to be selected for the emperor’s elite guard. She quickly draws the ire of the Primus, the powerful figure charged with protecting the emperor. But the vampire under the armor is the last person Arvelle expects to encounter in the emperor’s court. With her brothers’ lives in the balance, Arvelle has no choice but to ally with the man who once shattered her heart… and with the emperor’s sadistic son, Rorrik—two vampires whose motives are impossible to pin down. Rorrik holds the key to understanding the powers Arvelle is developing—abilities that would put a price on her head if discovered by the emperor. To survive the arena and complete her mission, Arvelle must get to the bottom of a conspiracy that will change everything she thought she knew about herself—and the two vampires who are deeply entwined with her destiny…

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave owning nation  Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks-those that are honest about the past and those that are not-that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted. Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

Two women. Two Flights. One last chance to disappear. Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan townhouse and a staff of ten, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he's not above using his staff to track Claire's every move, making sure she's living up to his impossible standards. But what he doesn't know is that Claire has worked for months on a plan to vanish. A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets — Claire taking Eva's flight to Oakland, and Eva traveling to Puerto Rico as Claire. They believe the swap will give each of them the head start they need to begin again somewhere far away. But when the flight to Puerto Rico goes down, Claire realizes it's no longer a head start but a new life. Cut off, out of options, with the news of her death about to explode in the media, Claire will assume Eva's identity, and along with it, the secrets Eva fought so hard to keep hidden. The Last Flight is the story of two women — both alone, both scared — and one agonizing decision that will change the trajectory of both of their lives.

The fae abandoned this world to us. And the ones with power rule. Gold. Gold floors, gold walls, gold furniture, gold clothes. In Highbell, in the castle built into the frozen mountains, everything is made of gold. Even me. King Midas rescued me. Dug me out of the slums and placed me on a pedestal. I’m called his precious. His favored. I’m the woman he Gold-Touched to show everyone that I belong to him. To show how powerful he is. He gave me protection, and I gave him my heart. And even though I don’t leave the confines of the palace, I’m safe. Until war comes to the kingdom and a deal is struck. Suddenly, my trust is broken. My love is challenged. And I realize that everything I thought I knew about Midas might be wrong. Because these bars I’m kept in, no matter how gilded, are still just a cage. But the monsters on the other side might make me wish I’d never left. The myth of King Midas reimagined. This compelling adult fantasy series is as addictive as it is unexpected. With romance, intrigue, and danger, the gilded world of Orea will grip you from the very first page. Please Note: This book contains explicit content and darker elements, including mature language, violence, and rape. It is not intended for anyone under 18 years of age. This is book one in a series. An alternative cover edition for this ASIN can be found here.

#1 New York Times bestselling author Fredrik Backman returns with an unforgettably funny, deeply moving tale of four teenagers whose friendship creates a bond so powerful that it changes a complete stranger’s life twenty-five years later. Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love. Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

Poet and contributor to The Atlantic Clint Smith’s revealing, contemporary portrait of America as a slave owning nation  Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks-those that are honest about the past and those that are not-that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted. Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

Mary is a quiet, middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself.But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things.Fired from her job in New York, she moves back to her hometown, hoping to reconnect with her past and inner self. Instead, visions of terrifying, mutilated specters overwhelm her with increasing regularity and she begins auto-writing strange thoughts and phrases. Mary discovers that these experiences are echoes of an infamous serial killer. Then the killings begin again.Mary’s definitely going to find herself.

A BBC must-read book of 2026—”Sharp, dark and humorous, it’s a real nail-biter.” Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

A ‘traditional wife’ influencer allows a demonic creature to impregnate her in this unnerving horror novel, perfect for fans of Nightbitch and Mary, from the author of Serial Killer Support Group. Every #tradwife needs a baby. She’ll get one at any cost.When Camille Deming isn’t cooking, cleaning, or homesteading in her picture-perfect country farmhouse, she’s posting about her tradwife lifestyle for her online followers. She takes inspiration from other tradwives on social media, aspiring to be like them, but Camille’s missing a key a baby. And contrary to what she posts online, things with her husband Graham have been strained. Pressured by her eager followers, Camille fears that without a baby, her relationship will suffer and her social media will never grow out of its infancy.When Camille discovers a mysterious, decrepit well in the wheatfield behind her house, she makes a wish for a baby. Afterwards, she has unsettling experiences that she convinces herself are angelic in nature, and when she’s visited one night by a strange creature, her wish comes true. Camille’s pregnancy announcement gets more engagement than anything she’s ever posted—so what if Graham’s reaction is lukewarm? Camille’s life is finally falling into place. Never mind that her pregnancy is developing freakishly rapidly and she’s suddenly craving raw meat. Being a traditional wife is worth it.Rosemary’s Baby for the digital age, this disturbing horror novel is one you’ll want to devour in just one bite.